Samme følelse af de originale tonehjul i orgelens pedal . Den er bare kortere og lettere. Der er kun 18 noter. Perfekt til giggins musikere. Volume pedal medfølger.
1 strømforsyning er inkluderet. Men hvis du spiller det med en Legend eller en Legend Live, behøver du ikke det, pedalboardet er drevet via midi-kabel.
Pedalboard 18 er en MIDI pedalboard, du kan bruge den med andre mærker, med MIDI instrumenter.
Tenore Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
Cyclemic
Cyclemic Behind the head sweat resistant fitness microphone.
Cyclemic is the superior headworn-microphone designed specifically for the fitness industry’s indoor cycling programs. Cyclemic’s sleek orange boom arm with ‘J’ curve design is easy to spot on the most well known cycling presenters and instructors worldwide. It’s unique miniature mic capsule is designed to be worn beside the mouth, not in front. Breath noises are not over-amplified; no foam ball windscreen is needed. Cyclemic’s excellent sound quality ensures clear voice projection, taking the stress and strain off instructors voices when teaching high-sweat cycling classes.
Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.See more Info
B110 is a versatile, portable, powerful active speaker suitable for small to medium venue applications. The bass-reflex cabinet is equipped with a 10 woofer and a 1.35 compression driver boosted by a 400 W amp module.
System Type Vented stereo sub
Max SPL (@1m) 130 dB
Frequency Response (-10 dB) 45 Hz - Cut freq
LF 15” - 4” V.C
Peak Power 1000 W
Cooling Passive radiator
DSP 28/56 bit
Connectors I/O CH1/CH2: Combo, LINE OUT: XRL-M (LINK+XOVER)
Controls LEVEL, XOVER selection, POLARITY selection
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 430 x 580 x 590 mm (16.9" x 22.8" x 23.2")
Weight 31.9 kg (70.32 lbs)
SPIN-TONE 400
Spin-Tone 400 is our 3-way amplifier equipped with 2 speakers with woofer and tweeter for rotary or stationary effect and a rotating driver, specifically designed to reproduce the original rotary horn amplifiers. The Spin-Tone 400 (400W), with its 23,5 kg, is the most portable solution for gigs and the perfect amp to connect to your Legend Soul, or any other instrument of our line and not, bringing that vintage touch that will make the difference.
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PX1
PX1 is a multifunctional foldable music stand. Thanks to its particular design, the product is stable in any position of its use. The board can be removed and folded. This part is made of shock-resistant but flexible ABS, so that to avoid damages due to accidental falls. PX1 Music Stand is equipped with a storage compartment and two retractable holders to hang headphone and violin, cello or double bass bow. Useful also for any other proper use. In case of large music sheets, board extensions named PX1A are available as separate and optional accessories. The extensions are to be connected on the board lateral rails.
Inc. Bag
TYPE 5 String G Banjo
TUNING G, D, G, B, D
BRACKETS 18
RESONATOR Maple
SIDES Maple
FINGERBOARD Techwood
BRIDGE Maple with Ebony tip
HEAD Remo Ivory
FINISH Natural Gloss
Madrigal Guitars in collaboration with Alfredo Gonzalez Luthier offers to the professional guitarists these 100% Handmade classical guitars concert models .
Each guitar is made separately with an exhaustive selection of exclusive and exotics woods and highly musical especiality.
The playing guitarist will achive Powerful attack, unique lyrical and sensitive timbre, with a wide spectrum sound between piano and forte that the professional musician will appreciate.
All the guitars are shellac finished.
AURORA - PROFESSIONAL
Back/Sides: Solid Madagascar Rosewood
Top Solid special Cedar
Fingerboard: Gabon ebony
Neck: Cedar Special
Bridge: Amazonas rosewood
Rosette: Wood mosaic
Bindings: cocobolo
Headplate: Madagascar
Tuners: Gottoh
Finish: High gloss
Scale: 650mm
Hiwatt is the classic British guitar amplifier that musicians have counted on, both in the studio and on the road, year after year. Built by hand in England, every amplifier is soak-tested before it leaves the factory to serve a new generation of musicians.
Kicking off in the late 1960s, under the guidance of Dave Reeves, Hiwatt gave Marshall a run for their money, contributing hugely to the sonic landscape that became know as ‘The British Sound’. With artists such as The Who and Pink Floyd, the brand was at the forefront of guitar amplification for the remainder of the 1960s and much of the 1970s. Reeves’ untimely death and severe licensing problems threw the trade mark into the doldrums for much of the next two decades.
Hiwatt’s second coming arrived once new trademark owners took control, pursuing an aggressive marketing policy during the present century. This has been proven, with artists such as U2, Oasis, Coldplay and The Black Keys
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
GM9882HP – Double handheld + headset UHF wireless microphone
Double handheld + headset UHF wireless microphone system with convenient ABS case for carriage 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
The Edge is made to take your playing to that next level. This pick features an extremely sharp point with rounded shoulders, but unlike the Classic shape, the Edge has an extra-wide body for a dependable grip during even the most aggressive playing. The Edge gives you a more accurate and articulate sound with better pinch harmonics. Great for all types of picking, from alternate to sweeping, the Edge is made for ultimate accuracy and sound. While it can be played on any guitar, the Edge is designed to bring out the most out of your electric guitar.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Tribute L-2000
Leos L serie basser, startede som en videreførelse af hans Music Man designs, og med to Humbucker pickups tilbød G&L noget på det tidspunkt, som ikke fandtes hos MM. L serien har siden starten fået sit eget liv, og både L-2000, og L-2500 (5 str) er blevet manges favorit bas, og i høj grad en bestseller i Tribute serien.
G&L er Leo Fenders sidste livsværk, skabt på erfaringerne fra Fender og Music Man, og designet i Leo’s workshop, på Fender Avenue 2548, i Fullerton, CA. Stedet hvor de første Music Mans blev bygget, og siden alle G&L USA modeller. Den lille fabrik kører stadig på højtryk, og Leo’s værksted står, som da han forlod det. Tradition og håndværk forenet. Tribute serien er fremstillet hos Cortek i Indonesien, og anvender G&L pickups og hardware!
A little over 40 years ago, largely because we could not afford to buy a high quality electric guitar, and partly because we enjoyed a challenge, my Dad and I decided to make an electric guitar. I designed an instrument from scratch, with the intention that it would have a capability beyond anything that was out there, more tunable, with a greater range of pitches and sounds, with a better tremolo, and with a capability of feeding back through the air in a "good" way - i.e. in a self-sustaining mode.
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This guitar are with Brian May`s signature (autograf )
SHAPE Super Folk
TOP Solid Spruce or Solid Cedar
BACK Amara/Spalt Mango
SIDES Amara
FINGERBOARD Techwood
BRIDGE Techwood
STRINGS Elixir Nanoweb 12-53
ELECTRONICS Fishman Presys
FINISH Natural Gloss
Full Specification TWJSFCE
100 watts RMS
12" HH Blue 1220200-4 Professional Woofer
Two Channels. FET and Drive, with mix options for gritty drive whilst maintaining clarity.
Preshape Switch, provides a mid-frequency cut for a scooped sound whilst pushing the tops and lows.
Bass (±12dB), Middle (±12dB) with four switchable voicing options, Treble (±12dB)
TILT function
Precision-crafted 15mm Plywood cabinet for optimal strength, reduced weight, and a resonant, natural tonal character.
Top mounted steel reinforced strap handle for comfortable and easy transportation
Hard wearing black vinyl, Steel Corners for enhanced protection
AUX in
3.5mm Stereo Headphone Jack
FX Loop
FX send doubles as line out
Balanced Male XLR D.I. Output (Pre EQ)
Removable front baffle
Master Volume
Remote socket for optional FS-1 MINI - switches Drive
Internal universal 100-200V~ 50/60Hz, Switched mode power supply. IEC C14 inlet connector
Stunning full hollowbody guitar with double cutaway, licensed Bigsby, 648mm scaling, rosewood fingerboard and bridge. Body is constructed from solid maple top (yes solid ) , and laminated back and sides! Finished in deep wine colouring with abalone inlay and gold effect hardware!
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
Strings in black nylon tape wound on a stainless steel core: if used on a fretless electro-acoustic bass, make the instrument able to produce tones as a double bass. 5 strings
1-EFFEKT PEDALER
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