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HIWATT
Hiwatt is the classic British guitar amplifier that musicians have counted on, both in the studio and on the road, year after year. Built by hand in England, every amplifier is soak-tested before it leaves the factory to serve a new generation of musicians.
Kicking off in the late 1960s, under the guidance of Dave Reeves, Hiwatt gave Marshall a run for their money, contributing hugely to the sonic landscape that became know as ‘The British Sound’. With artists such as The Who and Pink Floyd, the brand was at the forefront of guitar amplification for the remainder of the 1960s and much of the 1970s. Reeves’ untimely death and severe licensing problems threw the trade mark into the doldrums for much of the next two decades.
Hiwatt’s second coming arrived once new trademark owners took control, pursuing an aggressive marketing policy during the present century. This has been proven, with artists such as U2, Oasis, Coldplay and The Black Keys
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HIWATT
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
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HIWATT STUDIO/STAGE 212 BLUE
ffectively, two amps in one. For the Stage setting, 4xEL84s at the output stage and 3xECC83s and a single ECC81 at the preamp delivers 40w of classic, Hiwatt tone. However, switch to the Studio setting, and this switches out one of the two pairs of EL84s delivering the same tone at more manageable levels. We’ve not left it that, either. Pull out the gain switch for even more overdrive than the usual setting, as our specially wound transformer ratchets up the output from the tubes. More? Dial in the level of reverb you need from the all tube design Accutronics spring reverb, and leave the volume control to the guitar; you won’t lose any tone in doing so. 3 band EQ, low and bright inputs and master volume complete the package. The versatile Studio/Stage amplifier with 2 Fane designed Hiwatt 12” speakers capable of handling 150w.
24.999,00 DKK
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HIWATT SSD 212 COMBO
SSD112 / SSD212 - HIWATT SSD COMBO
This amp has normal and bright channels, but this has an extra input where the gain from each of these channels can be combined.
Available as 50w 1x12" or 2x12" Combination.
24.999,00 DKK
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HIWATT SSD 112 COMBO
SSD112 / SSD212 - HIWATT SSD COMBO
This amp has normal and bright channels, but this has an extra input where the gain from each of these channels can be combined.
Available as 50w 1x12" or 2x12" Combination.
22.999,00 DKK
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HIWATT SA 212 CUSTOM 50W COMBO
Look at the facia of this amplifier, and it looks fairly standard, but don’t be fooled. The Custom 20 boasts some pretty clever circuitry in the EQ network. You could set the master volume and gain at full, but with all three tone controls set fully anti-clockwise, you’ll not hear a thing. It’s like having a further three volume controls set at different frequencies, which means you have such control of your tone, and what a tone! No FX loops, no DI or other interruptions, just you and the amp. 2xEL84s at output and 3xECC83s at pre-amp with this circuitry will give you tones, harmonics, creamy distortion and graunch that you didn’t think possible.
The Custom 20 amplifier twinned with either a single 12” or 2x10” Fane configuration. Rugged, portable and with clean tones like a punch between the eyes, this is bordering on the self-indulgent.
Dimensions: 26kg, 630 - 290 - 490 (W x D x H) mm
23.999,00 DKK
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HIWATT CUSTOM 100 BLUE GUITAR HEAD DR 103
DR103 - HIWATT CUSTOM 100 HEAD
This is the amp that started it all.
Dimensions: 28kg, 635 - 285 - 270 (W x D x H) mm.
23.999,00 DKK
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HIWATT 4 X 12 SE 4123F GUITAR BLUE SPEAKER CABINET FANE
HIWATT 4X12 SPEAKER CABINET SE4123 F
Our speaker cabinets have been designed to match our amplifiers perfectly.
Dimensions: 44kg, 760 - 350 - 775 (W x D x H) mm.
11.999,00 DKK
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HIWATT 200W BASS HEAD DR 201
DR201 - HIWATT 200W BASS HEAD
This amp again is a tried and tested classic.
Dimensions: 34kg, 700 - 285 - 290 (W x D x H) mm.
24.999,00 DKK
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HIWATT 1 X 15 BASS SPEAKER CABINET FANE
HIWATT 1X15 BASS SPEAKER CABINET - SE115
Although this compact cabinet can be used on its own in the smaller venue, it has really been designed as a partner to the 4x10 cab.
Dimensions: 24kg, 710 - 430 - 630 (W x D x H) mm.
9.999,00 DKK
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HIWATT 1 X 15 BASS SPEAKER CABINET CELESTION
HIWATT 1X15 BASS SPEAKER CABINET - SE115
Although this compact cabinet can be used on its own in the smaller venue, it has really been designed as a partner to the 4x10 cab.
Dimensions: 24kg, 710 - 430 - 630 (W x D x H) mm.
7.999,00 DKK
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