It’s not easy to reinvent forgotten technology, but after many years of research, we found the lost secrets and brought back the authentic echoes from the 1950s. It’s known for its use in David Gilmour and Hank Marvin’s guitar tones, John Bonham even used it on drums!
The Binson Echorec provides a unique and distinguishing type of echo supplied by a rotating metal drum where the audio signal is recorded through a magnetic recording head. The Four Playback heads will allow you to choose individual echoes and swells.
BINSON ECHOREC REBORN BY T-REX EFFECTS DENMARK
2 MUDHONEYS IN 1 - DUAL DISTORTION
If you still haven’t heard a T-Rex Mudhoney, do yourself a favour and plug one in next time you’re at the music store.
Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.
Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
Hiwatt is the classic British guitar amplifier that musicians have counted on, both in the studio and on the road, year after year. Built by hand in England, every amplifier is soak-tested before it leaves the factory to serve a new generation of musicians.
Kicking off in the late 1960s, under the guidance of Dave Reeves, Hiwatt gave Marshall a run for their money, contributing hugely to the sonic landscape that became know as ‘The British Sound’. With artists such as The Who and Pink Floyd, the brand was at the forefront of guitar amplification for the remainder of the 1960s and much of the 1970s. Reeves’ untimely death and severe licensing problems threw the trade mark into the doldrums for much of the next two decades.
Hiwatt’s second coming arrived once new trademark owners took control, pursuing an aggressive marketing policy during the present century. This has been proven, with artists such as U2, Oasis, Coldplay and The Black Keys
Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.See more Info
Mikrofon kabel 9,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
T-REX REPLICA - DELAY
THE ORIGINAL COLLECTION
T-Rex Effects is proud to announce that the legendary Replica Delay is back with an even larger and more powerful “engine”, but still delivers the same iconic sound and simplicity.
The Replica is built with high-quality European components and Danish craftsmanship; we are happy to say that we have achieved a new level.
You will discover two different modes, ¨Vintage mode¨, where the repeats are passed through a compressor/expander circuit, which makes the sound smooth and dynamic.
This circuit was used in the first generation of the Replica.
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
The M4000D Mini Mellotron was developed to meet the needs of keyboardists who want an even smaller and lighter Digital Mellotron. The Mini is also designed to fit perfectly on top of the regular M4000D to make a great looking dual manual Mellotron. Instead of the M4000D’s wooden keyboard, it includes a high-quality, semi-weighted Fatar piano-style keyboard with velocity sensitivity, and mono aftertouch.
B115 is a versatile, portable full range active speaker suitable for applications in medium to large venues. The bass-reflex cabinet is equipped with a 15 woofer and a 1.35 compression driver boosted by a 1200 W Class D amp module
A single module for two synths! The FM Module for Legend ’70s gives you two layers of authentic FM synthesis and a selection of sounds from music history.
You can import DX-TX sounds from the available libraries. You will also have an FM synthesis editor to experiment with!
FM SYNTH MODULE
2 Layers of Stereo FM Synthesis totally independent
6 Operators
LFO and Pitch Envelope exactly as in the historical formulation of FM synthesis
Iconic Sounds of the Decades
Compatibility with DX-TX sounds from the libraries available
SEE MORE INFO
System Type 2-way bass reflex speaker
Max SPL (@1m) 127 dB
Frequency Response (-10 dB) 61 Hz - 20 kHz
HF 1.35" driver
LF 10” - 2” V.C
Dispersion (HxV) 90° x 70°
Crossover Frequency 1780 Hz
Peak Power 400 W
Cooling Fan
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 304 x 505 x 305 mm (11.9" x 19.9" x 12")
Weight 12.7 kg (28 lbs)
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
Active Column PA System
2000 W Class D power amplifier
Max. SPL (sound pressure level): 127 dB
Frequency response: +/- 10 dB, 35 - 20,000 Hz
Horn characteristics: 120° x 30°
1" Compression driver with CD horn
6x 3" Midrange speakers
12" Bass speaker in the subwoofer
Various possibilities for setting up the column system by removing or implementing the spacer
4-Channel mixer
24-Bit DSP with 5 storable user presets (Mode, Master EQ, Delay, Display, Bluetooth)
3 Sound modes: Music, Voice, DJ
Adjustable system delay
Backlit LCD display
2 Switchable mic/line inputs: XLR/jack combo
1 Hi-Z Instrument input: Jack
1 Stereo input: RCA
1 Mix output: XLR
Bluetooth 5.0 for audio streaming
Subwoofer housing is made of birch/plywood
Bass dimensions (W x H x D): 36.6 x 67.5 x 54.1 cm
Bass weight: 22.1 kg
Top/Spacer dimensions (W x H x D): 10.8 x 82.5 x 9.8 cm
Weight of the top: 3.9 kg
Spacer weight : 2 kg
Total height: 2.18 m
Total weight: 28 kg
LEGEND SOUL ORGANS
Legend Soul line is born thanks to the Viscount centennial experience in projecting and making instruments. Our purpose was creating new digital tonewheels organs able to reproduce the original and iconic 9 contacts effect as much realistic as possible. After several studies, our engineers have managed to perfectly recreate all of them, using a unique technology patented by us. Thanks to that, when you play one of our Legend Soul, you will feel the iconic and realistic sounds of original tonewheels organ, but with all the advantages of the digital ones.
GM9882HP – Double handheld + headset UHF wireless microphone
Double handheld + headset UHF wireless microphone system with convenient ABS case for carriage 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
Features
600 W RMS CLASS-D AMPLIFIER
STEREO BALANCED INPUT
LINK OR X-OVER BALANCED STEREO OUTPUT MODE
COMPACT AND STURDY WOOD CABINET
LIGHTWEIGHT
POLARITY INVERSION SWITCH
FLAT OR BOOST EQ MODE SWITCH
Technical Data
Speaker Type: Active Subwoofer
Acoustical data
Frequency Response [-10dB]: 46 – 123 Hz
Max SPL (1 m): 129 dB
Directivity: omnidirectional
LF: 12”
LF Voice Coil: 2.5″
Amplifier
Amp Technology: SMSP digital amplifier
Amp Class: Class D
RMS Power: 600 W
Peak Power: 1200 W
Processor
Controller: DSP 28/56 Bit
Limiter: Peak, Thermal, RMS
Controls:
1x Subwoofer attenuation Control
1x Flat/Boosted switch
1x Switch output mode
1x Polarity switch
Input
Signal Input: 2x XLR (balanced)
Signal Output: 2x XLR (balanced)
Mechanics
Housing: Black painted Plywood
Handles: 1 on top
Pole Mount: M20
Width: 360 mm (14.72 in)
Height: 550 mm (21.65 in)
Depth: 525 mm (20.67 in)
Weight: 19.8 Kg (43.65 lbs)
GM9882 – Double handheld UHF wireless microphone
Double handheld UHF wireless microphone system with convenient ABS case for carriage. 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting. Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
DER ER INGEN SAMMENLIGNING..HELT NY VERDEN
Physis Piano er en idé.
Idéen om at tilbyde et publikum af musikere og fagfolk et stadig mere sofistikeret digital piano som er i stand til at blive den nye absolutte referencepunkt indenfor digitalpianoer: kraftfuld, alsidig, smukt, med en fantastisk lyd, der omdefinerer ”state of the art”.
Et instrument så avanceret og omfattende, at det ikke kan sammenlignes med noget andet digital piano, men kun med den dynamiske kreative lyd som kun et akustisk piano har.
Et værktøj, der ikke eksisterede, fordi det forudsatte en teknologi, som endnu ikke var blevet udviklet, og et værk af design og teknik så kompleks, at ingen nogensinde havde turdet forestille sig det.
Vi besluttede at tage den lange rejse gennem ukendte territorier af lyd,
og det piano der ikke var der .. er der nu.
1-EFFEKT PEDALER
-t.jpg)
-t.jpg)
-t.jpg)
-t.jpg)
