IK Multimedia ARC ON•EAR
Neutral frekvensrespons: ARC ON· EAR bruger præcist målte kalibreringsprofiler til hundredvis af hovedtelefonmodeller. Du får en gennemsigtig lyd, der sikrer et mix, der er klart, afbalanceret og virkelighedstro.
Naturligt stereobillede: I modsætning til plug-ins er ARC ON· EAR avanceret fysisk modellering for at genskabe lyden og adfærden fra rigtige studiemonitorer i et akustisk perfekt kontrolrum. Du får en naturlig fornemmelse af dybde og bredde lige i dine hovedtelefoner!
Med 32-bit ESS SABRE-konvertering®, høj dæmpningsfaktor og ultralav forvrængning får du en lytteoplevelse på audiofil-niveau.
Tenore Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
1200 W PEAK POWER
600 W RMS POWER
NEWLY DESIGNED ASYMMETRICAL HORN
ADVANCED DSP WITH FIR FILTERS
2 INPUT CHANNELS (MIC-LINE/MIC-INSTR)
SELECTABLE OUTPUT CHANNEL (LINK CH1/MIX CH 1+2)
8 EQ PRESETS
FRESH FULL GRILLE DESIGN
STAGE MONITOR USE
Technical Data
Speaker Type: 2-Way Active Speaker
Acoustical data
Frequency Response [-10dB]: 58 – 20.000 Hz
Frequency Response [- 3dB]: 70 – 19.600 Hz
Max SPL: 128 dB
HF: 1″ Exit, 1.4 v.c.
Type HF: Compression driver
Horizontal Directivity: 100° (85° up/120° down)
Vertical Directivity: 85° (+ 25°/-60°)
Horn: Asymmetrical Horn
LF: 10″, 2″ v.c.
SMF500 LIGHT
Galli® Strings - With their warm and extremely dynamic sound, impeccable intonation and great elasticity to the touch, the SUPREMA MANDOLIN STRINGS by Gallistrings allow the mandolinist to play with excellent musical phrasing, wide expressiveness and skillful agility.
Thanks to their softness, they are particularly suitable for the mandolins of the great lutherie of the past.
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
SMF5001 MI / E Plain Steel - Loop End .0095 0,24 14,2 7,1
SMF5002 LA / A Flat Wound .0135 0,35 15,1 6,9
SMF5003 RE / D Flat Wound .021 0,52 14,5 6,6
SMF5004 SOL / G Flat Wound .031 0,78 13,4 6,1
What's In The Box
1 x f5 Snare Microphone
3 x f2 Rack and Floor Tom Microphones
1 x f6 Kick Drum Microphone
2 x f9 Overheads Microphones
6 x DCLIP Microphone Clips
4 x DFLEX Microphone Clips
1 x MC1 Microphone Clip
Aluminum Road Case
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
TYPE 5 String G Banjo
TUNING G, D, G, B, D
BRACKETS 18
RESONATOR Maple
SIDES Maple
FINGERBOARD Techwood
BRIDGE Maple with Ebony tip
HEAD Remo Ivory
FINISH Natural Gloss
Features
600 W RMS Class D AMP
Selectable Stereo Balanced Input
Link or Xover Balanced Stereo Output Mode
Compact and sturdy wood cabinet
Lightweight
Polarity Switch
FLAT or BOOST Mode Switch
Technical Data
Speaker Type: Active Subwoofer
Acoustical data
Frequency Response [-10dB]: 42 – 124 Hz
Max SPL (1 m): 131 dB
Directivity: omnidirectional
LF: 15″
LF Voice Coil: 2.5″
Amplifier
Amp Technology: SMSP digital amplifier
Amp Class: Class D
RMS Power: 600 W
Peak Power: 1200 W
Processor
Controller: 28/56 bit DSP
Limiter: Peak, Thermal, RMS
Controls: Subwoofer level, Outputs mode, Polarity, Subwoofer mode
Input
Signal Input: 2x XLR (balanced)
Signal Output: 2x XLR (balanced)
Mechanics
Housing: Plywood
Grille: Full metal grid
Pole Mount: M20
Width: 430 mm (16.92 in)
Height: 580 mm (22.83 in)
Depth: 600 mm (23.62 in)
Weight: 25.5 kg (56.22 lbs)
Legend Live orgel, der perfekt kan genskabe lyden af tonehjul orgler. Det tilbyder dig igen den "vintage følelse". Med fire sæt drawbars og dobbelt tastaturer, står dette orgel noget for sig selv i det avancerede teknologiske lyde og sansen af den gamle klang. Hvert aspekt af et tonehjul tastatur og lyd er så perfekt dupliceret, at spillere over hele verden siger: "Det er det bedste nogensinde”!
2 MUDHONEYS IN 1 - DUAL DISTORTION
If you still haven’t heard a T-Rex Mudhoney, do yourself a favour and plug one in next time you’re at the music store.
Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.
Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.
Cyclemic
Cyclemic Behind the head sweat resistant fitness microphone.
Cyclemic is the superior headworn-microphone designed specifically for the fitness industry’s indoor cycling programs. Cyclemic’s sleek orange boom arm with ‘J’ curve design is easy to spot on the most well known cycling presenters and instructors worldwide. It’s unique miniature mic capsule is designed to be worn beside the mouth, not in front. Breath noises are not over-amplified; no foam ball windscreen is needed. Cyclemic’s excellent sound quality ensures clear voice projection, taking the stress and strain off instructors voices when teaching high-sweat cycling classes.
System Type 2-way bass reflex speaker
Max SPL (@1m) 127 dB
Frequency Response (-10 dB) 61 Hz - 20 kHz
HF 1.35" driver
LF 10” - 2” V.C
Dispersion (HxV) 90° x 70°
Crossover Frequency 1780 Hz
Peak Power 400 W
Cooling Fan
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 304 x 505 x 305 mm (11.9" x 19.9" x 12")
Weight 12.7 kg (28 lbs)
A little over 40 years ago, largely because we could not afford to buy a high quality electric guitar, and partly because we enjoyed a challenge, my Dad and I decided to make an electric guitar. I designed an instrument from scratch, with the intention that it would have a capability beyond anything that was out there, more tunable, with a greater range of pitches and sounds, with a better tremolo, and with a capability of feeding back through the air in a "good" way - i.e. in a self-sustaining mode.
Se info
This guitar are with Brian May`s signature (autograf )
DER ER INGEN SAMMENLIGNING..HELT NY VERDEN
Physis Piano er en idé.
Idéen om at tilbyde et publikum af musikere og fagfolk et stadig mere sofistikeret digital piano som er i stand til at blive den nye absolutte referencepunkt indenfor digitalpianoer: kraftfuld, alsidig, smukt, med en fantastisk lyd, der omdefinerer ”state of the art”.
Et instrument så avanceret og omfattende, at det ikke kan sammenlignes med noget andet digital piano, men kun med den dynamiske kreative lyd som kun et akustisk piano har.
Et værktøj, der ikke eksisterede, fordi det forudsatte en teknologi, som endnu ikke var blevet udviklet, og et værk af design og teknik så kompleks, at ingen nogensinde havde turdet forestille sig det.
Active speaker
Loudspeakers: 12"/1"
Digital power amplifier
Power: 1200 W peak, 600 W RMS
Peak SPL: 129 dB
Asymmetrical horn tweeter 100° x85°
XLR and 6.3 jack input
56-Bit DSP
8 Sound presets for the monitor and stand application
2 Separately adjustable inputs with mix output
Multifunctional housing incl. slanted monitor angle
3x M10 rigging points
Dimensions: 350 x 642 x 349 mm
Weight: 14.3 kg
MUDHONEY DISTORTION - THE ORIGINAL COLLECTION
The Mudhoney distortion was our first shot at making a great, all-round distortion box. That´s how most owners have described it - it just plain works for a lot of different music styles and they haven´t found a similar sound in many other pedals. In fact, there´s a story about a player that bought and sold six Mudhoney´s, before realizing that the pedals he replaced it with weren´t doing it for him, so he got the seventh one – and kept it.
Compact speaker system for concerts and conferences
10" subwoofer with amplifiers and mixer
8 x 2" sound line with two spacers
Power: 1500 watts
Digital class-D amplifier
Maximum level: 123 dB
Beam angle: 170° x 30°
Frequency range: 37 - 20000 Hz (-10dB)
Integrated DSP
Built-in 5-channel digital mixer with 8-band EQ, AFS (advanced feedback suppression) and reverb for connecting multiple signals (microphones, instruments, CD or MP3 players)
Dbx gate and compressor per channel
Lexicon effects
3x XLR combo jacks (2x 48 V phantom power)
1x Hi-Z jack input
1x mini jack input
Bluetooth V5 audio streaming
App for iOS and Android
Controls channel 1-3: Gain, bass, mid, treble, reverb
Mic/line inputs channel 1-3: Combination jack 6.3 mm jack / XLR
Channel 4 controls: Gain, bass, mid, treble, reverb
Line input channel 4: 6.3 mm jack
Channel 5 control: Gain, bass, mid, treble, reverb
Aux-in input channel 5: 3.5 mm mini jack
See INFO
1-EFFEKT PEDALER
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