Hiwatt is the classic British guitar amplifier that musicians have counted on, both in the studio and on the road, year after year. Built by hand in England, every amplifier is soak-tested before it leaves the factory to serve a new generation of musicians.
Kicking off in the late 1960s, under the guidance of Dave Reeves, Hiwatt gave Marshall a run for their money, contributing hugely to the sonic landscape that became know as ‘The British Sound’. With artists such as The Who and Pink Floyd, the brand was at the forefront of guitar amplification for the remainder of the 1960s and much of the 1970s. Reeves’ untimely death and severe licensing problems threw the trade mark into the doldrums for much of the next two decades.
Hiwatt’s second coming arrived once new trademark owners took control, pursuing an aggressive marketing policy during the present century. This has been proven, with artists such as U2, Oasis, Coldplay and The Black Keys
IK Multimedia ARC ON•EAR
Neutral frekvensrespons: ARC ON· EAR bruger præcist målte kalibreringsprofiler til hundredvis af hovedtelefonmodeller. Du får en gennemsigtig lyd, der sikrer et mix, der er klart, afbalanceret og virkelighedstro.
Naturligt stereobillede: I modsætning til plug-ins er ARC ON· EAR avanceret fysisk modellering for at genskabe lyden og adfærden fra rigtige studiemonitorer i et akustisk perfekt kontrolrum. Du får en naturlig fornemmelse af dybde og bredde lige i dine hovedtelefoner!
Med 32-bit ESS SABRE-konvertering®, høj dæmpningsfaktor og ultralav forvrængning får du en lytteoplevelse på audiofil-niveau.
T-REX CREAMER REVERB
CREAMER - MAJOR REVERB
So, you finally got your rig dialed in and it sounds fantastic, but sometimes you feel like adding a bit of depth or airy-ness to it. You want to fill in the holes in your playing, add some ambience or you maybe just really like those dreamy, special sounds that seem to take on a life of their own.
HOWEVER, you don´t want to be lost in sub-menus or unfamiliar parameters, your pedal board is pretty much packed with all your precious goodies and you don´t want to ruin that tone you finally nailed.
We have designed the Creamer reverb to be dead simple to operate, but with just enough room for tweaking, so you don´t feel limited in your search for the sonic equivalent of Grand Canyon or that small room we frequently visit every day.
SMF500 LIGHT
Galli® Strings - With their warm and extremely dynamic sound, impeccable intonation and great elasticity to the touch, the SUPREMA MANDOLIN STRINGS by Gallistrings allow the mandolinist to play with excellent musical phrasing, wide expressiveness and skillful agility.
Thanks to their softness, they are particularly suitable for the mandolins of the great lutherie of the past.
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
SMF5001 MI / E Plain Steel - Loop End .0095 0,24 14,2 7,1
SMF5002 LA / A Flat Wound .0135 0,35 15,1 6,9
SMF5003 RE / D Flat Wound .021 0,52 14,5 6,6
SMF5004 SOL / G Flat Wound .031 0,78 13,4 6,1
The M4000D Mini Mellotron was developed to meet the needs of keyboardists who want an even smaller and lighter Digital Mellotron. The Mini is also designed to fit perfectly on top of the regular M4000D to make a great looking dual manual Mellotron. Instead of the M4000D’s wooden keyboard, it includes a high-quality, semi-weighted Fatar piano-style keyboard with velocity sensitivity, and mono aftertouch.
Made famous by the Gretch White Falcon, this stunning guitar with abalone inlay and gold effect hardware is second to none. Comes with dual filtertrons, licensed Bigsby and gold effect hardware! 648mm scaling. Maple neck and rosewood fingerboard and bridge finish the guitar of nicely.
SHAPE Super Folk
TOP Solid Spruce or Solid Cedar
BACK Amara/Spalt Mango
SIDES Amara
FINGERBOARD Techwood
BRIDGE Techwood
STRINGS Elixir Nanoweb 12-53
ELECTRONICS Fishman Presys
FINISH Natural Gloss
Full Specification TWJSFCE
Features
600 W RMS Class D AMP
Selectable Stereo Balanced Input
Link or Xover Balanced Stereo Output Mode
Compact and sturdy wood cabinet
Lightweight
Polarity Switch
FLAT or BOOST Mode Switch
Technical Data
Speaker Type: Active Subwoofer
Acoustical data
Frequency Response [-10dB]: 42 – 124 Hz
Max SPL (1 m): 131 dB
Directivity: omnidirectional
LF: 15″
LF Voice Coil: 2.5″
Amplifier
Amp Technology: SMSP digital amplifier
Amp Class: Class D
RMS Power: 600 W
Peak Power: 1200 W
Processor
Controller: 28/56 bit DSP
Limiter: Peak, Thermal, RMS
Controls: Subwoofer level, Outputs mode, Polarity, Subwoofer mode
Input
Signal Input: 2x XLR (balanced)
Signal Output: 2x XLR (balanced)
Mechanics
Housing: Plywood
Grille: Full metal grid
Pole Mount: M20
Width: 430 mm (16.92 in)
Height: 580 mm (22.83 in)
Depth: 600 mm (23.62 in)
Weight: 25.5 kg (56.22 lbs)
Madrigal Guitars in collaboration with Alfredo Gonzalez Luthier offers to the professional guitarists these 100% Handmade classical guitars concert models .
Each guitar is made separately with an exhaustive selection of exclusive and exotics woods and highly musical especiality.
The playing guitarist will achive Powerful attack, unique lyrical and sensitive timbre, with a wide spectrum sound between piano and forte that the professional musician will appreciate.
All the guitars are shellac finished.
MAGNOLIA-PROFESSIONAL
Top:Cedar
Neck:Cedar reinforce
Back & Sides:Indian Rosewood Solid
Fingerboard:Ebony
Bridge: Indian Rosewood
Frets: 21
Finish: French Laque
Inc exelent Case
System Type Vented stereo sub
Max SPL (@1m) 131.5 dB
Frequency Response (-10 dB) 41 Hz - Cut freq
LF 18” - 4” V.C
Peak Power 1000 W
Cooling Passive radiator
DSP 28/56 bit
Connectors I/O CH1/CH2: Combo, LINE OUT: XRL-M (LINK+XOVER)
Controls LEVEL, XOVER selection, POLARITY selection
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 510 x 650 x 690 mm (20" x 25.6" x 27.2")
Weight 38 kg (83.8 lbs)
Den ikoniske GCB-95 Cry Baby behøver næppe nogen særlig introduktion!
Det er nærmest så sikkert som ammen i kirken at du ikke kan finde en guitarist med respekt for sig selv der ikke ejer, eller har ejet mindst én Cry Baby. Listen af berømtheder der har anvendt Cry Baby er nærmest uendelig; Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan, Joe Bonamassa bare for at nævne nogle få.....
GM9882 – Double handheld UHF wireless microphone
Double handheld UHF wireless microphone system with convenient ABS case for carriage. 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting. Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
The Razer boasts a longer, narrow taper when compared to the Classic. This subtle difference results in an articulate, precise, picking machine. If there is a fast alternate picking line that you have played a thousand times, then you must try it with a Razer. Arpeggios and chunky rhythms are great as well for the Razer. This is Rob Chapman's pick of choice.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular Pick.
Multi effect pedal
32-bit AD / DA
32-bit floating-point processor and 96 kHz sampling rate
New BOSS DSP engine, specially developed for audio applications
AIRD (Augmented Impulse Response Dynamics) brings BOSS's Tube Logic concept to a digital guitar processor
Allows natural integration of external devices
Extremely dynamically playable amplifiers
Massive selection of effects including BOSS MDP effects such as DD-500, MD-500, RV-500
Amplifiers and effects can be interconnected serially and in parallel
Fast switching of patches with delay / reverb "carryover function"
Innovative stomp box features
Easy operation with a large display and 6 assignable switches
10 Footswitches, integrated freely assignable expression pedal and coloured LEDs
High-resolution tuner in 2 display modes ............
SEE INFO
The world first heard the instantly recognizable sounds of the Mellotron on hits from the Moody Blues (“Nights in White Satin”) and the Beatles (“Strawberry Fields Forever”) in the 1960s. In 2010, Mellotron reintroduced the iconic tape-based machine in a compact digital version, the Mellotron M4000D, that retains the authentic sound, look and feel of the original keyboard while adding some significant improvements.
Samme følelse af de originale tonehjul i orgelens pedal . Den er bare kortere og lettere. Der er kun 18 noter. Perfekt til giggins musikere. Volume pedal medfølger.
1 strømforsyning er inkluderet. Men hvis du spiller det med en Legend eller en Legend Live, behøver du ikke det, pedalboardet er drevet via midi-kabel.
Pedalboard 18 er en MIDI pedalboard, du kan bruge den med andre mærker, med MIDI instrumenter.
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
The Winterleaf Exotic TWX4CEK guitar is a masterfully crafted instrument that combines breathtaking aesthetics with exceptional acoustic-electric capabilities. Designed for discerning musicians, this guitar offers a harmonious blend of striking visual appeal and superior sound quality.
The Super Folk body shape of the TWX4CEK guitar is a work of art in itself. It presents a harmonious balance between the grand auditorium and folk body styles, resulting in an elegant and ergonomic design. This body shape boasts a slightly more compact and comfortable form, making it an ideal choice for players seeking both comfort and versatility. It fits snugly in your arms and offers an excellent projection of sound, making it suitable for a wide range of playing styles.
Range: Winerleaf Exotic
SEE INFO
Body Shape: Super Folk Cutaway
Top: Solid Mahogany, Koa Veneer
Back: Koa
Sides: Koa
Fingerboard: Eboncore
Electronics: Tanglewood Premium Plus
Finish: Autumn Burst Gloss
Features
600 W RMS CLASS-D AMPLIFIER
STEREO BALANCED INPUT
LINK OR X-OVER BALANCED STEREO OUTPUT MODE
COMPACT AND STURDY WOOD CABINET
LIGHTWEIGHT
POLARITY INVERSION SWITCH
FLAT OR BOOST EQ MODE SWITCH
Technical Data
Speaker Type: Active Subwoofer
Acoustical data
Frequency Response [-10dB]: 46 – 123 Hz
Max SPL (1 m): 129 dB
Directivity: omnidirectional
LF: 12”
LF Voice Coil: 2.5″
Amplifier
Amp Technology: SMSP digital amplifier
Amp Class: Class D
RMS Power: 600 W
Peak Power: 1200 W
Processor
Controller: DSP 28/56 Bit
Limiter: Peak, Thermal, RMS
Controls:
1x Subwoofer attenuation Control
1x Flat/Boosted switch
1x Switch output mode
1x Polarity switch
Input
Signal Input: 2x XLR (balanced)
Signal Output: 2x XLR (balanced)
Mechanics
Housing: Black painted Plywood
Handles: 1 on top
Pole Mount: M20
Width: 360 mm (14.72 in)
Height: 550 mm (21.65 in)
Depth: 525 mm (20.67 in)
Weight: 19.8 Kg (43.65 lbs)
NAMED AFTER DANISH GUITARIST KNUD MØLLER
T-Rex Møller 2 delivers the same classic overdrive that made it's predecessor one of T-Rex’s most sought-after pedals. Named after Danish guitarist Knud Møller, for whom the original pedal was designed, Møller 2 features a more durable “Bass Boost” toggle switch and easier-to-read control knob graphics. The pedal is armed with a 0-20 db clean boost, as well as a mix control which lets you dial in the perfect balance between distorted and clean signals. Rolled all the way up and with distortion maxed, the pedal sounds just like a vintage tube amp at full volume. Roll the Mix knob back a bit, and your clean signal starts to get through; if you pick lightly or roll back your guitar volume, you get a stunning clean, softly-clipping sound that retains all the feel and dynamics of your original tone, only bigger, louder and richer. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.
1-EFFEKT PEDALER
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