‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
2 MUDHONEYS IN 1 - DUAL DISTORTION
If you still haven’t heard a T-Rex Mudhoney, do yourself a favour and plug one in next time you’re at the music store.
Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.
Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.
Made famous by the Gretch White Falcon, this stunning guitar with abalone inlay and gold effect hardware is second to none. Comes with dual filtertrons, licensed Bigsby and gold effect hardware! 648mm scaling. Maple neck and rosewood fingerboard and bridge finish the guitar of nicely.
BESKRIVELSE SPECIFIKATION
The PARWASH 1415 QUAD developed by Algam Lighting is a must-have for any event or light show. This LED PAR is capable of generating a powerful light flow thanks to its 14 x 15W LEDs combined with 35° aperture optics, while generating rich, vibrant colors with its RGB+WW (Warm White) color palette. Ideal for a wide range of applications, the PARWASH 1415 QUAD features professional connectivity with a 3-point DMX input/output for precise lighting control and chaining with another PARWASH 1415 QUAD. To ensure safe operation, this Par Wash is equipped with a PowerCon locking electrical connector to prevent unintentional disconnection, plus a PowerCon output for powering another PARWASH 1415 QUAD. This high-performance machine is actively cooled to guarantee optimal operating conditions, whether on the floor or hanging from a double bracket.
Tribute SB-2
Ganske som LB-100 er dette et simpelt design, med et passivt kredsløb og Tone/Volume controller. Her får du dog P/J konfiguration, tilsat G&Ls Saddle Lock stol. En super alsidig og vellydende bas.
G&L er Leo Fenders sidste livsværk, skabt på erfaringerne fra Fender og Music Man, og designet i Leo’s workshop, på Fender Avenue 2548, i Fullerton, CA. Stedet hvor de første Music Mans blev bygget, og siden alle G&L USA modeller. Den lille fabrik kører stadig på højtryk, og Leo’s værksted står, som da han forlod det. Tradition og håndværk forenet. Tribute serien er fremstillet hos Cortek i Indonesien, og anvender G&L pickups og hardware!
A little over 40 years ago, largely because we could not afford to buy a high quality electric guitar, and partly because we enjoyed a challenge, my Dad and I decided to make an electric guitar. I designed an instrument from scratch, with the intention that it would have a capability beyond anything that was out there, more tunable, with a greater range of pitches and sounds, with a better tremolo, and with a capability of feeding back through the air in a "good" way - i.e. in a self-sustaining mode.
Se info
This guitar are with Brian May`s signature (autograf )
12-Channel Digital Mixer
Tablet/Smartphone/PC controlled
With integrated stagebox and DSP
Integrated Wi-Fi / Ethernet
Soundcraft preamps and soundcraft mixer algorithms
Lexicon effects
dbx AFS2 feedback suppression
Digitech amp modelling
2 Track USB playback
Storable Gain and +48V status
120 Band Real Time analyser (on inputs and outputs)
Input channels with parametric 4-Band EQ, Gate, Compressor, De-Esser and high-pass filter
3 Lexicon effects processors: reverb, delay and chorus
31-Band graphic EQ and compressor on all outputs
Use up to 10 control devices (tablets, phones, PC's) simultaneously
Compatible with iOS, android, Windows, Mac OS, Linux (via HTML5)
Dimensions: 85 x 177 x 320 mm
Weight: 2.29 kg
Including Ableton Live Lite 9
Legend Exp
If you want the fabulous Legend sound powered by the physical TMT modeling technology, Legend Exp module is the perfect solution for you.
The control panel offers a wide range of buttons and knobs including a series of drawbars that allow you to fully control in real time the extensive features offered by the instrument.
The Razer boasts a longer, narrow taper when compared to the Classic. This subtle difference results in an articulate, precise, picking machine. If there is a fast alternate picking line that you have played a thousand times, then you must try it with a Razer. Arpeggios and chunky rhythms are great as well for the Razer. This is Rob Chapman's pick of choice.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular Pick.
VORTEX 315
Vortex 315, designed by Silvio della Mattia and Viscount, is the ultimate rotary speaker built specifically for organs using high quality materials and components. The most reliable sound in a lightweight rotary speaker.
Type 2 amplified channels (woofer with rotating drum + driver with rotating horn)
Power (W) 300W Upper 80W and Lower 220W
Crossover Frequency 800Hz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Engine Controls The led is: off when the motors are brake; yellow when the motors are slow; red when the motors are fast.
You can brake (independently from the horn) the rotor bass by it’s switch. .......
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Price € 3190,00
The LEGEND '70s introduces the new concept of MODULAR STAGE PIANO that allows you to customize the instrument according to your needs. The superb sound quality, thanks to the unique VISCOUNT PM (Physical Modeling) technology and the accurate response of the keyboard, combined into a portable instrument of the highest quality.
Den ikoniske GCB-95 Cry Baby behøver næppe nogen særlig introduktion!
Det er nærmest så sikkert som ammen i kirken at du ikke kan finde en guitarist med respekt for sig selv der ikke ejer, eller har ejet mindst én Cry Baby. Listen af berømtheder der har anvendt Cry Baby er nærmest uendelig; Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan, Joe Bonamassa bare for at nævne nogle få.....
System Type Vented stereo sub
Max SPL (@1m) 130 dB
Frequency Response (-10 dB) 45 Hz - Cut freq
LF 15” - 4” V.C
Peak Power 1000 W
Cooling Passive radiator
DSP 28/56 bit
Connectors I/O CH1/CH2: Combo, LINE OUT: XRL-M (LINK+XOVER)
Controls LEVEL, XOVER selection, POLARITY selection
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 430 x 580 x 590 mm (16.9" x 22.8" x 23.2")
Weight 31.9 kg (70.32 lbs)
Multi effect pedal
32-bit AD / DA
32-bit floating-point processor and 96 kHz sampling rate
New BOSS DSP engine, specially developed for audio applications
AIRD (Augmented Impulse Response Dynamics) brings BOSS's Tube Logic concept to a digital guitar processor
Allows natural integration of external devices
Extremely dynamically playable amplifiers
Massive selection of effects including BOSS MDP effects such as DD-500, MD-500, RV-500
Amplifiers and effects can be interconnected serially and in parallel
Fast switching of patches with delay / reverb "carryover function"
Innovative stomp box features
Easy operation with a large display and 6 assignable switches
10 Footswitches, integrated freely assignable expression pedal and coloured LEDs
High-resolution tuner in 2 display modes ............
SEE INFO
SPIN-TONE 700
The Spin-Tone amplifiers incorporate an hybrid system with a rotating horn in the upper part and powerful woofers in the lower; a unique Rotary speakers line dedicated to the organist’s needs!
Type 3 ways 3 amplifiers (2 speakers with woofer and tweeter for rotary effect or stationary + rotating driver)
Power (W) Lower 300W + 300W (L+R) - Upper 150W
Max SPL calculated (dB) 127
Crossover Frequency 1.2 Khz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Pedal input gain, Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Speakers 2x10" Woofer, PA Driver with rotating horn
Cabinet Plywood ...........m.m. Se Info
System Type 2-way bass reflex speaker
Max SPL (@1m) 132 dB
Frequency Response (-10 dB) 48 Hz - 20 kHz
HF 1.75" driver
LF 15” - 3” V.C
Dispersion (HxV) 90° x 40°
Crossover Frequency 1450 Hz
Peak Power 1200 W
Cooling Passive radiator
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 427 x 705 x 428 mm (16.8" x 27.8" x 16.9")
Weight 25.9 Kg (57 lbs)
16-Channel Digital Mixer
Tablet/PC/smartphone controlled
With integrated stagebox and DSP
Integrated Wi-Fi and Ethernet
Soundcraft preamps and soundcraft mixer algorithms
4 Lexicon effects buses: Reverb, Delay, Chorus, Room
dbx AFS2 feedback suppression
Digitech amp modelling
120 Band realtime analyser (used in the inputs and outputs)
Storable Gain and +48V status
4-Band parametric EQ, high-Pass filter, compressor, De-Esser and noise gate on input channels
31-Band graphic EQ and compressor on all outputs
2-Channel USB audio playback and recording
Use up to 10 control devices (tablets, phones, pcs) simultaneously
Cross-Platform compatibility with iOS, android, Windows, Mac OS, and Linux devices (over HTML5)
Dimensions: 110 x 177 x 483 mm
Format: 19", 4U
Weight: 3.61 kg
Including Ableton Live Lite 9
B108 is a versatile, portable full-range active speaker suitable for small venue applications. The bass-reflex cabinet is equipped with a 8 woofer and a 1compression driver boosted by a 400 W amp module. Its advanced DSP featuring FIR filters
Light sources :
• PAR LED x4 : 3x9W RGB LED
• Strobe FX : 4x1W white LED
- Modes : Auto, Music detection, Master/Slave, DMX
- DMX channels : 3, 5, or 24
- DMX in/out : XLR 3 points
- Display : digital display with 4 buttons
- Chassis : steel and plastique
- Power supply : 100-240V 50/60 Hz
- Electrical consumption : 84W
- Daisy-chain power supply : jusqu'à 20 machines @240V
- Protection rating : IP20 (indoor use)
- Included : power cable and velcro attachment, tripod, foot remote control, carrying case
- Tripod adjustable in height from 1.5m to 2.5m
- Weight and dimensions : 10.2 kg, 1032 x 71 x 235 mm
Contemporanea 45 cm x 55 cm Surdo, Aluminum Shell, Pro Line -Top Quality Instruments for Professionals, Plastic Head, Drum having a low pitch Sound wich may be compared to the Bass Drum or the Tom Tom of a Drum Kit wich is played with a Beater, included Tuning Key,
V Collection X følger med ved køb af AstroLab 61 eller 88!
Mellem 18. november 2025 og 5. januar 2026 er V Collection X inkluderet for alle AstroLab 61 eller 88, der er registreret på Arturias hjemmeside* (værdi ca. €599).
V Collection X er en palet af 39 softwareinstrumenter – skræddersyet til at passe til de forskellige musikalske stilarter og produktionsflow hos alle kunstnere og musikere.
V Collection X giver AstroLab-brugere mulighed for at dykke dybt ned i lyddesign og skabe deres egne tilpassede lyde – alt sammen fuldt spilbare på AstroLab.
Med sin kraftfulde software er AstroLab den perfekte løsning for musikere, der ønsker at medbringe Arturias softwarelyd til scenen.
*Software er tilgængelig i kampagneperioden efter registrering af AstroLab 61 eller 88 på arturia.com
System Type 2-way bass reflex speaker
Max SPL (@1m) 125 dB
Frequency Response (-10 dB) 63 Hz - 20 kHz
HF 1.35" driver
LF 8” - 2” V.C
Dispersion (HxV) 90° x 70°
Crossover Frequency 1800 Hz
Peak Power 400 W
Cooling Fan
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 264 x 440 x 260 mm (10.4" x 17.3" x 10.3")
Weight 10.9 kg (24 lbs)
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
NAMED AFTER DANISH GUITARIST KNUD MØLLER
T-Rex Møller 2 delivers the same classic overdrive that made it's predecessor one of T-Rex’s most sought-after pedals. Named after Danish guitarist Knud Møller, for whom the original pedal was designed, Møller 2 features a more durable “Bass Boost” toggle switch and easier-to-read control knob graphics. The pedal is armed with a 0-20 db clean boost, as well as a mix control which lets you dial in the perfect balance between distorted and clean signals. Rolled all the way up and with distortion maxed, the pedal sounds just like a vintage tube amp at full volume. Roll the Mix knob back a bit, and your clean signal starts to get through; if you pick lightly or roll back your guitar volume, you get a stunning clean, softly-clipping sound that retains all the feel and dynamics of your original tone, only bigger, louder and richer. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.
NYHED!
SCARLETT4-SOLO-STUDIO
The complete songwriter’s studio
BESKRIVELSE SPECIFIKATION
The complete songwriter’s studio
Plug your guitar into Scarlett Solo's Hi-Z instrument input, it feels just like an amp. Connect the CM25 MkIII studio condenser mic to Solo’s mic pre and it sounds great right away. Listen in detail through the SH-450 headphones. Scarlett brings Focusrite’s professional sound quality to wherever you make your music.
1-EFFEKT PEDALER
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