Behringer X32, 32-Channel 16-Bus Digital Total Recall Live/Recording Mixing Console, 32 channels with inserts, 16 mix busses with inserts, 6 aux sends and returns, 8 stereo FX returns, 6 matrix mixers with inserts, 6 mute groups, 8 DCA groups, Full-recording / multi-channel networking via USB expansion cards, Fully programmable, high-end mic preamps, 25 low-noise 100mm motorized faders, Super-easy user-interface with direct access, High-resolution 7" colour TFT display, Individual LCD displays per channel, DCA and Bus, Full dynamics and EQ per channel, busses and matrices, Adjustable line-delays on all inputs and outputs, Virtual FX rack with 8 FX slots, Powerful scene management for shows, On-board recorder for uncompressed WAV files on USB flash drive, Remote editor software to control via USB or Ethernet, Extensive channel strip controls with user-definable control sections, Connections to BEHRINGER P-16 personal monitoring system, AES/EBU stereo digital ....
Semi-Modular Analog Synthesizer
32-Key Fatar Keyboard
Saves up to 3 sequences with up to 256 notes
Arpeggiator
Integrated hardware spring reverb based on Moog 905 (can also be used for external signals)
2 Analog oscillators with selectable waveform and hard sync
Classic 4-pole 10 Hz - 20 kHz ladder filter
Patchable 1-pole high pass filter
Analog ADSR envelope generator
Patchable bipolar attenuator
Compatible with Mother-32, DFAM and other modular systems
Pitch and modulation wheel
41 Patch points with 21 inputs, 16 outputs and a parallel wired 4-jack Mult
1 Line input 6.3 mm jack unbalanced
1 Combined line / headphone output 6.3 mm jack
MIDI In / Out / Thru, USB
Dimensions (W x D x H): 58 x 36.2 x 13.9 cm
Weight: 7.25 kg
Includes 12 V power supply (100 - 240 V)
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
MUSICSAFEPROBLACK
Ørepropper til øve- og koncertbrug for udøvende kunstnere og kræsne koncertgængere. Leveres med 3 par filtre der regulerer forskellige dæmpninger samt beskyttelses etui
TYPE 5 String G Banjo
TUNING G, D, G, B, D
BRACKETS 18
RESONATOR Maple
SIDES Maple
FINGERBOARD Techwood
BRIDGE Maple with Ebony tip
HEAD Remo Ivory
FINISH Natural Gloss
Mikrofon kabel 6,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
BLAXX Overdrive pedal for electric guitar
Housing Die-cast metal
Foot switch True bypass
Controls Gain, level and tone
LED indicator On / off
Input and output 6.35 mm (1/4") jack
Power supply 9V external DC adapter (not included) or 9V battery with adapter (not included)
Dimensions 95 x 45 x 48 mm (3.7 x 1.8 x 1.9")
Weight 200 g (0.44 lb)
Keybed: 61 keys with touch response
Display: backlit LCD
Polyfonie: 64
Voices: 585
Styles: 202
Registration Memory: 4 x 4 banks
Songs: 157 preset, Music Tutorial System
Connections: DC-power, USB-MIDI, headphone / output (6,3 mm jack), input (6,3 mm jack), microphone (6,3 mm jack), pedal sustain
MIDI: USB-MIDI
Power supply: DC 12 volt/1000mA of 6 x AA batteries
Amplifier: 2 x 2.5 watt
Speakers: 2 x 12 cm
Dimensions: 946 x 316 x 101 mm
Weight: 4 kg
88 keys
Legend '70s : ARTIST W EX FULL VERSION : ( SOUND MODULES : E.PIANO, SOUND COLLECTION, A.PIANO, CLAVI, EXTERNAL- CONTROL FOR EXTERNAL DEVICES )
The LEGEND '70s introduces the new concept of MODULAR STAGE PIANO that allows you to customize the instrument according to your needs. The superb sound quality, thanks to the unique VISCOUNT PM (Physical Modeling) technology and the accurate response of the keyboard, combined into a portable instrument of the highest quality.
BLAXX looper pedal for electric and bass guitars
Housing Die-cast metal
Foot switch True bypass
Foot switch functions Record, play, loop, cancel, delete loops, stop
Volume control
Rotary
Maximum recording time 10 minutes
Maximum number of loops Unlimited
LED indicator Recording, loop, play, on / off
Input and output 6.35 mm (1/4") jack and mini-USB (to upload and download files, in 24-bit uncompressed format)
Power supply 9V external DC adapter (not included)
Included Mini USB cable
Dimensions 95 x 45 x 48 mm (3.7 x 1.8 x 1.9")
Weight 190 g (0.42 lb)
Wireless Type2.4GHz band is optimal for Microphone wireless, Approved for use in worldwide.
Other ApplicationsOnly Working With balance XLR condenser microphones
Audio Frequency Response20Hz – 20KHz(-3dB). Dependent on microphone type or Input signal.
Working Range90ft Actual range depends on RF signal absorption, reflection and interference.
Dynamic Range110dB
Battery LifeUp to 3 ~7 hours
Delay Time5ms Latency, Simultaneous broadcasts on 6 channels
Phantom Power12V Or 48V
Active High-Performance Column PA System
6x 2.5" Midrange speakers
8" Subwoofer
Power: 300 watts RMS, 1200 watts peak
Class D power amplifier
Maximum level: 118 dB
Frequency response: 50 - 20,000 Hz
Horn pattern: 120° x 30°
2 Switchable mic/line inputs: XLR/jack combo
2 RCA inputs
1 XLR mix output
Bluetooth 5.0 for audio streaming
Bluetooth TWS Link
3-Channel mixer
2-Channel equaliser
2 Mic preamps
Undervoltage, thermal, overcurrent protection
Limiter
Dispersion angle (H x V): 120° x 45°
Plastic housing
Dimensions (W x H x D): 302 x 2029 x 390 mm
Weight subwoofer: 13 kg
Weight top: 3.2 kg
Weight spacer: 2.3 kg
Total weight: 18.5 kg
Colour: Black
CryBaby Wah 95Q
Justerbar booster (0-15db)
Variabel Q-kontrol ændrer lyden fra skarp / smal til fin / bred
Auto-off bypass-kredsløb
Farve: Sort
Støbt, meget stabilt hus
Made in USA
BLAXX Fuzz pedal for electric guitar
Housing Die-cast metal
Foot switch True bypass
Controls Sustain, tone and volume
LED indicator On / off
Input and output 6.35 mm (1/4") jack
Power supply 9V external DC adapter (not included) or 9V battery with adapter (not included)
Dimensions 95 x 45 x 48 mm (3.7 x 1.8 x 1.9")
Weight 200 g (0.44 lb)
.Specifications
Keybed: 61 keys with touch response
Display: LCD
Polyfonie: 64
Voices: 480
Styles: 160
Registration Memory: 4 x 4 banken
Songs: 140 preset, Music Tutorial System
Demo: 140
Recording: 1 user song
Connections: DC-power, USB-MIDI, headphone / output (6,3 mm jack), input (6,3 mm jack), microphone (6,3 mm jack), pedal sustain
MIDI: USB-MIDI
Power supply: DC 12 volt/1000mA of 6 x AA batteries
Speakers: 2 x 3 watt
Amplifier: 2 x 2.5 watt
Dimensions: 946 x 316 x 101 mm
Weight: 4 kg
PLAYS BACKING TRACKS IN ANY FORMAT, INCLUDES BUILT-IN DIGITAL MIXER WITH EFFECTS AND HARMONIZER, FEATURES A DIGITAL RECORDER WITH SOUND CARD FOR PC/MAC AND MUCH MORE.
DIVO is a high-performance workstation dedicated to solo performers, or small bands.
It is a compact device that includes all the functions necessary for a live performance with the support of Backing Tracks, both Midi and Audio.
With DIVO you don’t need a mixer, you don’t need effects and most importantly you do not need a computer because it can play any backing track. It also has a powerful expander for playing with a master keyboard
Internal storage from 64 Gb to 512 Gb
The Pickport Studio is a specialized pick holder for all acoustic, electric and bass guitars. The Pickport Studio has been designed to mount to strap buttons, volume knobs, tone knobs, machine heads, pick guards and even Stratocaster jack plates. The Pickport is sturdy, flexible, decorative and can easily mount on your ax for as long as you wish.
Legend Exp
If you want the fabulous Legend sound powered by the physical TMT modeling technology, Legend Exp module is the perfect solution for you.
The control panel offers a wide range of buttons and knobs including a series of drawbars that allow you to fully control in real time the extensive features offered by the instrument.
Vis oversættelse
24-Channel mixing console with integrated stage box and DSP
Parallel multitrack recording to USB drive & DAW
20 Mic / Line inputs: 10x XLR, 10x 6.3 mm jack combo
2 RCA line inputs
2-Channel USB media player (MP3, WAV, AIFF playback)
22-Channel USB direct-to-memory recording
32-Channel recording interface (I/O via USB-B port)
Internal sample rate: 48 kHz
2 Additional USB ports for controllers & updates
2 XLR & jack main outputs
8 XLR AUX outputs
2 Headphone outputs
RJ45 Ethernet connector
HDMI port for mixer control via a monitor
Integrated dualband WLAN & Ethernet (2 antennas, 2.4 / 5 GHz)
Compatible with iOS, Android, Windows, Mac OS, Linux (via HTML5)
Accepts up to 10 devices simultaneously (tablet, smartphone, PC)
Signal processing from dbx, Lexicon, Digitech
20 High-quality Studer designed mic preamps
SEE INFO
4-Note Paraphonic Semi-Modular Synthesiser with Patch Option
Analogue sound generation
256 Step-sequencer
Arpeggiator
Stereo ladder filter and stereo analog delay
Based on the circuits of the Moog-Modular-Synthesizer
4 Analogue oscillators with selectable waveforms
Mixer with 6 inputs
2 x Four-stage ADSR
3 x Bipolar voltage controlled attenuators with ring modulation capabilities
2 Discrete analogue stereo routed VCAs
49-Key keyboard with aftertouch via MIDI, KBD VEL OUT and KB AT OUT connectors
Pitch and modulation wheels
90 Patch points 3.5 mm jack on front and rear side
Dimensions (WxHxD): 812.8 x 139.7 x 361.9 mm
Weight: 10.89 kg
Includes patch cable and external 12 V power supply unit
System Type 2-way bass reflex speaker
Max SPL (@1m) 127 dB
Frequency Response (-10 dB) 61 Hz - 20 kHz
HF 1.35" driver
LF 10” - 2” V.C
Dispersion (HxV) 90° x 70°
Crossover Frequency 1780 Hz
Peak Power 400 W
Cooling Fan
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 304 x 505 x 305 mm (11.9" x 19.9" x 12")
Weight 12.7 kg (28 lbs)
Contemporanea 30 cm x 20 cm Caisse Malacacheta, Aluminum Shell, 6-tune Lugs, Pro Series -Top Instrument for professionell Players, identical to the Snare Drum of a Drum Kit it has a metal Snare fixed on the skin and makes a crackling Sound wich links the various Sound of the Band, included Tuning Key,
The Galli Musical Strings Company was established by Tommaso Galli in 1890. At that time musical strings were handcrafted using gut.
In 1950 Roberto Galli, Tommaso’s son, joined the firm. Roberto inherited the talent of his father and in time became like his father a great expert, a maestro, in the art of musical string making.
In the 1970s Galli Strings introduced new technologically advanced equipment into their production process. Roberto Galli’s son, Tommaso, joined the company in 1985. Building on his grandfather’s and father’s musical and technical achievements, Tommaso Galli has extended into the twenty-first century the Galli tradition of developing and manufacturing fine musical strings.
Ukulele Bass BLACK NYLON UXB810® strings are unique strings with a strong consistent sound. This synthetic core string wound with black nylon is a new revolutionary project never introduced before. It changes the way of playing the Ukulele bass, making its sound brighter and more powerful. A truly innovative string with sonority very similar to the timbre of the double bass
DIAMETER TENSION
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
UXB811 G-1st Black Nylon wound on Synthetic core - - - -
UXB812 D-2nd Black Nylon wound on Synthetic core - - - -
UXB813 A-3rd Black Nylon wound on Synthetic core - - - -
UXB814 E-4th Black Nylon wound on Synthetic core - - - -
TECH-21 from New York City have created an industry standard with their SansAmps, particularly in the electric bass sector. The SansAmp XB Driver presented at NAMM continues this success story..
This guitar has been the choice of pro musicians of all genres. The versatility of this guitar begins with its solid cedar top that can play sweet mellow passages or power chords with equal ability. The maple back and sides are a perfect reflector for the tone generated by the soundboard and the gloss black finish looks great under the stage lights. The mahogany neck is joined to the body with a traditional, ultra strong dovetail joint.
Includes Takamine’s CT4B II preamp system paired with the unique Palathetic™ under-saddle pickup for peerless amplified response. The highly acclaimed CT4B II preamp system with three-band EQ, volume control and built-in tuner.
Den ikoniske GCB-95 Cry Baby behøver næppe nogen særlig introduktion!
Det er nærmest så sikkert som ammen i kirken at du ikke kan finde en guitarist med respekt for sig selv der ikke ejer, eller har ejet mindst én Cry Baby. Listen af berømtheder der har anvendt Cry Baby er nærmest uendelig; Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan, Joe Bonamassa bare for at nævne nogle få.....
1-EFFEKT PEDALER
