Multi effect pedal
32-bit AD / DA
32-bit floating-point processor and 96 kHz sampling rate
New BOSS DSP engine, specially developed for audio applications
AIRD (Augmented Impulse Response Dynamics) brings BOSS's Tube Logic concept to a digital guitar processor
Allows natural integration of external devices
Extremely dynamically playable amplifiers
Massive selection of effects including BOSS MDP effects such as DD-500, MD-500, RV-500
Amplifiers and effects can be interconnected serially and in parallel
Fast switching of patches with delay / reverb "carryover function"
Innovative stomp box features
Easy operation with a large display and 6 assignable switches
10 Footswitches, integrated freely assignable expression pedal and coloured LEDs
High-resolution tuner in 2 display modes ............
SEE INFO
Strings in black nylon tape wound on a stainless steel core: if used on a fretless electro-acoustic bass, make the instrument able to produce tones as a double bass. 5 strings
GUITAR POLISH
D’Andrea USA’s Guitar Polish works best after a deep clean with our Lemon Oil & Conditioner. Lightly spray an even coat of polish over your guitar body and gently polish with a polishing cloth until a deep gloss appears. Keep your instruments in tip-top shape with our professional line of Guitar Care Products. Proudly Made in USA!
Features
600 W RMS Class D AMP
Selectable Stereo Balanced Input
Link or Xover Balanced Stereo Output Mode
Compact and sturdy wood cabinet
Lightweight
Polarity Switch
FLAT or BOOST Mode Switch
Technical Data
Speaker Type: Active Subwoofer
Acoustical data
Frequency Response [-10dB]: 42 – 124 Hz
Max SPL (1 m): 131 dB
Directivity: omnidirectional
LF: 15″
LF Voice Coil: 2.5″
Amplifier
Amp Technology: SMSP digital amplifier
Amp Class: Class D
RMS Power: 600 W
Peak Power: 1200 W
Processor
Controller: 28/56 bit DSP
Limiter: Peak, Thermal, RMS
Controls: Subwoofer level, Outputs mode, Polarity, Subwoofer mode
Input
Signal Input: 2x XLR (balanced)
Signal Output: 2x XLR (balanced)
Mechanics
Housing: Plywood
Grille: Full metal grid
Pole Mount: M20
Width: 430 mm (16.92 in)
Height: 580 mm (22.83 in)
Depth: 600 mm (23.62 in)
Weight: 25.5 kg (56.22 lbs)
1200 W peak power
600 W RMS power
Newly designed asymmetrical horn
Advanced DSP with fir filters
2 input channels (MIC-LINE/MIC-INSTR)
Selectable output channel LINK CH1/MIX CH 1+2)
8 Q prestes
Fresh full grille design
Stage monitor use
Active speaker
Loudspeakers: 12"/1"
Digital power amplifier
Power: 1200 W peak, 600 W RMS
Peak SPL: 129 dB
Asymmetrical horn tweeter 100° x85°
XLR and 6.3 jack input
56-Bit DSP
8 Sound presets for the monitor and stand application
2 Separately adjustable inputs with mix output
Multifunctional housing incl. slanted monitor angle
3x M10 rigging points
Dimensions: 350 x 642 x 349 mm
Weight: 14.3 kg
The Galli Musical Strings Company was established by Tommaso Galli in 1890. At that time musical strings were handcrafted using gut.
In 1950 Roberto Galli, Tommaso’s son, joined the firm. Roberto inherited the talent of his father and in time became like his father a great expert, a maestro, in the art of musical string making.
In the 1970s Galli Strings introduced new technologically advanced equipment into their production process. Roberto Galli’s son, Tommaso, joined the company in 1985. Building on his grandfather’s and father’s musical and technical achievements, Tommaso Galli has extended into the twenty-first century the Galli tradition of developing and manufacturing fine musical strings.
Cyclemic
Cyclemic Behind the head sweat resistant fitness microphone.
Cyclemic is the superior headworn-microphone designed specifically for the fitness industry’s indoor cycling programs. Cyclemic’s sleek orange boom arm with ‘J’ curve design is easy to spot on the most well known cycling presenters and instructors worldwide. It’s unique miniature mic capsule is designed to be worn beside the mouth, not in front. Breath noises are not over-amplified; no foam ball windscreen is needed. Cyclemic’s excellent sound quality ensures clear voice projection, taking the stress and strain off instructors voices when teaching high-sweat cycling classes.
System Type Vented stereo sub
Max SPL (@1m) 130 dB
Frequency Response (-10 dB) 45 Hz - Cut freq
LF 15” - 4” V.C
Peak Power 1000 W
Cooling Passive radiator
DSP 28/56 bit
Connectors I/O CH1/CH2: Combo, LINE OUT: XRL-M (LINK+XOVER)
Controls LEVEL, XOVER selection, POLARITY selection
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 430 x 580 x 590 mm (16.9" x 22.8" x 23.2")
Weight 31.9 kg (70.32 lbs)
The world first heard the instantly recognizable sounds of the Mellotron on hits from the Moody Blues (“Nights in White Satin”) and the Beatles (“Strawberry Fields Forever”) in the 1960s. In 2010, Mellotron reintroduced the iconic tape-based machine in a compact digital version, the Mellotron M4000D, that retains the authentic sound, look and feel of the original keyboard while adding some significant improvements.
Enredo Comienzo serien fra Tanglewood, er fine klassiske guitarer i en yderst fornuftig prisklasse.
Grandæk, samt Ryg og Sider i Lindetræ i mat Satin finish.
Guitarerne har Techwood gribebræt, og gode mekanikker. Et virkeligt godt valg til skoler, begyndere, osv. som vil starte i en god kvalitet
Guitarerne findes i ¾ størrelse
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
.REPLICATOR D’LUXE TAPE ECHO
The Replicator D’Luxe is a sum up from all the knowledge, we have built up over the years, making Tape delays.
It is a 2 head machine. The drive mechanism has been updated with a noiseless belt drive. A tape lock/release mechanism is added, to make the pinch wheel and tape last longer and electronics has been tuned to perfection.
Concerto Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
MUDHONEY DISTORTION - THE ORIGINAL COLLECTION
The Mudhoney distortion was our first shot at making a great, all-round distortion box. That´s how most owners have described it - it just plain works for a lot of different music styles and they haven´t found a similar sound in many other pedals. In fact, there´s a story about a player that bought and sold six Mudhoney´s, before realizing that the pedals he replaced it with weren´t doing it for him, so he got the seventh one – and kept it.
Mikrofon kabel 6,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
Den ikoniske GCB-95 Cry Baby behøver næppe nogen særlig introduktion!
Det er nærmest så sikkert som ammen i kirken at du ikke kan finde en guitarist med respekt for sig selv der ikke ejer, eller har ejet mindst én Cry Baby. Listen af berømtheder der har anvendt Cry Baby er nærmest uendelig; Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan, Joe Bonamassa bare for at nævne nogle få.....
Tenore Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
LEGEND SOUL ORGANS
Legend Soul line is born thanks to the Viscount centennial experience in projecting and making instruments. Our purpose was creating new digital tonewheels organs able to reproduce the original and iconic 9 contacts effect as much realistic as possible. After several studies, our engineers have managed to perfectly recreate all of them, using a unique technology patented by us. Thanks to that, when you play one of our Legend Soul, you will feel the iconic and realistic sounds of original tonewheels organ, but with all the advantages of the digital ones.
DER ER INGEN SAMMENLIGNING..HELT NY VERDEN
Physis Piano er en idé.
Idéen om at tilbyde et publikum af musikere og fagfolk et stadig mere sofistikeret digital piano som er i stand til at blive den nye absolutte referencepunkt indenfor digitalpianoer: kraftfuld, alsidig, smukt, med en fantastisk lyd, der omdefinerer ”state of the art”.
Et instrument så avanceret og omfattende, at det ikke kan sammenlignes med noget andet digital piano, men kun med den dynamiske kreative lyd som kun et akustisk piano har.
Et værktøj, der ikke eksisterede, fordi det forudsatte en teknologi, som endnu ikke var blevet udviklet, og et værk af design og teknik så kompleks, at ingen nogensinde havde turdet forestille sig det.
Vi besluttede at tage den lange rejse gennem ukendte territorier af lyd,
og det piano der ikke var der .. er der nu.
1-EFFEKT PEDALER
