System Type 2-way bass reflex speaker
Max SPL (@1m) 127 dB
Frequency Response (-10 dB) 61 Hz - 20 kHz
HF 1.35" driver
LF 10” - 2” V.C
Dispersion (HxV) 90° x 70°
Crossover Frequency 1780 Hz
Peak Power 400 W
Cooling Fan
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 304 x 505 x 305 mm (11.9" x 19.9" x 12")
Weight 12.7 kg (28 lbs)
HYMMERSIVE organs introduce a new generation of instruments by optimally combining a beautiful, flexible and reliable organ console to the Hauptwerk Sampled Sound Software Platform.
The new Viscount HYMMERSIVE organ has been conceived to drastically improve all the mentioned drawbacks with a revolutionary new design, able to offer the organist and church a beautiful, flexible and reliable solution for their Hauptwerk Sampled Based Organ. The unique reconfigurable and customizable Stop-tab system with OLED displays, plus the appropriate powerful computer hardware, all designed, conceived, and built by Viscount, create an extraordinary organ package when considering a Hauptwerk Sampled Based Organ.
SHAPE Super Folk
TOP Solid Cedar
BACK Solid Mahogany
SIDES Solid Mahogany
FINGERBOARD Rosewood
BRIDGE Rosewood
STRINGS Elixir Nanoweb 12-53
ELECTRONICS LR Baggs Stage Pro Element
FINISH Vintage Sunburst Gloss
Full Specification TW45RVSE
Extensible arm microphone stand. Adjustable elevation arm and professional knob for the height fastening equipped with fixed desktop stand. Suggested for radio installations and dubbing studios.
Maximum Height 100 cm.
Weight1,2 Kg.
Maximum Carriage Capacity1,8 Kg.
Total Volume 0,068 cbm.
Color Black
Material of Construction steel
STRING CLEANER
D’Andrea USA’s String Cleaner & Lubricant prolongs string life and renews string tone by removing the oxidation and natural build up from hours of playing. Simply apply to a polish cloth and gently rub the strings up and down to bring your strings back to life while lubricating them for playing ease. Do not apply to any other surfaces other than your strings. Keep your instruments in tip-top shape with our professional line of Guitar Care Products.. Proudly Made in USA!
Tribute Asat Classic Bluesboy Semihollow
Asat Classic Bluesboy Semihollow med een single coil mikrofon i Bridge position, samt en G&L Humbucker i Neck position. Den klassiske T stol er opgraderet fra 3 til 6 messing sadler. Denne version har F-hul, og to tonekamre i kroppen, som er med til at give en levende og dynamisk tone.
G&L er Leo Fenders sidste livsværk, skabt på erfaringerne fra Fender og Music Man, og designet i Leo’s workshop, på Fender Avenue 2548, i Fullerton, CA. Stedet hvor de første Music Mans blev bygget, og siden alle G&L USA modeller. Den lille fabrik kører stadig på højtryk, og Leo’s værksted står, som da han forlod det. Tradition og håndværk forenet. Tribute serien er fremstillet hos Cortek i Indonesien, og anvender G&L pickups og hardware!
1200 W peak power
600 W RMS power
Newly designed asymmetrical horn
Advanced DSP with fir filters
2 input channels (MIC-LINE/MIC-INSTR)
Selectable output channel LINK CH1/MIX CH 1+2)
8 Q prestes
Fresh full grille design
Stage monitor use
MOVE8
Battery-powered multifunctional speaker
BESKRIVELSE SPECIFIKATION
A battery powered all-rounder!
2 Mic/Line inputs with EQ and Reverb, Guitarcab-simulation + Bluetooth 5.0
Move 8 features the well known and clear full-range tone from the Premium Pr:O series. A highly efficient 8″ bass/midrange speaker offers powerful and impressive performance even at high volumes, with long battery life at the same time. 1” tweeter delivers balanced tone up to 20khz. Built as an light weight, wooden multifunctional housing that can be placed mounted to traditional speaker stand as well as horizontal as floor monitor.
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.
The series includes 119 additional sounds, ranging from acoustic and electric pianos to synths, strings, brass, and more. Players can utilize the Sound 1 and Sound 2 zones, along with the dedicated Pedal Section, to layer and split sounds across the keyboard for maximum creative expression. The Bass Section offers 22 bass sounds, including traditional tonewheel, pipe, and synth bass options, ensuring deep, resonant tones.
Active Near Field Monitor
Equipment: 8" Woofer and 1" tweeter
2-Way Class-D amplifier
Power: 112 W - 56 W woofer and 56 W treble
Frequency range: 45 - 20,000 Hz (+/- 3 dB)
Max. SPL: 112 dB (peak)
Input sensitivity adjustable +4 dBu / -10 dB
Boundary EQ
HF trim switch
Connections: Line input XLR and 6.3 mm jack balanced
15 mm MDF housing
Dimensions (H x W x D): 419 x 254 x 308 mm
Weight: 8.1 kg
Price per piece
LEGEND SOUL ORGANS
Legend Soul line is born thanks to the Viscount centennial experience in projecting and making instruments. Our purpose was creating new digital tonewheels organs able to reproduce the original and iconic 9 contacts effect as much realistic as possible. After several studies, our engineers have managed to perfectly recreate all of them, using a unique technology patented by us. Thanks to that, when you play one of our Legend Soul, you will feel the iconic and realistic sounds of original tonewheels organ, but with all the advantages of the digital ones.
Made famous by the Gretch White Falcon, this stunning guitar with abalone inlay and gold effect hardware is second to none. Comes with dual filtertrons, licensed Bigsby and gold effect hardware! 648mm scaling. Maple neck and rosewood fingerboard and bridge finish the guitar of nicely.
B108 is a versatile, portable full-range active speaker suitable for small venue applications. The bass-reflex cabinet is equipped with a 8 woofer and a 1compression driver boosted by a 400 W amp module. Its advanced DSP featuring FIR filters
Strings in black nylon tape wound on a stainless steel core: if used on a fretless electro-acoustic bass, make the instrument able to produce tones as a double bass.
Western guitar
Thermal Top Series
Body shape: Dreadnought
Top: Solid spruce
Bottom & sides: Solid American mahogany
Neck: Mahogany
Fretboard: Ebony
Bridge/Pins: Rosewood (Dalbergia Latifolia)
Scale: 644 mm (25,35")
Nut width: 45 mm (1.77")
TLD-2 Preamp
Colour: Gloss, natural
Includes GC case
Multi effect pedal
32-bit AD / DA
32-bit floating-point processor and 96 kHz sampling rate
New BOSS DSP engine, specially developed for audio applications
AIRD (Augmented Impulse Response Dynamics) brings BOSS's Tube Logic concept to a digital guitar processor
Allows natural integration of external devices
Extremely dynamically playable amplifiers
Massive selection of effects including BOSS MDP effects such as DD-500, MD-500, RV-500
Amplifiers and effects can be interconnected serially and in parallel
Fast switching of patches with delay / reverb "carryover function"
Innovative stomp box features
Easy operation with a large display and 6 assignable switches
10 Footswitches, integrated freely assignable expression pedal and coloured LEDs
High-resolution tuner in 2 display modes ............
SEE INFO
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
Madrigal Guitars in collaboration with Alfredo Gonzalez Luthier offers to the professional guitarists these 100% Handmade classical guitars concert models .
Each guitar is made separately with an exhaustive selection of exclusive and exotics woods and highly musical especiality.
The playing guitarist will achive Powerful attack, unique lyrical and sensitive timbre, with a wide spectrum sound between piano and forte that the professional musician will appreciate.
All the guitars are shellac finished.
MAGNOLIA-PROFESSIONAL
Top:Cedar
Neck:Cedar reinforce
Back & Sides:Indian Rosewood Solid
Fingerboard:Ebony
Bridge: Indian Rosewood
Frets: 21
Finish: French Laque
Inc exelent Case
BAG0EG – Soft bag for electric guitar
Soft bag for electric guitar. Made of rip-proof “Oxford cloth 600D” with cloth outer border. Black color. Velcro reinforced easy-to-open handle. Adjustable double strap. Large frontal pocket. Strong zippers stitched with anti-rip nylon.
MUDHONEY DISTORTION - THE ORIGINAL COLLECTION
The Mudhoney distortion was our first shot at making a great, all-round distortion box. That´s how most owners have described it - it just plain works for a lot of different music styles and they haven´t found a similar sound in many other pedals. In fact, there´s a story about a player that bought and sold six Mudhoney´s, before realizing that the pedals he replaced it with weren´t doing it for him, so he got the seventh one – and kept it.