Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
Tribute L-2000
Leos L serie basser, startede som en videreførelse af hans Music Man designs, og med to Humbucker pickups tilbød G&L noget på det tidspunkt, som ikke fandtes hos MM. L serien har siden starten fået sit eget liv, og både L-2000, og L-2500 (5 str) er blevet manges favorit bas, og i høj grad en bestseller i Tribute serien.
G&L er Leo Fenders sidste livsværk, skabt på erfaringerne fra Fender og Music Man, og designet i Leo’s workshop, på Fender Avenue 2548, i Fullerton, CA. Stedet hvor de første Music Mans blev bygget, og siden alle G&L USA modeller. Den lille fabrik kører stadig på højtryk, og Leo’s værksted står, som da han forlod det. Tradition og håndværk forenet. Tribute serien er fremstillet hos Cortek i Indonesien, og anvender G&L pickups og hardware!
MUDHONEY DISTORTION - THE ORIGINAL COLLECTION
The Mudhoney distortion was our first shot at making a great, all-round distortion box. That´s how most owners have described it - it just plain works for a lot of different music styles and they haven´t found a similar sound in many other pedals. In fact, there´s a story about a player that bought and sold six Mudhoney´s, before realizing that the pedals he replaced it with weren´t doing it for him, so he got the seventh one – and kept it.
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
What's In The Box
1 x f5 Snare Microphone
3 x f2 Rack and Floor Tom Microphones
1 x f6 Kick Drum Microphone
2 x f9 Overheads Microphones
6 x DCLIP Microphone Clips
4 x DFLEX Microphone Clips
1 x MC1 Microphone Clip
Aluminum Road Case
SoloStrap Neo
Perfecting the art of comfort. Twice.
The new SoloStrap Neo was designed with one thing in mind: To be the most comfortable padded single guitar strap you'll ever own! Comes in two widths: The 4.0 model (4" wide) helps ease the weight of heavier instruments such as basses and solid-body guitars, while the 2.5 model (2.5" wide) offers ample cushion for lighter instruments. Both models feature thick anti-fatigue, double-layered neoprene coupled with durable faux leather, with limited stretch to avoid that bothersome "bungee" bouncy effect.
Our easy rivet-based length adjustment system offers the widest length range, from 38" to 50", and all the way to 62" with the optional extra long tail.
Legend Exp
If you want the fabulous Legend sound powered by the physical TMT modeling technology, Legend Exp module is the perfect solution for you.
The control panel offers a wide range of buttons and knobs including a series of drawbars that allow you to fully control in real time the extensive features offered by the instrument.
The Galli Musical Strings Company was established by Tommaso Galli in 1890. At that time musical strings were handcrafted using gut.
In 1950 Roberto Galli, Tommaso’s son, joined the firm. Roberto inherited the talent of his father and in time became like his father a great expert, a maestro, in the art of musical string making.
In the 1970s Galli Strings introduced new technologically advanced equipment into their production process. Roberto Galli’s son, Tommaso, joined the company in 1985. Building on his grandfather’s and father’s musical and technical achievements, Tommaso Galli has extended into the twenty-first century the Galli tradition of developing and manufacturing fine musical strings.
Made famous by the Gretch White Falcon, this stunning guitar with abalone inlay and gold effect hardware is second to none. Comes with dual filtertrons, licensed Bigsby and gold effect hardware! 648mm scaling. Maple neck and rosewood fingerboard and bridge finish the guitar of nicely.
2 MUDHONEYS IN 1 - DUAL DISTORTION
If you still haven’t heard a T-Rex Mudhoney, do yourself a favour and plug one in next time you’re at the music store.
Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.
Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.
Electric Bass
Body: Alder
Maple neck
Pau Ferro fretboard
Matte neck finish
20 Frets
Nut width: 41.3 mm
Scale: 864 mm
Pickups: New Player AlNiCo V Precision Split single coil
Volume knob and tone knob
Standard open gear machine heads
Ex-factory stringing: Fender 7250M .045 - .105
Colour: 3-Tone sunburst
Another pick with the tri-tip design, the Axis is shaped with very rounded tips, making it a favorite for strumming styles and mandolin players. The wide body gives your fingers additional gripping surface, ensuring the pick stays in your hands even during aggressive play. Also, the identical tips frees you from worrying about the pick turning in your hands since there’s another tip waiting to take over right around the corner. These features makes the Axis a dependable pick for the soft strummer or "banger's" alike.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular
The Edge is made to take your playing to that next level. This pick features an extremely sharp point with rounded shoulders, but unlike the Classic shape, the Edge has an extra-wide body for a dependable grip during even the most aggressive playing. The Edge gives you a more accurate and articulate sound with better pinch harmonics. Great for all types of picking, from alternate to sweeping, the Edge is made for ultimate accuracy and sound. While it can be played on any guitar, the Edge is designed to bring out the most out of your electric guitar.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
.REPLICATOR D’LUXE TAPE ECHO
The Replicator D’Luxe is a sum up from all the knowledge, we have built up over the years, making Tape delays.
It is a 2 head machine. The drive mechanism has been updated with a noiseless belt drive. A tape lock/release mechanism is added, to make the pinch wheel and tape last longer and electronics has been tuned to perfection.
40 years standing by your side
Welcome to the Bespeco world!
Established in 1981, we are an Italian Company designing, engineering, manufacturing and commercializing accessories for musical instruments.
Through constant cooperation with musicians, sound technicians and engineers we are able to build functional, sturdy and durable products, each with its own distinctive design. High quality accessories that will always come with you.
Wherever you find music, you always find an accessory: be it a cable, a guitar stand, a microphone stand, a case to protect your instrument and many more. ........
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We wish you a good watching!
The Legend LM 73 lower manual is the perfect addition to your Legend ONE keyboard, offering a second manual dedicated to the following features:
The most compact dual manual organ with two sets of drawbars.
The removable half-moon switch on the Legend LM eases the rotary control.
If you’re feeling asymmetrical today, why not combine your Legend ONE 61 with a 73 base?
Transform your all-in-one keyboard into an all-in-one dual organ with high performance and compact dimensions and price.
Compact speaker system for concerts and conferences
10" subwoofer with amplifiers and mixer
8 x 2" sound line with two spacers
Power: 1500 watts
Digital class-D amplifier
Maximum level: 123 dB
Beam angle: 170° x 30°
Frequency range: 37 - 20000 Hz (-10dB)
Integrated DSP
Built-in 5-channel digital mixer with 8-band EQ, AFS (advanced feedback suppression) and reverb for connecting multiple signals (microphones, instruments, CD or MP3 players)
Dbx gate and compressor per channel
Lexicon effects
3x XLR combo jacks (2x 48 V phantom power)
1x Hi-Z jack input
1x mini jack input
Bluetooth V5 audio streaming
App for iOS and Android
Controls channel 1-3: Gain, bass, mid, treble, reverb
Mic/line inputs channel 1-3: Combination jack 6.3 mm jack / XLR
Channel 4 controls: Gain, bass, mid, treble, reverb
Line input channel 4: 6.3 mm jack
Channel 5 control: Gain, bass, mid, treble, reverb
Aux-in input channel 5: 3.5 mm mini jack
See INFO
For stage applications
Linear frequency response
Excellent feedback resistance
Polar pattern: Cardioid
Frequency range: 20 - 20,000 Hz
Sensitivity: 5.6 mV/Pa
Peak SPL: 150 dB
Impedance: 200 Ohm
Current consumption: 4 mA
Requires 48 V phantom power
Black metal housingDouble bearing capsule suspension
Dimensions: 185 x 51 mm
Weight: 312 g
SA61 microphone holder and bag included
NAMED AFTER DANISH GUITARIST KNUD MØLLER
T-Rex Møller 2 delivers the same classic overdrive that made it's predecessor one of T-Rex’s most sought-after pedals. Named after Danish guitarist Knud Møller, for whom the original pedal was designed, Møller 2 features a more durable “Bass Boost” toggle switch and easier-to-read control knob graphics. The pedal is armed with a 0-20 db clean boost, as well as a mix control which lets you dial in the perfect balance between distorted and clean signals. Rolled all the way up and with distortion maxed, the pedal sounds just like a vintage tube amp at full volume. Roll the Mix knob back a bit, and your clean signal starts to get through; if you pick lightly or roll back your guitar volume, you get a stunning clean, softly-clipping sound that retains all the feel and dynamics of your original tone, only bigger, louder and richer. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.
System Type 2-way bass reflex speaker
Max SPL (@1m) 131 dB
Frequency Response (-10 dB) 51 Hz - 20 kHz
HF 1.75" driver
LF 12” - 3” V.C
Dispersion (HxV) 90° x 40°
Crossover Frequency 1500 Hz
Peak Power 1200 W
Cooling Passive radiator
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 359 x 610 x 350 mm (14.2" x 24" x 13.8")
Weight 21 Kg (46.3 lbs)
BASIC 73 KEYS. INC. E.PIANO & SOUNDCOLLECTION
Legend ’70s MKII
Modular Stage Piano
2nd chapter for a unique instruments. Now it is doubled in everything:
Double core DSP
Wooden premium construction
Reduced noises
New Eprom (more programs)
Tp110 on the Compact and Updated wooden piano keyboard on the Artist-W.
New aluminium knobs
Many future developments
NYHED!
ISA C8X
26-in, 28-out USB-C audio interface
BESKRIVELSE SPECIFIKATION
ISA C8X combines the trademark ISA sound with comprehensive remote control and all the analogue and digital I/O, routing, and recallability you need to run your entire setup. The two ISA preamps are based on classic Lundahl transformers and feature all-analogue Console and 430 Air modes for new tonal options plus switchable impedance, balanced inserts, and high-pass filtering. All eight of ISA C8X’s preamps are fully controllable from the front panel and via the Focusrite Control 2 software.
2U rack-mounted, 26x28 USB audio interface
Capture, route, and mix sessions of any size with 26 inputs and 28 outputs of analogue and digital audio.
Two remote-controllable ISA preamps
Featuring Lundahl LL1538 input transformers that add subtle warmth and body to any signal, plus balanced inserts, stepped and fine gain control, switchable impedance, high-pass filter, and up to 79dB of gain.
System Type 2-way bass reflex speaker
Max SPL (@1m) 125 dB
Frequency Response (-10 dB) 63 Hz - 20 kHz
HF 1.35" driver
LF 8” - 2” V.C
Dispersion (HxV) 90° x 70°
Crossover Frequency 1800 Hz
Peak Power 400 W
Cooling Fan
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 264 x 440 x 260 mm (10.4" x 17.3" x 10.3")
Weight 10.9 kg (24 lbs)
1-EFFEKT PEDALER
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