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24-Channel mixing console with integrated stage box and DSP
Parallel multitrack recording to USB drive & DAW
20 Mic / Line inputs: 10x XLR, 10x 6.3 mm jack combo
2 RCA line inputs
2-Channel USB media player (MP3, WAV, AIFF playback)
22-Channel USB direct-to-memory recording
32-Channel recording interface (I/O via USB-B port)
Internal sample rate: 48 kHz
2 Additional USB ports for controllers & updates
2 XLR & jack main outputs
8 XLR AUX outputs
2 Headphone outputs
RJ45 Ethernet connector
HDMI port for mixer control via a monitor
Integrated dualband WLAN & Ethernet (2 antennas, 2.4 / 5 GHz)
Compatible with iOS, Android, Windows, Mac OS, Linux (via HTML5)
Accepts up to 10 devices simultaneously (tablet, smartphone, PC)
Signal processing from dbx, Lexicon, Digitech
20 High-quality Studer designed mic preamps
SEE INFO
Concerto Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
NAMED AFTER DANISH GUITARIST KNUD MØLLER
T-Rex Møller 2 delivers the same classic overdrive that made it's predecessor one of T-Rex’s most sought-after pedals. Named after Danish guitarist Knud Møller, for whom the original pedal was designed, Møller 2 features a more durable “Bass Boost” toggle switch and easier-to-read control knob graphics. The pedal is armed with a 0-20 db clean boost, as well as a mix control which lets you dial in the perfect balance between distorted and clean signals. Rolled all the way up and with distortion maxed, the pedal sounds just like a vintage tube amp at full volume. Roll the Mix knob back a bit, and your clean signal starts to get through; if you pick lightly or roll back your guitar volume, you get a stunning clean, softly-clipping sound that retains all the feel and dynamics of your original tone, only bigger, louder and richer. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.
Mikrofon kabel 6,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
Active High-Performance Column PA System
6x 2.5" Midrange speakers
8" Subwoofer
Power: 300 watts RMS, 1200 watts peak
Class D power amplifier
Maximum level: 118 dB
Frequency response: 50 - 20,000 Hz
Horn pattern: 120° x 30°
2 Switchable mic/line inputs: XLR/jack combo
2 RCA inputs
1 XLR mix output
Bluetooth 5.0 for audio streaming
Bluetooth TWS Link
3-Channel mixer
2-Channel equaliser
2 Mic preamps
Undervoltage, thermal, overcurrent protection
Limiter
Dispersion angle (H x V): 120° x 45°
Plastic housing
Dimensions (W x H x D): 302 x 2029 x 390 mm
Weight subwoofer: 13 kg
Weight top: 3.2 kg
Weight spacer: 2.3 kg
Total weight: 18.5 kg
Colour: Black
Another pick with the tri-tip design, the Axis is shaped with very rounded tips, making it a favorite for strumming styles and mandolin players. The wide body gives your fingers additional gripping surface, ensuring the pick stays in your hands even during aggressive play. Also, the identical tips frees you from worrying about the pick turning in your hands since there’s another tip waiting to take over right around the corner. These features makes the Axis a dependable pick for the soft strummer or "banger's" alike.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular
Features
600 W RMS CLASS-D AMPLIFIER
STEREO BALANCED INPUT
LINK OR X-OVER BALANCED STEREO OUTPUT MODE
COMPACT AND STURDY WOOD CABINET
LIGHTWEIGHT
POLARITY INVERSION SWITCH
FLAT OR BOOST EQ MODE SWITCH
Technical Data
Speaker Type: Active Subwoofer
Acoustical data
Frequency Response [-10dB]: 46 – 123 Hz
Max SPL (1 m): 129 dB
Directivity: omnidirectional
LF: 12”
LF Voice Coil: 2.5″
Amplifier
Amp Technology: SMSP digital amplifier
Amp Class: Class D
RMS Power: 600 W
Peak Power: 1200 W
Processor
Controller: DSP 28/56 Bit
Limiter: Peak, Thermal, RMS
Controls:
1x Subwoofer attenuation Control
1x Flat/Boosted switch
1x Switch output mode
1x Polarity switch
Input
Signal Input: 2x XLR (balanced)
Signal Output: 2x XLR (balanced)
Mechanics
Housing: Black painted Plywood
Handles: 1 on top
Pole Mount: M20
Width: 360 mm (14.72 in)
Height: 550 mm (21.65 in)
Depth: 525 mm (20.67 in)
Weight: 19.8 Kg (43.65 lbs)
Tenore Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
B110 is a versatile, portable, powerful active speaker suitable for small to medium venue applications. The bass-reflex cabinet is equipped with a 10 woofer and a 1.35 compression driver boosted by a 400 W amp module.
Soprano Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
Cyclemic
Cyclemic Behind the head sweat resistant fitness microphone.
Cyclemic is the superior headworn-microphone designed specifically for the fitness industry’s indoor cycling programs. Cyclemic’s sleek orange boom arm with ‘J’ curve design is easy to spot on the most well known cycling presenters and instructors worldwide. It’s unique miniature mic capsule is designed to be worn beside the mouth, not in front. Breath noises are not over-amplified; no foam ball windscreen is needed. Cyclemic’s excellent sound quality ensures clear voice projection, taking the stress and strain off instructors voices when teaching high-sweat cycling classes.
Take your audience and fellow musicians by surprise with this amazing pick, the Stealth. The Stealth has the tri-tip design meaning all 3 points are identical. Very pointed and articulate. Essentially 3 picks for the price of one. When sound, accuracy and dependability matter, the Stealth becomes your secret weapon.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular Pick.
Den ikoniske GCB-95 Cry Baby behøver næppe nogen særlig introduktion!
Det er nærmest så sikkert som ammen i kirken at du ikke kan finde en guitarist med respekt for sig selv der ikke ejer, eller har ejet mindst én Cry Baby. Listen af berømtheder der har anvendt Cry Baby er nærmest uendelig; Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan, Joe Bonamassa bare for at nævne nogle få.....
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
Excellent digital piano in a high-quality black and white polish cabinet, extensive features and great piano sounds. No matter you are a student, piano hobbyist or a professional piano player, Classico Grand is a recommendation for anyone who is looking for a nice and affordable digital piano. Thanks to its versatility, it is able to satisfy different needs such as piano study, music listening, MIDI song production and entertainment demands.
Strings in black nylon tape wound on a stainless steel core: if used on a fretless electro-acoustic bass, make the instrument able to produce tones as a double bass.
NYHED!
ISA C8X
26-in, 28-out USB-C audio interface
BESKRIVELSE SPECIFIKATION
ISA C8X combines the trademark ISA sound with comprehensive remote control and all the analogue and digital I/O, routing, and recallability you need to run your entire setup. The two ISA preamps are based on classic Lundahl transformers and feature all-analogue Console and 430 Air modes for new tonal options plus switchable impedance, balanced inserts, and high-pass filtering. All eight of ISA C8X’s preamps are fully controllable from the front panel and via the Focusrite Control 2 software.
2U rack-mounted, 26x28 USB audio interface
Capture, route, and mix sessions of any size with 26 inputs and 28 outputs of analogue and digital audio.
Two remote-controllable ISA preamps
Featuring Lundahl LL1538 input transformers that add subtle warmth and body to any signal, plus balanced inserts, stepped and fine gain control, switchable impedance, high-pass filter, and up to 79dB of gain.
Tanglewood TUB4 4 String Banjo, 18 Brackets, Remo Renaissance Head, Genuine All Mahogany with Tone Ring
UNION serien vokser støt og roligt, med nye spændende modeller. Og denne 4 strengede banjo, er et godt bud på en yderst prisrigtig banjo, i den kendte TW kvalitet. TUB4 har en krop i Mahogni og 18 stemmeskruer, samt gode Die Cast mekanikker, som tilsammen sikrer en god tone, og stabil stemning, i en fin prisklasse.
Made famous by the Gretch White Falcon, this stunning guitar with abalone inlay and gold effect hardware is second to none. Comes with dual filtertrons, licensed Bigsby and gold effect hardware! 648mm scaling. Maple neck and rosewood fingerboard and bridge finish the guitar of nicely.
2 MUDHONEYS IN 1 - DUAL DISTORTION
If you still haven’t heard a T-Rex Mudhoney, do yourself a favour and plug one in next time you’re at the music store.
Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.
Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.
Specifications
.500" medium large bore
8" bell
Chrome plated nickel silver inner slides
Lacquered brass finish
2C Blessing mouthpiece
Plush lined hard-shell molded case (C-128)
Made in Usa !
System Type 2-way bass reflex speaker
Max SPL (@1m) 125 dB
Frequency Response (-10 dB) 63 Hz - 20 kHz
HF 1.35" driver
LF 8” - 2” V.C
Dispersion (HxV) 90° x 70°
Crossover Frequency 1800 Hz
Peak Power 400 W
Cooling Fan
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 264 x 440 x 260 mm (10.4" x 17.3" x 10.3")
Weight 10.9 kg (24 lbs)
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
1-EFFEKT PEDALER
