SoloStrap Neo
Perfecting the art of comfort. Twice.
The new SoloStrap Neo was designed with one thing in mind: To be the most comfortable padded single guitar strap you'll ever own! Comes in two widths: The 4.0 model (4" wide) helps ease the weight of heavier instruments such as basses and solid-body guitars, while the 2.5 model (2.5" wide) offers ample cushion for lighter instruments. Both models feature thick anti-fatigue, double-layered neoprene coupled with durable faux leather, with limited stretch to avoid that bothersome "bungee" bouncy effect.
Our easy rivet-based length adjustment system offers the widest length range, from 38" to 50", and all the way to 62" with the optional extra long tail.
GM9882 – Double handheld UHF wireless microphone
Double handheld UHF wireless microphone system with convenient ABS case for carriage. 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting. Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
Mikrofon kabel 6,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
It’s not easy to reinvent forgotten technology, but after many years of research, we found the lost secrets and brought back the authentic echoes from the 1950s. It’s known for its use in David Gilmour and Hank Marvin’s guitar tones, John Bonham even used it on drums!
The Binson Echorec provides a unique and distinguishing type of echo supplied by a rotating metal drum where the audio signal is recorded through a magnetic recording head. The Four Playback heads will allow you to choose individual echoes and swells.
BINSON ECHOREC REBORN BY T-REX EFFECTS DENMARK
Made famous by the Gretch White Falcon, this stunning guitar with abalone inlay and gold effect hardware is second to none. Comes with dual filtertrons, licensed Bigsby and gold effect hardware! 648mm scaling. Maple neck and rosewood fingerboard and bridge finish the guitar of nicely.
SHAPE Super Folk
TOP Solid Spruce or Solid Cedar
BACK Amara/Spalt Mango
SIDES Amara
FINGERBOARD Techwood
BRIDGE Techwood
STRINGS Elixir Nanoweb 12-53
ELECTRONICS Fishman Presys
FINISH Natural Gloss
Full Specification TWJSFCE
For stage applications
Linear frequency response
Excellent feedback resistance
Polar pattern: Cardioid
Frequency range: 20 - 20,000 Hz
Sensitivity: 5.6 mV/Pa
Peak SPL: 150 dB
Impedance: 200 Ohm
Current consumption: 4 mA
Requires 48 V phantom power
Black metal housingDouble bearing capsule suspension
Dimensions: 185 x 51 mm
Weight: 312 g
SA61 microphone holder and bag included
Specifications
.500" medium large bore
8" bell
Chrome plated nickel silver inner slides
Lacquered brass finish
2C Blessing mouthpiece
Plush lined hard-shell molded case (C-128)
Made in Usa !
Legend
Legend Live orgel, der perfekt kan genskabe lyden af tonehjul orgler. Det tilbyder dig igen den "vintage følelse". Med fire sæt drawbars og dobbelt tastaturer, står dette orgel noget for sig selv i det avancerede teknologiske lyde og sansen af den gamle klang. Hvert aspekt af et tonehjul tastatur og lyd er så perfekt dupliceret, at spillere over hele verden siger: "Det er det bedste nogensinde”!
Active Column PA System
2000 W Class D power amplifier
Max. SPL (sound pressure level): 127 dB
Frequency response: +/- 10 dB, 35 - 20,000 Hz
Horn characteristics: 120° x 30°
1" Compression driver with CD horn
6x 3" Midrange speakers
12" Bass speaker in the subwoofer
Various possibilities for setting up the column system by removing or implementing the spacer
4-Channel mixer
24-Bit DSP with 5 storable user presets (Mode, Master EQ, Delay, Display, Bluetooth)
3 Sound modes: Music, Voice, DJ
Adjustable system delay
Backlit LCD display
2 Switchable mic/line inputs: XLR/jack combo
1 Hi-Z Instrument input: Jack
1 Stereo input: RCA
1 Mix output: XLR
Bluetooth 5.0 for audio streaming
Subwoofer housing is made of birch/plywood
Bass dimensions (W x H x D): 36.6 x 67.5 x 54.1 cm
Bass weight: 22.1 kg
Top/Spacer dimensions (W x H x D): 10.8 x 82.5 x 9.8 cm
Weight of the top: 3.9 kg
Spacer weight : 2 kg
Total height: 2.18 m
Total weight: 28 kg
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
A single module for two synths! The FM Module for Legend ’70s gives you two layers of authentic FM synthesis and a selection of sounds from music history.
You can import DX-TX sounds from the available libraries. You will also have an FM synthesis editor to experiment with!
FM SYNTH MODULE
2 Layers of Stereo FM Synthesis totally independent
6 Operators
LFO and Pitch Envelope exactly as in the historical formulation of FM synthesis
Iconic Sounds of the Decades
Compatibility with DX-TX sounds from the libraries available
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Strings in black nylon tape wound on a stainless steel core: if used on a fretless electro-acoustic bass, make the instrument able to produce tones as a double bass.
The Razer boasts a longer, narrow taper when compared to the Classic. This subtle difference results in an articulate, precise, picking machine. If there is a fast alternate picking line that you have played a thousand times, then you must try it with a Razer. Arpeggios and chunky rhythms are great as well for the Razer. This is Rob Chapman's pick of choice.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular Pick.
SMF500 LIGHT
Galli® Strings - With their warm and extremely dynamic sound, impeccable intonation and great elasticity to the touch, the SUPREMA MANDOLIN STRINGS by Gallistrings allow the mandolinist to play with excellent musical phrasing, wide expressiveness and skillful agility.
Thanks to their softness, they are particularly suitable for the mandolins of the great lutherie of the past.
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
SMF5001 MI / E Plain Steel - Loop End .0095 0,24 14,2 7,1
SMF5002 LA / A Flat Wound .0135 0,35 15,1 6,9
SMF5003 RE / D Flat Wound .021 0,52 14,5 6,6
SMF5004 SOL / G Flat Wound .031 0,78 13,4 6,1
Legend
Legend Live orgel, der perfekt kan genskabe lyden af tonehjul orgler. Det tilbyder dig igen den "vintage følelse". Med fire sæt drawbars og dobbelt tastaturer, står dette orgel noget for sig selv i det avancerede teknologiske lyde og sansen af den gamle klang. Hvert aspekt af et tonehjul tastatur og lyd er så perfekt dupliceret, at spillere over hele verden siger: "Det er det bedste nogensinde”!
The Sunrise has quickly become our best selling model. The pronounced "Wings" combine with a sharp tip — this versatile guitar pick will destroy your current injection-molded pick/plectrum. The added width created by the Wings provides increased grip and security when held in the playing position of your picking hand.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular Pick.
LEGEND SOUL ORGANS
Legend Soul line is born thanks to the Viscount centennial experience in projecting and making instruments. Our purpose was creating new digital tonewheels organs able to reproduce the original and iconic 9 contacts effect as much realistic as possible. After several studies, our engineers have managed to perfectly recreate all of them, using a unique technology patented by us. Thanks to that, when you play one of our Legend Soul, you will feel the iconic and realistic sounds of original tonewheels organ, but with all the advantages of the digital ones.
Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.
The series includes 119 additional sounds, ranging from acoustic and electric pianos to synths, strings, brass, and more. Players can utilize the Sound 1 and Sound 2 zones, along with the dedicated Pedal Section, to layer and split sounds across the keyboard for maximum creative expression. The Bass Section offers 22 bass sounds, including traditional tonewheel, pipe, and synth bass options, ensuring deep, resonant tones.
System Type 2-way bass reflex speaker
Max SPL (@1m) 127 dB
Frequency Response (-10 dB) 61 Hz - 20 kHz
HF 1.35" driver
LF 10” - 2” V.C
Dispersion (HxV) 90° x 70°
Crossover Frequency 1780 Hz
Peak Power 400 W
Cooling Fan
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 304 x 505 x 305 mm (11.9" x 19.9" x 12")
Weight 12.7 kg (28 lbs)
The Tripp is the most versatile pick that Gravity sells. Using the tri-tip model platform, we’ve put a different tip on each end from three of our popular picks. The Tripp has one tip that’s sharp like the Sunrise, giving you the ability to pick or shred, a second tip that’s rounded like the Axis, made for some smooth strumming, and a third tip that is semi-pointed/semi-rounded like the Striker, giving you the versatility to alternate from picking to strumming to any style you play. With this pick you have everything. Not only do you get the ability and option to play different styles, this pick gives you different tones and sounds — from bright, higher frequencies to mid-range tones. You can call it a bargain pick or a great practice tool, but one thing is for sure, the Tripp sounds as good as it looks.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
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DER ER INGEN SAMMENLIGNING..HELT NY VERDEN
Physis Piano er en idé.
Idéen om at tilbyde et publikum af musikere og fagfolk et stadig mere sofistikeret digital piano som er i stand til at blive den nye absolutte referencepunkt indenfor digitalpianoer: kraftfuld, alsidig, smukt, med en fantastisk lyd, der omdefinerer ”state of the art”.
Et instrument så avanceret og omfattende, at det ikke kan sammenlignes med noget andet digital piano, men kun med den dynamiske kreative lyd som kun et akustisk piano har.
Et værktøj, der ikke eksisterede, fordi det forudsatte en teknologi, som endnu ikke var blevet udviklet, og et værk af design og teknik så kompleks, at ingen nogensinde havde turdet forestille sig det.
1200 W peak power
600 W RMS power
Newly designed asymmetrical horn
Advanced DSP with fir filters
2 input channels (MIC-LINE/MIC-INSTR)
Selectable output channel LINK CH1/MIX CH 1+2)
8 Q prestes
Fresh full grille design
Stage monitor use
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
1-EFFEKT PEDALER
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