It’s not easy to reinvent forgotten technology, but after many years of research, we found the lost secrets and brought back the authentic echoes from the 1950s. It’s known for its use in David Gilmour and Hank Marvin’s guitar tones, John Bonham even used it on drums!
The Binson Echorec provides a unique and distinguishing type of echo supplied by a rotating metal drum where the audio signal is recorded through a magnetic recording head. The Four Playback heads will allow you to choose individual echoes and swells.
BINSON ECHOREC REBORN BY T-REX EFFECTS DENMARK
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
B.BEAT ALSO PLAYS BACKING TRACKS IN VIDEO SYNCH, HAS A BUILT-IN MIXER, AND MANAGES PLAYLISTS AND SHOWS.
B.BEAT reads and plays Music files in WAV, Multitrack Audio, Stems, Midi, Video Mp4, Mov and JPG formats.You can use Backing Tracks starting from Mp3 files to proper Multitrack Audio projects from Daw, up to 16 Mono or 8 Stereo tracks.
B.BEAT can store a high number of Backing Tracks. Backing Tracks can be synchronized to a Video (or Images) which will be played to Video Wall from HDMI output.
It has a mixer to adjust the various audio tracks, the 6 separate outputs, and the channels that go to headphones, e.g., Click.
Den ikoniske GCB-95 Cry Baby behøver næppe nogen særlig introduktion!
Det er nærmest så sikkert som ammen i kirken at du ikke kan finde en guitarist med respekt for sig selv der ikke ejer, eller har ejet mindst én Cry Baby. Listen af berømtheder der har anvendt Cry Baby er nærmest uendelig; Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan, Joe Bonamassa bare for at nævne nogle få.....
Den nye Viscount Legend Live Orgel af KeyB, giver dig den nemmeste transportabel løsning.
To Waterfall Keyboards med high trigger points, for ultra hurtig respons. Legend Live anvender det nyeste modeleringteknologi i tonehjul.
Nem at afspille
Ny designet ”leslie” og forstærker simulator.
To fulde sæt af Drawbars pr. keyboard.
Forbedret Percussion og key click. (Soft/normal volume).
Effekter: Vibrato/Chorus og Reverb
Hurtig live justering, nemme at betjene.
Ekstern 11 pins Leslie® udgang.
FX send/return
Der er en USB udgang til nodelampe, iPad opladning m.m.
Contemporanea 45 cm x 55 cm Surdo, Aluminum Shell, Pro Line -Top Quality Instruments for Professionals, Plastic Head, Drum having a low pitch Sound wich may be compared to the Bass Drum or the Tom Tom of a Drum Kit wich is played with a Beater, included Tuning Key,
SHAPE Super Folk
TOP Solid Cedar
BACK Solid Mahogany
SIDES Solid Mahogany
FINGERBOARD Rosewood
BRIDGE Rosewood
STRINGS Elixir Nanoweb 12-53
ELECTRONICS LR Baggs Stage Pro Element
FINISH Vintage Sunburst Gloss
Full Specification TW45RVSE
Contemporanea 50 x 60 cm Surdo, Aluminum Shell, Pro Line -Top Quality Instruments for Professionals, Plastic Head, Drum having a low pitch Sound wich may be compared to the Bass Drum or the Tom Tom of a Drum Kit wich is played with a Beater, included Tuning Key.
2 MUDHONEYS IN 1 - DUAL DISTORTION
If you still haven’t heard a T-Rex Mudhoney, do yourself a favour and plug one in next time you’re at the music store.
Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.
Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.
Contemporanea C-TIM01 35 cm x 70 cm Timbal Pro, diameter: 14", height: 70cm, aluminium shell, Single headed drum for hand or soft mallet, nylon head, easy to carry, high pitch,
Features
600 W RMS Class D AMP
Selectable Stereo Balanced Input
Link or Xover Balanced Stereo Output Mode
Compact and sturdy wood cabinet
Lightweight
Polarity Switch
FLAT or BOOST Mode Switch
Technical Data
Speaker Type: Active Subwoofer
Acoustical data
Frequency Response [-10dB]: 42 – 124 Hz
Max SPL (1 m): 131 dB
Directivity: omnidirectional
LF: 15″
LF Voice Coil: 2.5″
Amplifier
Amp Technology: SMSP digital amplifier
Amp Class: Class D
RMS Power: 600 W
Peak Power: 1200 W
Processor
Controller: 28/56 bit DSP
Limiter: Peak, Thermal, RMS
Controls: Subwoofer level, Outputs mode, Polarity, Subwoofer mode
Input
Signal Input: 2x XLR (balanced)
Signal Output: 2x XLR (balanced)
Mechanics
Housing: Plywood
Grille: Full metal grid
Pole Mount: M20
Width: 430 mm (16.92 in)
Height: 580 mm (22.83 in)
Depth: 600 mm (23.62 in)
Weight: 25.5 kg (56.22 lbs)
KALA FLATWOUND 4-STRING SET BY GALLISTRINGS
Chrome steel wrapped around a nylon core, the U•BASS® Flatwound 4-String Set by Gallistrings enables fast and stable intonation, bringing a warmth and consistency to your U•BASS® like never before.
These high-tension U•BASS® strings offer a timbre and maneuverability akin to the double bass. Smooth to the touch, the chrome flatwound tape allows your fingers to glide around the fretboard and helps protect the neck from wear and tear—perfect for any acoustic fretted or fretless U•BASS®. Scale length cm 52 - in. 20,5"
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
UXB911C G-1st Chrome Steel on Nylon core .060 1.52 - -
UXB912C D-2nd Chrome Steel on Nylon core .080 2.03 - -
UXB913C A-3rd Chrome Steel on Nylon core .100 2.54 - -
UXB914C E-4th Chrome Steel on Nylon core .130 3.30 - -
Burns 50-årsdagen alle Gold Dream-modeller er en speciel model, der er produceret for at fejre 50 års Burns London (1960 til 2010).
Kun 50 stk. Worldwide vil blive lavet af denne 50-årige model som en strengt begrænset udgave. Den har et håndtegnet og nummereret ægthedscertifikat og har de nye Rez-o-Matik® Noiseless ENR-pickups.
Krop og matchende hals i guld metallisk
Ebony Fingerboard med skildpadde kant bindende
22 frets
Gold Hardware med 50 års jubilæum gravering
Låse maskine hoveder
Guld effekt pick-guards
Rez-o-Matik lydløse ENR pickups
Skub pull pickup controls
5-vejs vælgerkontakt
Master volumen
3 x tonekontrol
Låsemøtrikker
Monteret sag
Ægthedscertifikat
Ser.No: 21
Compact speaker system for concerts and conferences
10" subwoofer with amplifiers and mixer
8 x 2" sound line with two spacers
Power: 1500 watts
Digital class-D amplifier
Maximum level: 123 dB
Beam angle: 170° x 30°
Frequency range: 37 - 20000 Hz (-10dB)
Integrated DSP
Built-in 5-channel digital mixer with 8-band EQ, AFS (advanced feedback suppression) and reverb for connecting multiple signals (microphones, instruments, CD or MP3 players)
Dbx gate and compressor per channel
Lexicon effects
3x XLR combo jacks (2x 48 V phantom power)
1x Hi-Z jack input
1x mini jack input
Bluetooth V5 audio streaming
App for iOS and Android
Controls channel 1-3: Gain, bass, mid, treble, reverb
Mic/line inputs channel 1-3: Combination jack 6.3 mm jack / XLR
Channel 4 controls: Gain, bass, mid, treble, reverb
Line input channel 4: 6.3 mm jack
Channel 5 control: Gain, bass, mid, treble, reverb
Aux-in input channel 5: 3.5 mm mini jack
See INFO
Mikrofon kabel 6,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
1200 W peak power
600 W RMS power
Newly designed asymmetrical horn
Advanced DSP with fir filters
2 input channels (MIC-LINE/MIC-INSTR)
Selectable output channel LINK CH1/MIX CH 1+2)
8 Q prestes
Fresh full grille design
Stage monitor use
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance
, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings
. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
Electric Guitar
Body: Alder
Neck: Maple
Pau ferro fretboard
Matte neck finish
22 Frets
Nut width: 42 mm
Scale: 648 mm
Pickups: 2 New Player AlNiCo II humbuckers
Volume knob and tone knob
3-Way toggle switch
Standard sealed machine heads
Ex-factory stringing: Fender .009 - .042
Colour: 3-Tone sunburst
Made famous by the Gretch White Falcon, this stunning guitar with abalone inlay and gold effect hardware is second to none. Comes with dual filtertrons, licensed Bigsby and gold effect hardware! 648mm scaling. Maple neck and rosewood fingerboard and bridge finish the guitar of nicely.
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
XVIVE pedals are meticulously designed by our USA Team to bring guitar and bass players professional quality pedals with an original tone at a competitive price. The XVIVE range of pedals continues to grow as we endeavour to bring you more and more exciting yet practical products. We also make our own pedal boards, power supplies, cables and patch leads to cater for all your gigging requirements.
Discover the XVIVE difference!
The USA Design Team
The XVIVE Audio USA Design Team is made up of musicians and engineers who have decades of professional experience.
Howard Davis works as our Chief Designer. He is well known for his many pedal designs for Electro Harmonix (1976 to 1981) and later did design work for Pigtronix (including the Mother Ship analog guitar Synthesizer). He has done independent design work for several artists and we are very happy to have him aboard.
Darius Mostowfi has been a DSP and analog expert.......
Pro Series - Top-Instruments for professional demands
Size: 40 cm x 50 cm
Body: Wood
Drumhead: Plastic
Low root note, comparable with a large drum
Is played with a beater
Including tuning key
Another pick with the tri-tip design, the Axis is shaped with very rounded tips, making it a favorite for strumming styles and mandolin players. The wide body gives your fingers additional gripping surface, ensuring the pick stays in your hands even during aggressive play. Also, the identical tips frees you from worrying about the pick turning in your hands since there’s another tip waiting to take over right around the corner. These features makes the Axis a dependable pick for the soft strummer or "banger's" alike.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular
1-EFFEKT PEDALER
-t.jpg)
-t.jpg)
