Made famous by the Gretch White Falcon, this stunning guitar with abalone inlay and gold effect hardware is second to none. Comes with dual filtertrons, licensed Bigsby and gold effect hardware! 648mm scaling. Maple neck and rosewood fingerboard and bridge finish the guitar of nicely.
Extensible arm microphone stand. Adjustable elevation arm and professional knob for the height fastening equipped with fixed desktop stand. Suggested for radio installations and dubbing studios.
Maximum Height 100 cm.
Weight1,2 Kg.
Maximum Carriage Capacity1,8 Kg.
Total Volume 0,068 cbm.
Color Black
Material of Construction steel
Soprano Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance
, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings
. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
LEMON OIL CLEANER & CONDITIONER
D’Andrea USA’s Lemon Oil & Conditioner can be used on your entire instrument. This is the first step in restoring and maintaining the finish and playability of your instrument. Apply sparingly to remove layers of dirt, grease, and wax build-up all while conditioning the wood to resist dryness. Keep your instruments in tip-top shape with our professional line of Guitar Care Products. bottles. Proudly Made in USA!
It’s not easy to reinvent forgotten technology, but after many years of research, we found the lost secrets and brought back the authentic echoes from the 1950s. It’s known for its use in David Gilmour and Hank Marvin’s guitar tones, John Bonham even used it on drums!
The Binson Echorec provides a unique and distinguishing type of echo supplied by a rotating metal drum where the audio signal is recorded through a magnetic recording head. The Four Playback heads will allow you to choose individual echoes and swells.
BINSON ECHOREC REBORN BY T-REX EFFECTS DENMARK
System Type 2-way bass reflex speaker
Max SPL (@1m) 125 dB
Frequency Response (-10 dB) 63 Hz - 20 kHz
HF 1.35" driver
LF 8” - 2” V.C
Dispersion (HxV) 90° x 70°
Crossover Frequency 1800 Hz
Peak Power 400 W
Cooling Fan
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 264 x 440 x 260 mm (10.4" x 17.3" x 10.3")
Weight 10.9 kg (24 lbs)
For stage applications
Linear frequency response
Excellent feedback resistance
Polar pattern: Cardioid
Frequency range: 20 - 20,000 Hz
Sensitivity: 5.6 mV/Pa
Peak SPL: 150 dB
Impedance: 200 Ohm
Current consumption: 4 mA
Requires 48 V phantom power
Black metal housingDouble bearing capsule suspension
Dimensions: 185 x 51 mm
Weight: 312 g
SA61 microphone holder and bag included
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
Active High-Performance Column PA System
6x 2.5" Midrange speakers
8" Subwoofer
Power: 300 watts RMS, 1200 watts peak
Class D power amplifier
Maximum level: 118 dB
Frequency response: 50 - 20,000 Hz
Horn pattern: 120° x 30°
2 Switchable mic/line inputs: XLR/jack combo
2 RCA inputs
1 XLR mix output
Bluetooth 5.0 for audio streaming
Bluetooth TWS Link
3-Channel mixer
2-Channel equaliser
2 Mic preamps
Undervoltage, thermal, overcurrent protection
Limiter
Dispersion angle (H x V): 120° x 45°
Plastic housing
Dimensions (W x H x D): 302 x 2029 x 390 mm
Weight subwoofer: 13 kg
Weight top: 3.2 kg
Weight spacer: 2.3 kg
Total weight: 18.5 kg
Colour: Black
GM9882 – Double handheld UHF wireless microphone
Double handheld UHF wireless microphone system with convenient ABS case for carriage. 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting. Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
DER ER INGEN SAMMENLIGNING..HELT NY VERDEN
Physis Piano er en idé.
Idéen om at tilbyde et publikum af musikere og fagfolk et stadig mere sofistikeret digital piano som er i stand til at blive den nye absolutte referencepunkt indenfor digitalpianoer: kraftfuld, alsidig, smukt, med en fantastisk lyd, der omdefinerer ”state of the art”.
Et instrument så avanceret og omfattende, at det ikke kan sammenlignes med noget andet digital piano, men kun med den dynamiske kreative lyd som kun et akustisk piano har.
Et værktøj, der ikke eksisterede, fordi det forudsatte en teknologi, som endnu ikke var blevet udviklet, og et værk af design og teknik så kompleks, at ingen nogensinde havde turdet forestille sig det.
Vi besluttede at tage den lange rejse gennem ukendte territorier af lyd,
og det piano der ikke var der .. er der nu.
Legend Live orgel, der perfekt kan genskabe lyden af tonehjul orgler. Det tilbyder dig igen den "vintage følelse". Med fire sæt drawbars og dobbelt tastaturer, står dette orgel noget for sig selv i det avancerede teknologiske lyde og sansen af den gamle klang. Hvert aspekt af et tonehjul tastatur og lyd er så perfekt dupliceret, at spillere over hele verden siger: "Det er det bedste nogensinde”!
Electric Bass
Body: Alder
Maple neck
Pau Ferro fretboard
Matte neck finish
20 Frets
Nut width: 41.3 mm
Scale: 864 mm
Pickups: New Player AlNiCo V Precision Split single coil
Volume knob and tone knob
Standard open gear machine heads
Ex-factory stringing: Fender 7250M .045 - .105
Colour: 3-Tone sunburst
40 years standing by your side
Welcome to the Bespeco world!
Established in 1981, we are an Italian Company designing, engineering, manufacturing and commercializing accessories for musical instruments.
Through constant cooperation with musicians, sound technicians and engineers we are able to build functional, sturdy and durable products, each with its own distinctive design. High quality accessories that will always come with you.
Wherever you find music, you always find an accessory: be it a cable, a guitar stand, a microphone stand, a case to protect your instrument and many more. ........
See more I (info )
We wish you a good watching!
2 MUDHONEYS IN 1 - DUAL DISTORTION
If you still haven’t heard a T-Rex Mudhoney, do yourself a favour and plug one in next time you’re at the music store.
Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.
Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.
Strings in black nylon tape wound on a stainless steel core: if used on a fretless electro-acoustic bass, make the instrument able to produce tones as a double bass.
PX1
PX1 is a multifunctional foldable music stand. Thanks to its particular design, the product is stable in any position of its use. The board can be removed and folded. This part is made of shock-resistant but flexible ABS, so that to avoid damages due to accidental falls. PX1 Music Stand is equipped with a storage compartment and two retractable holders to hang headphone and violin, cello or double bass bow. Useful also for any other proper use. In case of large music sheets, board extensions named PX1A are available as separate and optional accessories. The extensions are to be connected on the board lateral rails.
Inc. Bag
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
1-EFFEKT PEDALER
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