LEGEND SOUL ORGANS
Legend Soul line is born thanks to the Viscount centennial experience in projecting and making instruments. Our purpose was creating new digital tonewheels organs able to reproduce the original and iconic 9 contacts effect as much realistic as possible. After several studies, our engineers have managed to perfectly recreate all of them, using a unique technology patented by us. Thanks to that, when you play one of our Legend Soul, you will feel the iconic and realistic sounds of original tonewheels organ, but with all the advantages of the digital ones.
Mikrofon kabel 9,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
Burns 50-årsdagen alle Gold Dream-modeller er en speciel model, der er produceret for at fejre 50 års Burns London (1960 til 2010).
Kun 50 stk. Worldwide vil blive lavet af denne 50-årige model som en strengt begrænset udgave. Den har et håndtegnet og nummereret ægthedscertifikat og har de nye Rez-o-Matik® Noiseless ENR-pickups.
Krop og matchende hals i guld metallisk
Ebony Fingerboard med skildpadde kant bindende
22 frets
Gold Hardware med 50 års jubilæum gravering
Låse maskine hoveder
Guld effekt pick-guards
Rez-o-Matik lydløse ENR pickups
Skub pull pickup controls
5-vejs vælgerkontakt
Master volumen
3 x tonekontrol
Låsemøtrikker
Monteret sag
Ægthedscertifikat
Ser.No: 21
T-REX CREAMER REVERB
CREAMER - MAJOR REVERB
So, you finally got your rig dialed in and it sounds fantastic, but sometimes you feel like adding a bit of depth or airy-ness to it. You want to fill in the holes in your playing, add some ambience or you maybe just really like those dreamy, special sounds that seem to take on a life of their own.
HOWEVER, you don´t want to be lost in sub-menus or unfamiliar parameters, your pedal board is pretty much packed with all your precious goodies and you don´t want to ruin that tone you finally nailed.
We have designed the Creamer reverb to be dead simple to operate, but with just enough room for tweaking, so you don´t feel limited in your search for the sonic equivalent of Grand Canyon or that small room we frequently visit every day.
SoloStrap
Three styles. Two-tone. One amazing strap.
Drawn from the proven comfort, quality and unique construction of the DuoStrap Signature, the SoloStrap was designed for the most discerning guitarists and bassists. Using only the finest of leather hides from Europe, Canada, and South America, the SoloStrap is meticulously hand-crafted to create a blend of form and function that begs to be worn and shown off. The resilient contour padding wrapped with a beautiful vegetable-tanned leather top and an anti-slip suede bottom creates a lasting personal fit, with soft-rolled padded sides where it matters, and topped handsomely with our distinct stamped cover and antique-finished branded metal rivets.
Three gorgeous two-tone color combinations to choose from, with lengths adjustable from 38" to 50" and an extra-long option that brings the total usable length to 62". Padded area is 3.25" wide for excellent weight distribution and superior comfort.
Active High-Performance Column PA System
6x 2.5" Midrange speakers
8" Subwoofer
Power: 300 watts RMS, 1200 watts peak
Class D power amplifier
Maximum level: 118 dB
Frequency response: 50 - 20,000 Hz
Horn pattern: 120° x 30°
2 Switchable mic/line inputs: XLR/jack combo
2 RCA inputs
1 XLR mix output
Bluetooth 5.0 for audio streaming
Bluetooth TWS Link
3-Channel mixer
2-Channel equaliser
2 Mic preamps
Undervoltage, thermal, overcurrent protection
Limiter
Dispersion angle (H x V): 120° x 45°
Plastic housing
Dimensions (W x H x D): 302 x 2029 x 390 mm
Weight subwoofer: 13 kg
Weight top: 3.2 kg
Weight spacer: 2.3 kg
Total weight: 18.5 kg
Colour: Black
Hiwatt is the classic British guitar amplifier that musicians have counted on, both in the studio and on the road, year after year. Built by hand in England, every amplifier is soak-tested before it leaves the factory to serve a new generation of musicians.
Kicking off in the late 1960s, under the guidance of Dave Reeves, Hiwatt gave Marshall a run for their money, contributing hugely to the sonic landscape that became know as ‘The British Sound’. With artists such as The Who and Pink Floyd, the brand was at the forefront of guitar amplification for the remainder of the 1960s and much of the 1970s. Reeves’ untimely death and severe licensing problems threw the trade mark into the doldrums for much of the next two decades.
Hiwatt’s second coming arrived once new trademark owners took control, pursuing an aggressive marketing policy during the present century. This has been proven, with artists such as U2, Oasis, Coldplay and The Black Keys
Ukulele Bass BLACK NYLON UXB810® strings are unique strings with a strong consistent sound. This synthetic core string wound with black nylon is a new revolutionary project never introduced before. It changes the way of playing the Ukulele bass, making its sound brighter and more powerful. A truly innovative string with sonority very similar to the timbre of the double bass
DIAMETER TENSION
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
UXB811 G-1st Black Nylon wound on Synthetic core - - - -
UXB812 D-2nd Black Nylon wound on Synthetic core - - - -
UXB813 A-3rd Black Nylon wound on Synthetic core - - - -
UXB814 E-4th Black Nylon wound on Synthetic core - - - -
2 MUDHONEYS IN 1 - DUAL DISTORTION
If you still haven’t heard a T-Rex Mudhoney, do yourself a favour and plug one in next time you’re at the music store.
Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.
Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.
TYPE 5 String G Banjo
TUNING G, D, G, B, D
BRACKETS 18
RESONATOR Maple
SIDES Maple
FINGERBOARD Techwood
BRIDGE Maple with Ebony tip
HEAD Remo Ivory
FINISH Natural Gloss
IK Multimedia ARC ON•EAR
Neutral frekvensrespons: ARC ON· EAR bruger præcist målte kalibreringsprofiler til hundredvis af hovedtelefonmodeller. Du får en gennemsigtig lyd, der sikrer et mix, der er klart, afbalanceret og virkelighedstro.
Naturligt stereobillede: I modsætning til plug-ins er ARC ON· EAR avanceret fysisk modellering for at genskabe lyden og adfærden fra rigtige studiemonitorer i et akustisk perfekt kontrolrum. Du får en naturlig fornemmelse af dybde og bredde lige i dine hovedtelefoner!
Med 32-bit ESS SABRE-konvertering®, høj dæmpningsfaktor og ultralav forvrængning får du en lytteoplevelse på audiofil-niveau.
SPIN-TONE 700
The Spin-Tone amplifiers incorporate an hybrid system with a rotating horn in the upper part and powerful woofers in the lower; a unique Rotary speakers line dedicated to the organist’s needs!
Type 3 ways 3 amplifiers (2 speakers with woofer and tweeter for rotary effect or stationary + rotating driver)
Power (W) Lower 300W + 300W (L+R) - Upper 150W
Max SPL calculated (dB) 127
Crossover Frequency 1.2 Khz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Pedal input gain, Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Speakers 2x10" Woofer, PA Driver with rotating horn
Cabinet Plywood ...........m.m. Se Info
Extensible arm microphone stand. Adjustable elevation arm and professional knob for the height fastening equipped with fixed desktop stand. Suggested for radio installations and dubbing studios.
Maximum Height 100 cm.
Weight1,2 Kg.
Maximum Carriage Capacity1,8 Kg.
Total Volume 0,068 cbm.
Color Black
Material of Construction steel
"Some guitarists think of the USA as the only source of quality electric guitars, and for the most part they are correct. However, there are many of us who remember the superb range of guitars designed and made by BURNS GUITARS, a British company.
Ser.No: 06
Active Column PA System
2000 W Class D power amplifier
Max. SPL (sound pressure level): 127 dB
Frequency response: +/- 10 dB, 35 - 20,000 Hz
Horn characteristics: 120° x 30°
1" Compression driver with CD horn
6x 3" Midrange speakers
12" Bass speaker in the subwoofer
Various possibilities for setting up the column system by removing or implementing the spacer
4-Channel mixer
24-Bit DSP with 5 storable user presets (Mode, Master EQ, Delay, Display, Bluetooth)
3 Sound modes: Music, Voice, DJ
Adjustable system delay
Backlit LCD display
2 Switchable mic/line inputs: XLR/jack combo
1 Hi-Z Instrument input: Jack
1 Stereo input: RCA
1 Mix output: XLR
Bluetooth 5.0 for audio streaming
Subwoofer housing is made of birch/plywood
Bass dimensions (W x H x D): 36.6 x 67.5 x 54.1 cm
Bass weight: 22.1 kg
Top/Spacer dimensions (W x H x D): 10.8 x 82.5 x 9.8 cm
Weight of the top: 3.9 kg
Spacer weight : 2 kg
Total height: 2.18 m
Total weight: 28 kg
System Type 2-way bass reflex speaker
Max SPL (@1m) 132 dB
Frequency Response (-10 dB) 48 Hz - 20 kHz
HF 1.75" driver
LF 15” - 3” V.C
Dispersion (HxV) 90° x 40°
Crossover Frequency 1450 Hz
Peak Power 1200 W
Cooling Passive radiator
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 427 x 705 x 428 mm (16.8" x 27.8" x 16.9")
Weight 25.9 Kg (57 lbs)
Compact speaker system for concerts and conferences
10" subwoofer with amplifiers and mixer
8 x 2" sound line with two spacers
Power: 1500 watts
Digital class-D amplifier
Maximum level: 123 dB
Beam angle: 170° x 30°
Frequency range: 37 - 20000 Hz (-10dB)
Integrated DSP
Built-in 5-channel digital mixer with 8-band EQ, AFS (advanced feedback suppression) and reverb for connecting multiple signals (microphones, instruments, CD or MP3 players)
Dbx gate and compressor per channel
Lexicon effects
3x XLR combo jacks (2x 48 V phantom power)
1x Hi-Z jack input
1x mini jack input
Bluetooth V5 audio streaming
App for iOS and Android
Controls channel 1-3: Gain, bass, mid, treble, reverb
Mic/line inputs channel 1-3: Combination jack 6.3 mm jack / XLR
Channel 4 controls: Gain, bass, mid, treble, reverb
Line input channel 4: 6.3 mm jack
Channel 5 control: Gain, bass, mid, treble, reverb
Aux-in input channel 5: 3.5 mm mini jack
See INFO
T-REX REPLICA - DELAY
THE ORIGINAL COLLECTION
T-Rex Effects is proud to announce that the legendary Replica Delay is back with an even larger and more powerful “engine”, but still delivers the same iconic sound and simplicity.
The Replica is built with high-quality European components and Danish craftsmanship; we are happy to say that we have achieved a new level.
You will discover two different modes, ¨Vintage mode¨, where the repeats are passed through a compressor/expander circuit, which makes the sound smooth and dynamic.
This circuit was used in the first generation of the Replica.
The Mellotron Micro is the smallest version available of the M4000D Digital Mellotron, and includes many of the features of the full-size version. It includes one hundred 24-bit uncompressed sounds sourced from original first-generation Mellotron and Chamberlin tape libraries. Sound Card 01 is the built-in library for the M4000D series of instruments.
The Legend LM 73 lower manual is the perfect addition to your Legend ONE keyboard, offering a second manual dedicated to the following features:
The most compact dual manual organ with two sets of drawbars.
The removable half-moon switch on the Legend LM eases the rotary control.
If you’re feeling asymmetrical today, why not combine your Legend ONE 61 with a 73 base?
Transform your all-in-one keyboard into an all-in-one dual organ with high performance and compact dimensions and price.
Cyclemic
Cyclemic Behind the head sweat resistant fitness microphone.
Cyclemic is the superior headworn-microphone designed specifically for the fitness industry’s indoor cycling programs. Cyclemic’s sleek orange boom arm with ‘J’ curve design is easy to spot on the most well known cycling presenters and instructors worldwide. It’s unique miniature mic capsule is designed to be worn beside the mouth, not in front. Breath noises are not over-amplified; no foam ball windscreen is needed. Cyclemic’s excellent sound quality ensures clear voice projection, taking the stress and strain off instructors voices when teaching high-sweat cycling classes.
Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.
The series includes 119 additional sounds, ranging from acoustic and electric pianos to synths, strings, brass, and more. Players can utilize the Sound 1 and Sound 2 zones, along with the dedicated Pedal Section, to layer and split sounds across the keyboard for maximum creative expression. The Bass Section offers 22 bass sounds, including traditional tonewheel, pipe, and synth bass options, ensuring deep, resonant tones.
Another pick with the tri-tip design, the Axis is shaped with very rounded tips, making it a favorite for strumming styles and mandolin players. The wide body gives your fingers additional gripping surface, ensuring the pick stays in your hands even during aggressive play. Also, the identical tips frees you from worrying about the pick turning in your hands since there’s another tip waiting to take over right around the corner. These features makes the Axis a dependable pick for the soft strummer or "banger's" alike.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
MUDHONEY DISTORTION - THE ORIGINAL COLLECTION
The Mudhoney distortion was our first shot at making a great, all-round distortion box. That´s how most owners have described it - it just plain works for a lot of different music styles and they haven´t found a similar sound in many other pedals. In fact, there´s a story about a player that bought and sold six Mudhoney´s, before realizing that the pedals he replaced it with weren´t doing it for him, so he got the seventh one – and kept it.