Mikrofon kabel 6,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
BESKRIVELSE SPECIFIKATION
The BARWASH 244 is a versatile RGBW LED bar for all your architectural and performance lighting needs. Its 24 x 4W RGBW LEDs, each individually controllable in 8 groups, and 6 DMX control modes guarantee brilliant colors, impressive brightness and spectacular effects. The intuitive LCD interface and automatic music-detection modes make it easy to use for all types of performances and events. With its robust construction and universal mounting brackets, BARWASH 244 is easy to install in any configuration. Whether you're a lighting professional or a demanding amateur, BARWASH 244 is the ideal tool to enhance your events and spaces.
Thanks to the Chorale 2, you can now enjoy a genuine and affordable Viscount-quality organ.
With 2x61 Note Keyboards with Tracker Touch system, a full 30-note pedalboard, 31 Voices and all the relative controls easily accessible via the LCD alphanumeric display, the Chorale 2 is the organ of choice for all students, offering excellent performance at a great price.
Active high-performance column PA system
1" Compression driver with CD horn
6x 3" Centre speaker
10" Long excursion sub-woofer
Power: 2000 Watt
Class D power amplifier
Maximum level: 126 dB Peak
Frequency response +/- 10 dB: 38 - 20,000 Hz
Horn characteristic: 120° x 30°
24-Bit DSP with storable 5 User Presets: Mode, Master EQ,Delay, Display, Bluetooth
Modes: 3 Basic settings for Music, Voice and DJ
System delay adjustable
Illuminated LC display
4 Channel mixer
2 Switchable mic/line inputs: XLR/jack combo
1 HiZ instrument input
1 RCA stereo input
1 XLR mix output
Bluetooth 5.0 for audio streaming
Variable column construction with or without spacer element
Sub-woofer cabinet made of birch/multiplex wood
Bass dimensions (W x H x D): 36.6 x 62.5 x 54.1 cm
Bass weight: 21 kg
Dimensions of top/spacer (W x H x D): 10.8 x 82.5 x 9.8 cm
Weight of top: 3.9 kg
Weight of spacer: 2 kg
Total height: 2.13 m
Total weight 26.9 kg
KALA FLATWOUND 4-STRING SET BY GALLISTRINGS
Chrome steel wrapped around a nylon core, the U•BASS® Flatwound 4-String Set by Gallistrings enables fast and stable intonation, bringing a warmth and consistency to your U•BASS® like never before.
These high-tension U•BASS® strings offer a timbre and maneuverability akin to the double bass. Smooth to the touch, the chrome flatwound tape allows your fingers to glide around the fretboard and helps protect the neck from wear and tear—perfect for any acoustic fretted or fretless U•BASS®. Scale length cm 52 - in. 20,5"
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
UXB911C G-1st Chrome Steel on Nylon core .060 1.52 - -
UXB912C D-2nd Chrome Steel on Nylon core .080 2.03 - -
UXB913C A-3rd Chrome Steel on Nylon core .100 2.54 - -
UXB914C E-4th Chrome Steel on Nylon core .130 3.30 - -
HYMMERSIVE organs introduce a new generation of instruments by optimally combining a beautiful, flexible and reliable organ console to the Hauptwerk Sampled Sound Software Platform.
The new Viscount HYMMERSIVE organ has been conceived to drastically improve all the mentioned drawbacks with a revolutionary new design, able to offer the organist and church a beautiful, flexible and reliable solution for their Hauptwerk Sampled Based Organ. The unique reconfigurable and customizable Stop-tab system with OLED displays, plus the appropriate powerful computer hardware, all designed, conceived, and built by Viscount, create an extraordinary organ package when considering a Hauptwerk Sampled Based Organ.
BAG0EG – Soft bag for electric guitar
Soft bag for electric guitar. Made of rip-proof “Oxford cloth 600D” with cloth outer border. Black color. Velcro reinforced easy-to-open handle. Adjustable double strap. Large frontal pocket. Strong zippers stitched with anti-rip nylon.
SoloStrap
Three styles. Two-tone. One amazing strap.
Drawn from the proven comfort, quality and unique construction of the DuoStrap Signature, the SoloStrap was designed for the most discerning guitarists and bassists. Using only the finest of leather hides from Europe, Canada, and South America, the SoloStrap is meticulously hand-crafted to create a blend of form and function that begs to be worn and shown off. The resilient contour padding wrapped with a beautiful vegetable-tanned leather top and an anti-slip suede bottom creates a lasting personal fit, with soft-rolled padded sides where it matters, and topped handsomely with our distinct stamped cover and antique-finished branded metal rivets.
Three gorgeous two-tone color combinations to choose from, with lengths adjustable from 38" to 50" and an extra-long option that brings the total usable length to 62". Padded area is 3.25" wide for excellent weight distribution and superior comfort.
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
40 years standing by your side
Welcome to the Bespeco world!
Established in 1981, we are an Italian Company designing, engineering, manufacturing and commercializing accessories for musical instruments.
Through constant cooperation with musicians, sound technicians and engineers we are able to build functional, sturdy and durable products, each with its own distinctive design. High quality accessories that will always come with you.
Wherever you find music, you always find an accessory: be it a cable, a guitar stand, a microphone stand, a case to protect your instrument and many more. ........
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We wish you a good watching!
T-REX CREAMER REVERB
CREAMER - MAJOR REVERB
So, you finally got your rig dialed in and it sounds fantastic, but sometimes you feel like adding a bit of depth or airy-ness to it. You want to fill in the holes in your playing, add some ambience or you maybe just really like those dreamy, special sounds that seem to take on a life of their own.
HOWEVER, you don´t want to be lost in sub-menus or unfamiliar parameters, your pedal board is pretty much packed with all your precious goodies and you don´t want to ruin that tone you finally nailed.
We have designed the Creamer reverb to be dead simple to operate, but with just enough room for tweaking, so you don´t feel limited in your search for the sonic equivalent of Grand Canyon or that small room we frequently visit every day.
The V3.12A it’s the ideal solution for high quality installations in churches and auditoriums. Compact and lightweight, this new self-powered speaker features two Class D amplifiers and state-of-the art electroacoustic components able to deliver outstanding sound quality, great sound pressure and incredible linearity. Expressly developed for the use with Classical organs, the V3.12A offers an on-board professional equalizer, a remote power switch feature and an innovative power saving mode.
Power
280 Watt Continuous Power
Distortion (THD)
< 0,05% up to 75 Watt rms / 4 Ohms @ 6.67 KHz
Input Impedance
15 KOhm (balanced)
Input Sensitivity
0 dB (0,775 V)
Max SPL 118 dB (Free space)
Frequency response 38-18000 Hz (+/- 3 dB)
Crossover Frequency 800 Hz @ 24 dB / oct. active - 2800 Hz @ 18 dB / oct. passive
Speakers 1 Woofer (12”) - 1 Mid Range (8”) - 1 Tweeter
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
This guitar has been the choice of pro musicians of all genres. The versatility of this guitar begins with its solid cedar top that can play sweet mellow passages or power chords with equal ability. The maple back and sides are a perfect reflector for the tone generated by the soundboard and the gloss black finish looks great under the stage lights. The mahogany neck is joined to the body with a traditional, ultra strong dovetail joint.
Includes Takamine’s CT4B II preamp system paired with the unique Palathetic™ under-saddle pickup for peerless amplified response. The highly acclaimed CT4B II preamp system with three-band EQ, volume control and built-in tuner.
The Galli Musical Strings Company was established by Tommaso Galli in 1890. At that time musical strings were handcrafted using gut.
In 1950 Roberto Galli, Tommaso’s son, joined the firm. Roberto inherited the talent of his father and in time became like his father a great expert, a maestro, in the art of musical string making.
In the 1970s Galli Strings introduced new technologically advanced equipment into their production process. Roberto Galli’s son, Tommaso, joined the company in 1985. Building on his grandfather’s and father’s musical and technical achievements, Tommaso Galli has extended into the twenty-first century the Galli tradition of developing and manufacturing fine musical strings.
The Razer boasts a longer, narrow taper when compared to the Classic. This subtle difference results in an articulate, precise, picking machine. If there is a fast alternate picking line that you have played a thousand times, then you must try it with a Razer. Arpeggios and chunky rhythms are great as well for the Razer. This is Rob Chapman's pick of choice.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular Pick.
12-Channel Digital Mixer
Tablet/Smartphone/PC controlled
With integrated stagebox and DSP
Integrated Wi-Fi / Ethernet
Soundcraft preamps and soundcraft mixer algorithms
Lexicon effects
dbx AFS2 feedback suppression
Digitech amp modelling
2 Track USB playback
Storable Gain and +48V status
120 Band Real Time analyser (on inputs and outputs)
Input channels with parametric 4-Band EQ, Gate, Compressor, De-Esser and high-pass filter
3 Lexicon effects processors: reverb, delay and chorus
31-Band graphic EQ and compressor on all outputs
Use up to 10 control devices (tablets, phones, PC's) simultaneously
Compatible with iOS, android, Windows, Mac OS, Linux (via HTML5)
Dimensions: 85 x 177 x 320 mm
Weight: 2.29 kg
Including Ableton Live Lite 9
MUDHONEY DISTORTION - THE ORIGINAL COLLECTION
The Mudhoney distortion was our first shot at making a great, all-round distortion box. That´s how most owners have described it - it just plain works for a lot of different music styles and they haven´t found a similar sound in many other pedals. In fact, there´s a story about a player that bought and sold six Mudhoney´s, before realizing that the pedals he replaced it with weren´t doing it for him, so he got the seventh one – and kept it.
System Type 2-way bass reflex speaker
Max SPL (@1m) 131 dB
Frequency Response (-10 dB) 51 Hz - 20 kHz
HF 1.75" driver
LF 12” - 3” V.C
Dispersion (HxV) 90° x 40°
Crossover Frequency 1500 Hz
Peak Power 1200 W
Cooling Passive radiator
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 359 x 610 x 350 mm (14.2" x 24" x 13.8")
Weight 21 Kg (46.3 lbs)
B112 is a versatile, portable, powerful active speaker suitable for applications in medium venues. The bass-reflex cabinet is equipped with a 12 woofer and a 1.35 compression driver boosted by a 1200 W Class D amp module.
System Type Vented stereo sub
Max SPL (@1m) 131.5 dB
Frequency Response (-10 dB) 41 Hz - Cut freq
LF 18” - 4” V.C
Peak Power 1000 W
Cooling Passive radiator
DSP 28/56 bit
Connectors I/O CH1/CH2: Combo, LINE OUT: XRL-M (LINK+XOVER)
Controls LEVEL, XOVER selection, POLARITY selection
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 510 x 650 x 690 mm (20" x 25.6" x 27.2")
Weight 38 kg (83.8 lbs)
8 stemmers Wavetable synth modul med 32 oscillatortyper, 180 wavetables, adskillige multi-mode filtertyper, 3 effektmaskiner og omfattende modulationsmuligheder.
1-EFFEKT PEDALER
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