Tenore Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
The Sunrise has quickly become our best selling model. The pronounced "Wings" combine with a sharp tip — this versatile guitar pick will destroy your current injection-molded pick/plectrum. The added width created by the Wings provides increased grip and security when held in the playing position of your picking hand.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular Pick.
Contemporanea 50 x 60 cm Surdo, Aluminum Shell, Pro Line -Top Quality Instruments for Professionals, Plastic Head, Drum having a low pitch Sound wich may be compared to the Bass Drum or the Tom Tom of a Drum Kit wich is played with a Beater, included Tuning Key.
LEGEND SOUL ORGANS
Legend Soul line is born thanks to the Viscount centennial experience in projecting and making instruments. Our purpose was creating new digital tonewheels organs able to reproduce the original and iconic 9 contacts effect as much realistic as possible. After several studies, our engineers have managed to perfectly recreate all of them, using a unique technology patented by us. Thanks to that, when you play one of our Legend Soul, you will feel the iconic and realistic sounds of original tonewheels organ, but with all the advantages of the digital ones.
Cantorum Uno Plus is a completely portable organ equipped with a single manual, 26 organ stops and 7 orchestral voices.
It is powered by Viscount patented Physis Plus technology, the natural and powerful evolution of well-known Physis (Physical modeling) technology, capable of faithfully reproducing the authentic sound and performance of a traditional pipe organ.
The organist can choose between three different pipe sets (Baroque, Romantic, Symphonic) and create his/her own preferred audio environment through acoustic modeling.
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
System Type 2-way bass reflex speaker
Max SPL (@1m) 132 dB
Frequency Response (-10 dB) 48 Hz - 20 kHz
HF 1.75" driver
LF 15” - 3” V.C
Dispersion (HxV) 90° x 40°
Crossover Frequency 1450 Hz
Peak Power 1200 W
Cooling Passive radiator
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 427 x 705 x 428 mm (16.8" x 27.8" x 16.9")
Weight 25.9 Kg (57 lbs)
PX1
PX1 is a multifunctional foldable music stand. Thanks to its particular design, the product is stable in any position of its use. The board can be removed and folded. This part is made of shock-resistant but flexible ABS, so that to avoid damages due to accidental falls. PX1 Music Stand is equipped with a storage compartment and two retractable holders to hang headphone and violin, cello or double bass bow. Useful also for any other proper use. In case of large music sheets, board extensions named PX1A are available as separate and optional accessories. The extensions are to be connected on the board lateral rails.
Inc. Bag
Gold-plated 1" capsule stored in miniature lyre from Rycote
Black metal housing with scratch-resistant ceramic coating
Extremely low intrinsic noise (4.5 dBA)
Polar pattern: Cardioid
Frequency range: 20 - 20000 Hz
Output impedance: 100 ohms
Sensitivity: 35.0 mV / Pa
Equivalent noise level: 4.5 dBA (according to IEC651), Max
Output level: +8.0 dBu (1 kHz, 1% THD, 1 kOhm load)
Dynamic range: 128 dB
Max. sound pressure level: 132 dB
Signal-to-noise ratio: 90 dBA (according to IEC651)
Requires 24 V / 48 V phantom power
Connection: 3-pin XLR
Dimensions (diameter x length): 50 x 190 mm
Weight: 395 g
Includes deluxe shockmount SM6 with integrated pop protection, XLR microphone cable (6 m) and dust protection bag
Made in Australia
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
2 MUDHONEYS IN 1 - DUAL DISTORTION
If you still haven’t heard a T-Rex Mudhoney, do yourself a favour and plug one in next time you’re at the music store.
Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.
Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.
Active speaker
Loudspeakers: 12"/1"
Digital power amplifier
Power: 1200 W peak, 600 W RMS
Peak SPL: 129 dB
Asymmetrical horn tweeter 100° x85°
XLR and 6.3 jack input
56-Bit DSP
8 Sound presets for the monitor and stand application
2 Separately adjustable inputs with mix output
Multifunctional housing incl. slanted monitor angle
3x M10 rigging points
Dimensions: 350 x 642 x 349 mm
Weight: 14.3 kg
BESKRIVELSE SPECIFIKATION
The PARWASH 1415 QUAD developed by Algam Lighting is a must-have for any event or light show. This LED PAR is capable of generating a powerful light flow thanks to its 14 x 15W LEDs combined with 35° aperture optics, while generating rich, vibrant colors with its RGB+WW (Warm White) color palette. Ideal for a wide range of applications, the PARWASH 1415 QUAD features professional connectivity with a 3-point DMX input/output for precise lighting control and chaining with another PARWASH 1415 QUAD. To ensure safe operation, this Par Wash is equipped with a PowerCon locking electrical connector to prevent unintentional disconnection, plus a PowerCon output for powering another PARWASH 1415 QUAD. This high-performance machine is actively cooled to guarantee optimal operating conditions, whether on the floor or hanging from a double bracket.
16-Channel Digital Mixer
Tablet/PC/smartphone controlled
With integrated stagebox and DSP
Integrated Wi-Fi and Ethernet
Soundcraft preamps and soundcraft mixer algorithms
4 Lexicon effects buses: Reverb, Delay, Chorus, Room
dbx AFS2 feedback suppression
Digitech amp modelling
120 Band realtime analyser (used in the inputs and outputs)
Storable Gain and +48V status
4-Band parametric EQ, high-Pass filter, compressor, De-Esser and noise gate on input channels
31-Band graphic EQ and compressor on all outputs
2-Channel USB audio playback and recording
Use up to 10 control devices (tablets, phones, pcs) simultaneously
Cross-Platform compatibility with iOS, android, Windows, Mac OS, and Linux devices (over HTML5)
Dimensions: 110 x 177 x 483 mm
Format: 19", 4U
Weight: 3.61 kg
Including Ableton Live Lite 9
Light sources :
• PAR LED x4 : 3x9W RGB LED
• Strobe FX : 4x1W white LED
- Modes : Auto, Music detection, Master/Slave, DMX
- DMX channels : 3, 5, or 24
- DMX in/out : XLR 3 points
- Display : digital display with 4 buttons
- Chassis : steel and plastique
- Power supply : 100-240V 50/60 Hz
- Electrical consumption : 84W
- Daisy-chain power supply : jusqu'à 20 machines @240V
- Protection rating : IP20 (indoor use)
- Included : power cable and velcro attachment, tripod, foot remote control, carrying case
- Tripod adjustable in height from 1.5m to 2.5m
- Weight and dimensions : 10.2 kg, 1032 x 71 x 235 mm
BAG0CG – Soft bag for classic guitar
Soft bag for classic guitar. Made of rip-proof “Oxford cloth 600D” with cloth outer border. Velcro reinforced easy-to-open handle. Adjustable double strap. Large frontal pocket. Strong zippers stitched with anti-rip nylon. Black color.
NYHED!
SPIDER TRI 912
SPIDER TRI 912 9x12W Beam motorized mini-bars
BESKRIVELSE SPECIFIKATION
The SPIDER TRI 912 is the ideal dynamic LED lighting system suitable for discos, concerts, and private events. It is easy to install and can be set up in various ways, such as being placed on the floor or suspended upside down. The system consists of three motorized mini-bars that can be adjusted in tilt and each contains three independently adjustable 12W RGBW LEDs. The three mini-bars are cleverly arranged in a triangle shape and are mounted on a motorized axis, enabling quick 360° rotation and impressive beam sweeps, creating a vibrant atmosphere on the dance floor. The lighting system offers built-in automatic and music detection modes for users who prefer a quick setup without having to make tedious adjustments. Additionally, more advanced users can utilize the DMX mode to program their light show precisely.
NAMED AFTER DANISH GUITARIST KNUD MØLLER
T-Rex Møller 2 delivers the same classic overdrive that made it's predecessor one of T-Rex’s most sought-after pedals. Named after Danish guitarist Knud Møller, for whom the original pedal was designed, Møller 2 features a more durable “Bass Boost” toggle switch and easier-to-read control knob graphics. The pedal is armed with a 0-20 db clean boost, as well as a mix control which lets you dial in the perfect balance between distorted and clean signals. Rolled all the way up and with distortion maxed, the pedal sounds just like a vintage tube amp at full volume. Roll the Mix knob back a bit, and your clean signal starts to get through; if you pick lightly or roll back your guitar volume, you get a stunning clean, softly-clipping sound that retains all the feel and dynamics of your original tone, only bigger, louder and richer. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.
Active Near Field Monitor
Equipment: 5" Woofer and 1" tweeter
2-Way class-D amplifier 82 watts - 41 watts woofer and 41 watts tweeter
Frequency response (+/- 3dB): 49 - 20,000 Hz
Maximum level: 108 dB
Input sensitivity adjustable +4 dBu / -10 dB
Boundary EQ
HF trim switch
Line input XLR and 6.3 mm jack balanced
15 mm MDF housing
Dimensions (HxWxD): 298 x 185 x 231 mm
Weight: 4.73 kg
Price per set
The LEGEND '70s introduces the new concept of MODULAR STAGE PIANO that allows you to customize the instrument according to your needs. The superb sound quality, thanks to the unique VISCOUNT PM (Physical Modeling) technology and the accurate response of the keyboard, combined into a portable instrument of the highest quality.
It’s not easy to reinvent forgotten technology, but after many years of research, we found the lost secrets and brought back the authentic echoes from the 1950s. It’s known for its use in David Gilmour and Hank Marvin’s guitar tones, John Bonham even used it on drums!
The Binson Echorec provides a unique and distinguishing type of echo supplied by a rotating metal drum where the audio signal is recorded through a magnetic recording head. The Four Playback heads will allow you to choose individual echoes and swells.
BINSON ECHOREC REBORN BY T-REX EFFECTS DENMARK
NYHED!
SCARLETT4-SOLO-STUDIO
The complete songwriter’s studio
BESKRIVELSE SPECIFIKATION
The complete songwriter’s studio
Plug your guitar into Scarlett Solo's Hi-Z instrument input, it feels just like an amp. Connect the CM25 MkIII studio condenser mic to Solo’s mic pre and it sounds great right away. Listen in detail through the SH-450 headphones. Scarlett brings Focusrite’s professional sound quality to wherever you make your music.
VORTEX 315
Vortex 315, designed by Silvio della Mattia and Viscount, is the ultimate rotary speaker built specifically for organs using high quality materials and components. The most reliable sound in a lightweight rotary speaker.
Type 2 amplified channels (woofer with rotating drum + driver with rotating horn)
Power (W) 300W Upper 80W and Lower 220W
Crossover Frequency 800Hz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Engine Controls The led is: off when the motors are brake; yellow when the motors are slow; red when the motors are fast.
You can brake (independently from the horn) the rotor bass by it’s switch. .......
SEE INFO
Price € 3190,00
A little over 40 years ago, largely because we could not afford to buy a high quality electric guitar, and partly because we enjoyed a challenge, my Dad and I decided to make an electric guitar. I designed an instrument from scratch, with the intention that it would have a capability beyond anything that was out there, more tunable, with a greater range of pitches and sounds, with a better tremolo, and with a capability of feeding back through the air in a "good" way - i.e. in a self-sustaining mode.
Se info
This guitar are with Brian May`s signature (autograf )
GUITAR POLISH
D’Andrea USA’s Guitar Polish works best after a deep clean with our Lemon Oil & Conditioner. Lightly spray an even coat of polish over your guitar body and gently polish with a polishing cloth until a deep gloss appears. Keep your instruments in tip-top shape with our professional line of Guitar Care Products. Proudly Made in USA!
Strings in black nylon tape wound on a stainless steel core: if used on a fretless electro-acoustic bass, make the instrument able to produce tones as a double bass. 5 strings
Contemporanea C-TIM01 35 cm x 70 cm Timbal Pro, diameter: 14", height: 70cm, aluminium shell, Single headed drum for hand or soft mallet, nylon head, easy to carry, high pitch,
KIRKEORGEL:UNICO 700, a prestigious 4 manual featuring 78 speking stops contained in a "state-of-the art" luxury cabinet. Thanks to the extraordinary capabilities offered by Physis® this awesome instrument will offer an overwhelming sound experience .Incl. Programable Midi
Dark Medium Light Oak
32 pedal, lige eller buet
inc.bænk
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....