Active Near Field Monitor
Equipment: 5" Woofer and 1" tweeter
2-Way class-D amplifier 82 watts - 41 watts woofer and 41 watts tweeter
Frequency response (+/- 3dB): 49 - 20,000 Hz
Maximum level: 108 dB
Input sensitivity adjustable +4 dBu / -10 dB
Boundary EQ
HF trim switch
Line input XLR and 6.3 mm jack balanced
15 mm MDF housing
Dimensions (HxWxD): 298 x 185 x 231 mm
Weight: 4.73 kg
Price per piece
Kompakt og lav profil
Bi-amp eller full range
Pole socket
Robust Duraflex kabinet
Specifikationer
Nominel impedanse 8 ohm
Følsomhed 95 dB 1W/1m
Dimensioner (HxBxD) 571 mm x 355 mm x 264 mm
Max Peak SPL 130 dB SPL Peak
Frekvensområde 50 Hz-20 kHz
Frequency Response 75 Hz-20 kHz
Spredning 70˚ × 70˚ nominal
Effekt 800 W / 1600 W / 3200 W (Continuous/Program/Peak)
Input Connectors Two NL4
Vægt 19 kg
2 MUDHONEYS IN 1 - DUAL DISTORTION
If you still haven’t heard a T-Rex Mudhoney, do yourself a favour and plug one in next time you’re at the music store.
Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.
Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.
Western guitar
Thermal Top Series
Body shape: Dreadnought
Top: Solid spruce
Bottom & sides: Solid American mahogany
Neck: Mahogany
Fretboard: Ebony
Bridge/Pins: Rosewood (Dalbergia Latifolia)
Scale: 644 mm (25,35")
Nut width: 45 mm (1.77")
TLD-2 Preamp
Colour: Gloss, natural
Includes GC case
Cantorum Uno Plus is a completely portable organ equipped with a single manual, 26 organ stops and 7 orchestral voices.
It is powered by Viscount patented Physis Plus technology, the natural and powerful evolution of well-known Physis (Physical modeling) technology, capable of faithfully reproducing the authentic sound and performance of a traditional pipe organ.
The organist can choose between three different pipe sets (Baroque, Romantic, Symphonic) and create his/her own preferred audio environment through acoustic modeling.
MERISH 5:+ The live machine
One single machine to give all you need to play and sing at top level.
Merish5 is the evolution of earlier versions of Merish and it sets the benchmark among the stand alone devices designed for reading, archiving and playing of digital Backing Tracks. Merish5 includes all the best features of the former versions, but it’s been optimized and completely re-designed.
BAG0AG – Soft bag for acoustic guitar
Soft bag for acoustic guitar. Made of rip-proof “Oxford cloth 600D” with cloth outer border. Velcro reinforced easy-to-open handle. Adjustable double strap. Large frontal pocket. Strong zippers stitched with anti-rip nylon. Black color.
The Edge is made to take your playing to that next level. This pick features an extremely sharp point with rounded shoulders, but unlike the Classic shape, the Edge has an extra-wide body for a dependable grip during even the most aggressive playing. The Edge gives you a more accurate and articulate sound with better pinch harmonics. Great for all types of picking, from alternate to sweeping, the Edge is made for ultimate accuracy and sound. While it can be played on any guitar, the Edge is designed to bring out the most out of your electric guitar.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
GM9882 – Double handheld UHF wireless microphone
Double handheld UHF wireless microphone system with convenient ABS case for carriage. 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting. Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
Concerto Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
Western guitar
Thermal Top Series
Body shape: Dreadnought
Top: Solid spruce
Back & sides: Solid Indian rosewood (Dalbergia Latifolia)
Neck: Mahogany
Fretboard: Ebony
Bridge/Pins: Rosewood (Dalbergia Latifolia)
20 Frets
Scale: 644 mm (25.35")
Nut width: 45 mm (1.77")
TLD-2 preamp
Colour: Gloss, natural
Includes GC case
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
Strings in black nylon tape wound on a stainless steel core: if used on a fretless electro-acoustic bass, make the instrument able to produce tones as a double bass.
Another pick with the tri-tip design, the Axis is shaped with very rounded tips, making it a favorite for strumming styles and mandolin players. The wide body gives your fingers additional gripping surface, ensuring the pick stays in your hands even during aggressive play. Also, the identical tips frees you from worrying about the pick turning in your hands since there’s another tip waiting to take over right around the corner. These features makes the Axis a dependable pick for the soft strummer or "banger's" alike.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular
Electric guitar
Lefthand / lefthand model
Body: Alder
Neck: Maple with satin finish
Fretboard: Maple
Scale: 648 mm
Nut width: 42 mm
22 Frets
Pickups: 3 "New Player Series" Alnico 5 single coils
1 Master volume controller
1 Toner controller (neck and center)
1 Tone control (bridge)
2-Point tremolo
5-Way switch
Standard sealed machine heads
Stringing from factory: Fender 009 - 042
Colour: Capri
1200 W peak power
600 W RMS power
Newly designed asymmetrical horn
Advanced DSP with fir filters
2 input channels (MIC-LINE/MIC-INSTR)
Selectable output channel LINK CH1/MIX CH 1+2)
8 Q prestes
Fresh full grille design
Stage monitor use
SHAPE Super Folk
TOP Solid Cedar
BACK Solid Mahogany
SIDES Solid Mahogany
FINGERBOARD Rosewood
BRIDGE Rosewood
STRINGS Elixir Nanoweb 12-53
ELECTRONICS LR Baggs Stage Pro Element
FINISH Vintage Sunburst Gloss
Full Specification TW45RVSE
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
Compact speaker system for concerts and conferences
10" subwoofer with amplifiers and mixer
8 x 2" sound line with two spacers
Power: 1500 watts
Digital class-D amplifier
Maximum level: 123 dB
Beam angle: 170° x 30°
Frequency range: 37 - 20000 Hz (-10dB)
Integrated DSP
Built-in 5-channel digital mixer with 8-band EQ, AFS (advanced feedback suppression) and reverb for connecting multiple signals (microphones, instruments, CD or MP3 players)
Dbx gate and compressor per channel
Lexicon effects
3x XLR combo jacks (2x 48 V phantom power)
1x Hi-Z jack input
1x mini jack input
Bluetooth V5 audio streaming
App for iOS and Android
Controls channel 1-3: Gain, bass, mid, treble, reverb
Mic/line inputs channel 1-3: Combination jack 6.3 mm jack / XLR
Channel 4 controls: Gain, bass, mid, treble, reverb
Line input channel 4: 6.3 mm jack
Channel 5 control: Gain, bass, mid, treble, reverb
Aux-in input channel 5: 3.5 mm mini jack
See INFO
For stage applications
Linear frequency response
Excellent feedback resistance
Polar pattern: Cardioid
Frequency range: 20 - 20,000 Hz
Sensitivity: 5.6 mV/Pa
Peak SPL: 150 dB
Impedance: 200 Ohm
Current consumption: 4 mA
Requires 48 V phantom power
Black metal housingDouble bearing capsule suspension
Dimensions: 185 x 51 mm
Weight: 312 g
SA61 microphone holder and bag included
1-EFFEKT PEDALER
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