SPIN-TONE 700
The Spin-Tone amplifiers incorporate an hybrid system with a rotating horn in the upper part and powerful woofers in the lower; a unique Rotary speakers line dedicated to the organist’s needs!
Type 3 ways 3 amplifiers (2 speakers with woofer and tweeter for rotary effect or stationary + rotating driver)
Power (W) Lower 300W + 300W (L+R) - Upper 150W
Max SPL calculated (dB) 127
Crossover Frequency 1.2 Khz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Pedal input gain, Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Speakers 2x10" Woofer, PA Driver with rotating horn
Cabinet Plywood ...........m.m. Se Info
Samme følelse af de originale tonehjul i orgelens pedal . Den er bare kortere og lettere. Der er kun 18 noter. Perfekt til giggins musikere. Volume pedal medfølger.
1 strømforsyning er inkluderet. Men hvis du spiller det med en Legend eller en Legend Live, behøver du ikke det, pedalboardet er drevet via midi-kabel.
Pedalboard 18 er en MIDI pedalboard, du kan bruge den med andre mærker, med MIDI instrumenter.
DER ER INGEN SAMMENLIGNING..HELT NY VERDEN
Physis Piano er en idé.
Idéen om at tilbyde et publikum af musikere og fagfolk et stadig mere sofistikeret digital piano som er i stand til at blive den nye absolutte referencepunkt indenfor digitalpianoer: kraftfuld, alsidig, smukt, med en fantastisk lyd, der omdefinerer ”state of the art”.
Et instrument så avanceret og omfattende, at det ikke kan sammenlignes med noget andet digital piano, men kun med den dynamiske kreative lyd som kun et akustisk piano har.
Et værktøj, der ikke eksisterede, fordi det forudsatte en teknologi, som endnu ikke var blevet udviklet, og et værk af design og teknik så kompleks, at ingen nogensinde havde turdet forestille sig det.
NAMED AFTER DANISH GUITARIST KNUD MØLLER
T-Rex Møller 2 delivers the same classic overdrive that made it's predecessor one of T-Rex’s most sought-after pedals. Named after Danish guitarist Knud Møller, for whom the original pedal was designed, Møller 2 features a more durable “Bass Boost” toggle switch and easier-to-read control knob graphics. The pedal is armed with a 0-20 db clean boost, as well as a mix control which lets you dial in the perfect balance between distorted and clean signals. Rolled all the way up and with distortion maxed, the pedal sounds just like a vintage tube amp at full volume. Roll the Mix knob back a bit, and your clean signal starts to get through; if you pick lightly or roll back your guitar volume, you get a stunning clean, softly-clipping sound that retains all the feel and dynamics of your original tone, only bigger, louder and richer. The boost function lets you dial in a solo level, whether the overdrive circuit is activated or not.
Concerto Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
Hiwatt is the classic British guitar amplifier that musicians have counted on, both in the studio and on the road, year after year. Built by hand in England, every amplifier is soak-tested before it leaves the factory to serve a new generation of musicians.
Kicking off in the late 1960s, under the guidance of Dave Reeves, Hiwatt gave Marshall a run for their money, contributing hugely to the sonic landscape that became know as ‘The British Sound’. With artists such as The Who and Pink Floyd, the brand was at the forefront of guitar amplification for the remainder of the 1960s and much of the 1970s. Reeves’ untimely death and severe licensing problems threw the trade mark into the doldrums for much of the next two decades.
Hiwatt’s second coming arrived once new trademark owners took control, pursuing an aggressive marketing policy during the present century. This has been proven, with artists such as U2, Oasis, Coldplay and The Black Keys
For stage applications
Linear frequency response
Excellent feedback resistance
Polar pattern: Cardioid
Frequency range: 20 - 20,000 Hz
Sensitivity: 5.6 mV/Pa
Peak SPL: 150 dB
Impedance: 200 Ohm
Current consumption: 4 mA
Requires 48 V phantom power
Black metal housingDouble bearing capsule suspension
Dimensions: 185 x 51 mm
Weight: 312 g
SA61 microphone holder and bag included
SHAPE Super Folk
TOP Solid Spruce or Solid Cedar
BACK Amara/Spalt Mango
SIDES Amara
FINGERBOARD Techwood
BRIDGE Techwood
STRINGS Elixir Nanoweb 12-53
ELECTRONICS Fishman Presys
FINISH Natural Gloss
Full Specification TWJSFCE
Features
600 W RMS Class D AMP
Selectable Stereo Balanced Input
Link or Xover Balanced Stereo Output Mode
Compact and sturdy wood cabinet
Lightweight
Polarity Switch
FLAT or BOOST Mode Switch
Technical Data
Speaker Type: Active Subwoofer
Acoustical data
Frequency Response [-10dB]: 42 – 124 Hz
Max SPL (1 m): 131 dB
Directivity: omnidirectional
LF: 15″
LF Voice Coil: 2.5″
Amplifier
Amp Technology: SMSP digital amplifier
Amp Class: Class D
RMS Power: 600 W
Peak Power: 1200 W
Processor
Controller: 28/56 bit DSP
Limiter: Peak, Thermal, RMS
Controls: Subwoofer level, Outputs mode, Polarity, Subwoofer mode
Input
Signal Input: 2x XLR (balanced)
Signal Output: 2x XLR (balanced)
Mechanics
Housing: Plywood
Grille: Full metal grid
Pole Mount: M20
Width: 430 mm (16.92 in)
Height: 580 mm (22.83 in)
Depth: 600 mm (23.62 in)
Weight: 25.5 kg (56.22 lbs)
The Legend LM 73 lower manual is the perfect addition to your Legend ONE keyboard, offering a second manual dedicated to the following features:
The most compact dual manual organ with two sets of drawbars.
The removable half-moon switch on the Legend LM eases the rotary control.
If you’re feeling asymmetrical today, why not combine your Legend ONE 61 with a 73 base?
Transform your all-in-one keyboard into an all-in-one dual organ with high performance and compact dimensions and price.
Mikrofon kabel 6,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
The Pickport Studio is a specialized pick holder for all acoustic, electric and bass guitars. The Pickport Studio has been designed to mount to strap buttons, volume knobs, tone knobs, machine heads, pick guards and even Stratocaster jack plates. The Pickport is sturdy, flexible, decorative and can easily mount on your ax for as long as you wish.
The Sunrise has quickly become our best selling model. The pronounced "Wings" combine with a sharp tip — this versatile guitar pick will destroy your current injection-molded pick/plectrum. The added width created by the Wings provides increased grip and security when held in the playing position of your picking hand.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular Pick.
IK Multimedia ARC ON•EAR
Neutral frekvensrespons: ARC ON· EAR bruger præcist målte kalibreringsprofiler til hundredvis af hovedtelefonmodeller. Du får en gennemsigtig lyd, der sikrer et mix, der er klart, afbalanceret og virkelighedstro.
Naturligt stereobillede: I modsætning til plug-ins er ARC ON· EAR avanceret fysisk modellering for at genskabe lyden og adfærden fra rigtige studiemonitorer i et akustisk perfekt kontrolrum. Du får en naturlig fornemmelse af dybde og bredde lige i dine hovedtelefoner!
Med 32-bit ESS SABRE-konvertering®, høj dæmpningsfaktor og ultralav forvrængning får du en lytteoplevelse på audiofil-niveau.
VISCOUNT HURRICANE 210 STEREO POWERED LOUDSPEAKER BY KEYB, PROVIDES YOU THE PERFECT PORTABLE AMPLIFICATION SOLUTION FOR LEGEND ORGANS
EXPRESSLY DESIGNED IN COOPERATION WITH PROFESSIONAL PLAYERS
SELF-POWERED SPEAKER FEATURES WITH FOUR CLASS D AMPLIFIERS
THE SPECIAL SPEAKERS PLACEMENT ENHANCES THE ORGAN'S INTERNAL ROTARY EMULATION
OUTSTANDING SOUND QUALITY HIGH SOUND PRESSURE LEVEL AND LINEAR FREQUENCY RESPONSE
ON-BOARD USEFULL EQUALIZER
STATE-OF-THE ART ELECTROACOUSTIC COMPONENTS
COMPACT AND LIGHTWEIGHT DESIGN
Tenore Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
The Galli Musical Strings Company was established by Tommaso Galli in 1890. At that time musical strings were handcrafted using gut.
In 1950 Roberto Galli, Tommaso’s son, joined the firm. Roberto inherited the talent of his father and in time became like his father a great expert, a maestro, in the art of musical string making.
In the 1970s Galli Strings introduced new technologically advanced equipment into their production process. Roberto Galli’s son, Tommaso, joined the company in 1985. Building on his grandfather’s and father’s musical and technical achievements, Tommaso Galli has extended into the twenty-first century the Galli tradition of developing and manufacturing fine musical strings.
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
What's In The Box
1 x f5 Snare Microphone
3 x f2 Rack and Floor Tom Microphones
1 x f6 Kick Drum Microphone
2 x f9 Overheads Microphones
6 x DCLIP Microphone Clips
4 x DFLEX Microphone Clips
1 x MC1 Microphone Clip
Aluminum Road Case
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance
, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings
. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
Compact speaker system for concerts and conferences
10" subwoofer with amplifiers and mixer
8 x 2" sound line with two spacers
Power: 1500 watts
Digital class-D amplifier
Maximum level: 123 dB
Beam angle: 170° x 30°
Frequency range: 37 - 20000 Hz (-10dB)
Integrated DSP
Built-in 5-channel digital mixer with 8-band EQ, AFS (advanced feedback suppression) and reverb for connecting multiple signals (microphones, instruments, CD or MP3 players)
Dbx gate and compressor per channel
Lexicon effects
3x XLR combo jacks (2x 48 V phantom power)
1x Hi-Z jack input
1x mini jack input
Bluetooth V5 audio streaming
App for iOS and Android
Controls channel 1-3: Gain, bass, mid, treble, reverb
Mic/line inputs channel 1-3: Combination jack 6.3 mm jack / XLR
Channel 4 controls: Gain, bass, mid, treble, reverb
Line input channel 4: 6.3 mm jack
Channel 5 control: Gain, bass, mid, treble, reverb
Aux-in input channel 5: 3.5 mm mini jack
See INFO
A single module for two synths! The FM Module for Legend ’70s gives you two layers of authentic FM synthesis and a selection of sounds from music history.
You can import DX-TX sounds from the available libraries. You will also have an FM synthesis editor to experiment with!
FM SYNTH MODULE
2 Layers of Stereo FM Synthesis totally independent
6 Operators
LFO and Pitch Envelope exactly as in the historical formulation of FM synthesis
Iconic Sounds of the Decades
Compatibility with DX-TX sounds from the libraries available
SEE MORE INFO
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier