Transporttaske og vogn
Til Viscount Legend Live og Legend Soul 261 orgel
Med forstærkede kanter og indvendig polstring
Håndtag
To rummelige sidelommer
Indvendige mål (B x H x D): 101 x 59 x 20 cm
Udvendige mål (B x H x D): 114 x 65 x 26 cm
Vægt: 10,3 kg
Legend
Legend Live orgel, der perfekt kan genskabe lyden af tonehjul orgler. Det tilbyder dig igen den "vintage følelse". Med fire sæt drawbars og dobbelt tastaturer, står dette orgel noget for sig selv i det avancerede teknologiske lyde og sansen af den gamle klang. Hvert aspekt af et tonehjul tastatur og lyd er så perfekt dupliceret, at spillere over hele verden siger: "Det er det bedste nogensinde”!
LEGEND SOUL ORGANS
Legend Soul line is born thanks to the Viscount centennial experience in projecting and making instruments. Our purpose was creating new digital tonewheels organs able to reproduce the original and iconic 9 contacts effect as much realistic as possible. After several studies, our engineers have managed to perfectly recreate all of them, using a unique technology patented by us. Thanks to that, when you play one of our Legend Soul, you will feel the iconic and realistic sounds of original tonewheels organ, but with all the advantages of the digital ones.
It’s not easy to reinvent forgotten technology, but after many years of research, we found the lost secrets and brought back the authentic echoes from the 1950s. It’s known for its use in David Gilmour and Hank Marvin’s guitar tones, John Bonham even used it on drums!
The Binson Echorec provides a unique and distinguishing type of echo supplied by a rotating metal drum where the audio signal is recorded through a magnetic recording head. The Four Playback heads will allow you to choose individual echoes and swells.
BINSON ECHOREC REBORN BY T-REX EFFECTS DENMARK
Compact speaker system for concerts and conferences
10" subwoofer with amplifiers and mixer
8 x 2" sound line with two spacers
Power: 1500 watts
Digital class-D amplifier
Maximum level: 123 dB
Beam angle: 170° x 30°
Frequency range: 37 - 20000 Hz (-10dB)
Integrated DSP
Built-in 5-channel digital mixer with 8-band EQ, AFS (advanced feedback suppression) and reverb for connecting multiple signals (microphones, instruments, CD or MP3 players)
Dbx gate and compressor per channel
Lexicon effects
3x XLR combo jacks (2x 48 V phantom power)
1x Hi-Z jack input
1x mini jack input
Bluetooth V5 audio streaming
App for iOS and Android
Controls channel 1-3: Gain, bass, mid, treble, reverb
Mic/line inputs channel 1-3: Combination jack 6.3 mm jack / XLR
Channel 4 controls: Gain, bass, mid, treble, reverb
Line input channel 4: 6.3 mm jack
Channel 5 control: Gain, bass, mid, treble, reverb
Aux-in input channel 5: 3.5 mm mini jack
See INFO
Features
600 W RMS CLASS-D AMPLIFIER
STEREO BALANCED INPUT
LINK OR X-OVER BALANCED STEREO OUTPUT MODE
COMPACT AND STURDY WOOD CABINET
LIGHTWEIGHT
POLARITY INVERSION SWITCH
FLAT OR BOOST EQ MODE SWITCH
Technical Data
Speaker Type: Active Subwoofer
Acoustical data
Frequency Response [-10dB]: 46 – 123 Hz
Max SPL (1 m): 129 dB
Directivity: omnidirectional
LF: 12”
LF Voice Coil: 2.5″
Amplifier
Amp Technology: SMSP digital amplifier
Amp Class: Class D
RMS Power: 600 W
Peak Power: 1200 W
Processor
Controller: DSP 28/56 Bit
Limiter: Peak, Thermal, RMS
Controls:
1x Subwoofer attenuation Control
1x Flat/Boosted switch
1x Switch output mode
1x Polarity switch
Input
Signal Input: 2x XLR (balanced)
Signal Output: 2x XLR (balanced)
Mechanics
Housing: Black painted Plywood
Handles: 1 on top
Pole Mount: M20
Width: 360 mm (14.72 in)
Height: 550 mm (21.65 in)
Depth: 525 mm (20.67 in)
Weight: 19.8 Kg (43.65 lbs)
B112 is a versatile, portable, powerful active speaker suitable for applications in medium venues. The bass-reflex cabinet is equipped with a 12 woofer and a 1.35 compression driver boosted by a 1200 W Class D amp module.
LEMON OIL CLEANER & CONDITIONER
D’Andrea USA’s Lemon Oil & Conditioner can be used on your entire instrument. This is the first step in restoring and maintaining the finish and playability of your instrument. Apply sparingly to remove layers of dirt, grease, and wax build-up all while conditioning the wood to resist dryness. Keep your instruments in tip-top shape with our professional line of Guitar Care Products. bottles. Proudly Made in USA!
A little over 40 years ago, largely because we could not afford to buy a high quality electric guitar, and partly because we enjoyed a challenge, my Dad and I decided to make an electric guitar. I designed an instrument from scratch, with the intention that it would have a capability beyond anything that was out there, more tunable, with a greater range of pitches and sounds, with a better tremolo, and with a capability of feeding back through the air in a "good" way - i.e. in a self-sustaining mode.
Se info
This guitar are with Brian May`s signature (autograf )
Take your audience and fellow musicians by surprise with this amazing pick, the Stealth. The Stealth has the tri-tip design meaning all 3 points are identical. Very pointed and articulate. Essentially 3 picks for the price of one. When sound, accuracy and dependability matter, the Stealth becomes your secret weapon.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular Pick.
Stunning full hollowbody guitar with double cutaway, licensed Bigsby, 648mm scaling, rosewood fingerboard and bridge. Body is constructed from solid maple top (yes solid ) , and laminated back and sides! Finished in deep wine colouring with abalone inlay and gold effect hardware!
B115 is a versatile, portable full range active speaker suitable for applications in medium to large venues. The bass-reflex cabinet is equipped with a 15 woofer and a 1.35 compression driver boosted by a 1200 W Class D amp module
The Razer boasts a longer, narrow taper when compared to the Classic. This subtle difference results in an articulate, precise, picking machine. If there is a fast alternate picking line that you have played a thousand times, then you must try it with a Razer. Arpeggios and chunky rhythms are great as well for the Razer. This is Rob Chapman's pick of choice.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular Pick.
A New Dimension of Sound and Space in a Majestic Console caracterized by unsurpassed elegance and refinement : this is the Ouverture 355.
Mastercrafted French Terraced Console,
AcuSphere dimensional reverb – recreates the acoustics of large cathedrals and concert halls with stunning realism,
Enhanced 10.2 Surround System – experience a fully immersive sound field through 14 speakers,
Comprehensive Internal Library Of Organ
Stops ,
DANTE Audio Over Ethernet (option).
The design of the Ouverture line was inspired by the beautiful terraced consoles built by Aristide Cavaille-Coll, the renowned French organ builder of the nineteenth century.
Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.
The series includes 119 additional sounds, ranging from acoustic and electric pianos to synths, strings, brass, and more. Players can utilize the Sound 1 and Sound 2 zones, along with the dedicated Pedal Section, to layer and split sounds across the keyboard for maximum creative expression. The Bass Section offers 22 bass sounds, including traditional tonewheel, pipe, and synth bass options, ensuring deep, resonant tones.
SMF600 MEDIUM
Galli® Strings - With their warm and extremely dynamic sound, impeccable intonation and great elasticity to the touch, the SUPREMA MANDOLIN STRINGS by Gallistrings allow the mandolinist to play with excellent musical phrasing, wide expressiveness and skillful agility.
Thanks to their softness, they are particularly suitable for the mandolins of the great lutherie of the past.
DIAMETER TENSION
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
SMF6001 MI / E Plain Steel - Loop End .010 0,25 17,5 7,9
SMF6002 LA /A Flat Wound .015 0,38 16,4 7,4
SMF6003 RE / D Flat Wound .022 0,54 15,0 6,8
SMF6004 SOL / G Flat Wound .033 0,84 15,4 7,
System Type Vented stereo sub
Max SPL (@1m) 130 dB
Frequency Response (-10 dB) 45 Hz - Cut freq
LF 15” - 4” V.C
Peak Power 1000 W
Cooling Passive radiator
DSP 28/56 bit
Connectors I/O CH1/CH2: Combo, LINE OUT: XRL-M (LINK+XOVER)
Controls LEVEL, XOVER selection, POLARITY selection
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 430 x 580 x 590 mm (16.9" x 22.8" x 23.2")
Weight 31.9 kg (70.32 lbs)
MUDHONEY DISTORTION - THE ORIGINAL COLLECTION
The Mudhoney distortion was our first shot at making a great, all-round distortion box. That´s how most owners have described it - it just plain works for a lot of different music styles and they haven´t found a similar sound in many other pedals. In fact, there´s a story about a player that bought and sold six Mudhoney´s, before realizing that the pedals he replaced it with weren´t doing it for him, so he got the seventh one – and kept it.
Madrigal Guitars in collaboration with Alfredo Gonzalez Luthier offers to the professional guitarists these 100% Handmade classical guitars concert models .
Each guitar is made separately with an exhaustive selection of exclusive and exotics woods and highly musical especiality.
The playing guitarist will achive Powerful attack, unique lyrical and sensitive timbre, with a wide spectrum sound between piano and forte that the professional musician will appreciate.
All the guitars are shellac finished.
IBIZA - PROFESSIONAL
Top: Solid Spruce
Neck:Cedar reinforce
Back & Sides: Solid Jacaranda
Fingerboard:Ebony
Bridge: Indian Rosewood
Frets: 21
Finish: French Laque
Inc exelent.Case
Mikrofon kabel 9,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
Den talentfulde italienske designer Pagelli har arbejdet tæt sammen med Burns® London for at skabe et unikt nyt design. Den nye Jet-Sonic® oser moderne retro chic med smukke kurver og en virkelig individuel stil. Alle komponenter og materialer, der er brugt, er af høj kvalitet. Burns® er kendt for, og vores musikere er kommet til at forvente. Lyden er virkelig ude af denne verden - vi tror, at Jet-Sonic ™ skal flyve
SPIN-TONE 700
The Spin-Tone amplifiers incorporate an hybrid system with a rotating horn in the upper part and powerful woofers in the lower; a unique Rotary speakers line dedicated to the organist’s needs!
Type 3 ways 3 amplifiers (2 speakers with woofer and tweeter for rotary effect or stationary + rotating driver)
Power (W) Lower 300W + 300W (L+R) - Upper 150W
Max SPL calculated (dB) 127
Crossover Frequency 1.2 Khz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Pedal input gain, Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Speakers 2x10" Woofer, PA Driver with rotating horn
Cabinet Plywood ...........m.m. Se Info
What's In The Box
1 x f5 Snare Microphone
3 x f2 Rack and Floor Tom Microphones
1 x f6 Kick Drum Microphone
2 x f9 Overheads Microphones
6 x DCLIP Microphone Clips
4 x DFLEX Microphone Clips
1 x MC1 Microphone Clip
Aluminum Road Case
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
1-EFFEKT PEDALER
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