BLAXX 2-mode Overdrive pedal for electric guitar
Housing Die-cast metal
Foot switch True bypass
Controls Gain, level and tone
Mode switch Hot or warm
LED indicator On / off
Input and output 6.35 mm (1/4") jack
Power supply 9V external DC adapter (not included) or 9V battery with adapter (not included)
Dimensions 95 x 45 x 48 mm (3.7 x 1.8 x 1.9")
Weight 205 g (0.45 lb)
Novation Bass Station II, analog Mono-Synthesizer, 25-Keys, Aftertouch can be assigned, two Analog-Filter (Acid and Classic), two Oscillators + additional Sub-Oscillator, flexible Modulation with 2 Envelopes and 2 LFOs, 64 Presets + 64 Slots for User-Patches, Patch-Dump Function, Pattern based Step Sequencer, Arpeggiator, Analog Effect-Section, 1/4" TR Line-Out Mono, 1/4" TR Line-In Mono, Stereo-Headphone Out 1/4" TRS, Sustain-Pedal Connection, MIDI I/O, USB-Connection, USB bus-powered or Power Supply useable. WxDxH: 45,5x27x8
The Razer boasts a longer, narrow taper when compared to the Classic. This subtle difference results in an articulate, precise, picking machine. If there is a fast alternate picking line that you have played a thousand times, then you must try it with a Razer. Arpeggios and chunky rhythms are great as well for the Razer. This is Rob Chapman's pick of choice.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular Pick.
ORGANIZE THE PERFORMANCE
B.Beat manages individual Backing Tracks that can be organized into handy Playlists, or into actual Shows composed of multiple Scenes of various types.
Projects can contain Music, Videos and Images but also MIDI tracks to send messages to the various devices that are used for the Live.
The inspiration behind B.Beat is to simplify the management of Backing tracks and Videos
during a Show.
With B.Beat there is no need to bring to the stage Computers, Tablets, Sound and Video Cards, Cables, Mixers: B.Beat solves this issue
in a few square Cm. and 600 gr. Weight.
€ 499,00
Madrigal Guitars in collaboration with Alfredo Gonzalez Luthier offers to the professional guitarists these 100% Handmade classical guitars concert models .
Each guitar is made separately with an exhaustive selection of exclusive and exotics woods and highly musical especiality.
The playing guitarist will achive Powerful attack, unique lyrical and sensitive timbre, with a wide spectrum sound between piano and forte that the professional musician will appreciate.
All the guitars are shellac finished.
IBIZA - PROFESSIONAL
Top: Solid Spruce
Neck:Cedar reinforce
Back & Sides: Solid Jacaranda
Fingerboard:Ebony
Bridge: Indian Rosewood
Frets: 21
Finish: French Laque
Inc exelent.Case
The V3.12A it’s the ideal solution for high quality installations in churches and auditoriums. Compact and lightweight, this new self-powered speaker features two Class D amplifiers and state-of-the art electroacoustic components able to deliver outstanding sound quality, great sound pressure and incredible linearity. Expressly developed for the use with Classical organs, the V3.12A offers an on-board professional equalizer, a remote power switch feature and an innovative power saving mode.
Power
280 Watt Continuous Power
Distortion (THD)
< 0,05% up to 75 Watt rms / 4 Ohms @ 6.67 KHz
Input Impedance
15 KOhm (balanced)
Input Sensitivity
0 dB (0,775 V)
Max SPL 118 dB (Free space)
Frequency response 38-18000 Hz (+/- 3 dB)
Crossover Frequency 800 Hz @ 24 dB / oct. active - 2800 Hz @ 18 dB / oct. passive
Speakers 1 Woofer (12”) - 1 Mid Range (8”) - 1 Tweeter
Legend Exp
If you want the fabulous Legend sound powered by the physical TMT modeling technology, Legend Exp module is the perfect solution for you.
The control panel offers a wide range of buttons and knobs including a series of drawbars that allow you to fully control in real time the extensive features offered by the instrument.
What's In The Box
1 x f5 Snare Microphone
3 x f2 Rack and Floor Tom Microphones
1 x f6 Kick Drum Microphone
2 x f9 Overheads Microphones
6 x DCLIP Microphone Clips
4 x DFLEX Microphone Clips
1 x MC1 Microphone Clip
Aluminum Road Case
VISCOUNT HURRICANE 210 STEREO POWERED LOUDSPEAKER BY KEYB, PROVIDES YOU THE PERFECT PORTABLE AMPLIFICATION SOLUTION FOR LEGEND ORGANS
EXPRESSLY DESIGNED IN COOPERATION WITH PROFESSIONAL PLAYERS
SELF-POWERED SPEAKER FEATURES WITH FOUR CLASS D AMPLIFIERS
THE SPECIAL SPEAKERS PLACEMENT ENHANCES THE ORGAN'S INTERNAL ROTARY EMULATION
OUTSTANDING SOUND QUALITY HIGH SOUND PRESSURE LEVEL AND LINEAR FREQUENCY RESPONSE
ON-BOARD USEFULL EQUALIZER
STATE-OF-THE ART ELECTROACOUSTIC COMPONENTS
COMPACT AND LIGHTWEIGHT DESIGN
Soprano Ukulele bag in reinforced rip-proof nylon, grid cloth, 10 mm padding. Padded handle and large front pocket with zip. Sturdy nylon injected zippers and low friction zips with rubber tab for a comfortable closing. Shoulder strapsBlack color with orange finishings.
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
B.BEAT ALSO PLAYS BACKING TRACKS IN VIDEO SYNCH, HAS A BUILT-IN MIXER, AND MANAGES PLAYLISTS AND SHOWS.
B.BEAT reads and plays Music files in WAV, Multitrack Audio, Stems, Midi, Video Mp4, Mov and JPG formats.You can use Backing Tracks starting from Mp3 files to proper Multitrack Audio projects from Daw, up to 16 Mono or 8 Stereo tracks.
B.BEAT can store a high number of Backing Tracks. Backing Tracks can be synchronized to a Video (or Images) which will be played to Video Wall from HDMI output.
It has a mixer to adjust the various audio tracks, the 6 separate outputs, and the channels that go to headphones, e.g., Click.
6-Voice Polyphonic Analog Morph Synthesizer
61 Key velocity sensitive keyboard with after touch
2 Brute wave-shaping oscillators per voice
Dual filter design: Steiner multimode and Dr. Bob Moog's 24 dB ladder
Master filter control and filter FM
3 LFOs and 3 envelope generators
Matrix interface for modulation, sequencer, and preset control
64 Matrix points for patching in modular style
2 States per preset, seamlessly crossfadeable with the morph control
Keyboard with split and layer function, as well as poly, mono and unison modes
3-Axis morphée controller
Assignable ribbon controller
Pitch and multi-functional mod wheel
64-Step sequencer with motion recorder and automation
Multi-mode arpeggiator
Digital stereo effects: Reverb, chorus, and delay
Display
Memory protection switch
2 Line outputs: 6.3 mm Jack, unbalanced
MIDI input, output, and MIDI-thru
USB MIDI
Dimensions (W x H x D): 975 x 130 x 378 mm
Weight: 20 kg
Size 45 cm x 55 cm
Wood body
Pro Series - Top instruments for professional demands
Plastic drumhead
Low root note, comparable with a large drum, played with a beater
Including tuning key
Active Near Field Monitor
Equipment: 5" Woofer and 1" tweeter
2-Way class-D amplifier 82 watts - 41 watts woofer and 41 watts tweeter
Frequency response (+/- 3dB): 49 - 20,000 Hz
Maximum level: 108 dB
Input sensitivity adjustable +4 dBu / -10 dB
Boundary EQ
HF trim switch
Line input XLR and 6.3 mm jack balanced
15 mm MDF housing
Dimensions (HxWxD): 298 x 185 x 231 mm
Weight: 4.73 kg
Price per piece
Behringer X32, 32-Channel 16-Bus Digital Total Recall Live/Recording Mixing Console, 32 channels with inserts, 16 mix busses with inserts, 6 aux sends and returns, 8 stereo FX returns, 6 matrix mixers with inserts, 6 mute groups, 8 DCA groups, Full-recording / multi-channel networking via USB expansion cards, Fully programmable, high-end mic preamps, 25 low-noise 100mm motorized faders, Super-easy user-interface with direct access, High-resolution 7" colour TFT display, Individual LCD displays per channel, DCA and Bus, Full dynamics and EQ per channel, busses and matrices, Adjustable line-delays on all inputs and outputs, Virtual FX rack with 8 FX slots, Powerful scene management for shows, On-board recorder for uncompressed WAV files on USB flash drive, Remote editor software to control via USB or Ethernet, Extensive channel strip controls with user-definable control sections, Connections to BEHRINGER P-16 personal monitoring system, AES/EBU stereo digital ....
B112 is a versatile, portable, powerful active speaker suitable for applications in medium venues. The bass-reflex cabinet is equipped with a 12 woofer and a 1.35 compression driver boosted by a 1200 W Class D amp module.
SPIN-TONE 700
The Spin-Tone amplifiers incorporate an hybrid system with a rotating horn in the upper part and powerful woofers in the lower; a unique Rotary speakers line dedicated to the organist’s needs!
Type 3 ways 3 amplifiers (2 speakers with woofer and tweeter for rotary effect or stationary + rotating driver)
Power (W) Lower 300W + 300W (L+R) - Upper 150W
Max SPL calculated (dB) 127
Crossover Frequency 1.2 Khz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Pedal input gain, Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Speakers 2x10" Woofer, PA Driver with rotating horn
Cabinet Plywood ...........m.m. Se Info
Specifications
.500" medium large bore
8" bell
Chrome plated nickel silver inner slides
Lacquered brass finish
2C Blessing mouthpiece
Plush lined hard-shell molded case (C-128)
Made in Usa !
VORTEX 315
Vortex 315, designed by Silvio della Mattia and Viscount, is the ultimate rotary speaker built specifically for organs using high quality materials and components. The most reliable sound in a lightweight rotary speaker.
Type 2 amplified channels (woofer with rotating drum + driver with rotating horn)
Power (W) 300W Upper 80W and Lower 220W
Crossover Frequency 800Hz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Engine Controls The led is: off when the motors are brake; yellow when the motors are slow; red when the motors are fast.
You can brake (independently from the horn) the rotor bass by it’s switch. .......
SEE INFO
Price € 2890,00
Madrigal Guitars in collaboration with Alfredo Gonzalez Luthier offers to the professional guitarists these 100% Handmade classical guitars concert models .
Each guitar is made separately with an exhaustive selection of exclusive and exotics woods and highly musical especiality.
The playing guitarist will achive Powerful attack, unique lyrical and sensitive timbre, with a wide spectrum sound between piano and forte that the professional musician will appreciate.
All the guitars are shellac finished.
AURORA - PROFESSIONAL
Back/Sides: Solid Madagascar Rosewood
Top Solid special Cedar
Fingerboard: Gabon ebony
Neck: Cedar Special
Bridge: Amazonas rosewood
Rosette: Wood mosaic
Bindings: cocobolo
Headplate: Madagascar
Tuners: Gottoh
Finish: High gloss
Scale: 650mm
SoloStrap
Three styles. Two-tone. One amazing strap.
Drawn from the proven comfort, quality and unique construction of the DuoStrap Signature, the SoloStrap was designed for the most discerning guitarists and bassists. Using only the finest of leather hides from Europe, Canada, and South America, the SoloStrap is meticulously hand-crafted to create a blend of form and function that begs to be worn and shown off. The resilient contour padding wrapped with a beautiful vegetable-tanned leather top and an anti-slip suede bottom creates a lasting personal fit, with soft-rolled padded sides where it matters, and topped handsomely with our distinct stamped cover and antique-finished branded metal rivets.
Three gorgeous two-tone color combinations to choose from, with lengths adjustable from 38" to 50" and an extra-long option that brings the total usable length to 62". Padded area is 3.25" wide for excellent weight distribution and superior comfort.
The Edge is made to take your playing to that next level. This pick features an extremely sharp point with rounded shoulders, but unlike the Classic shape, the Edge has an extra-wide body for a dependable grip during even the most aggressive playing. The Edge gives you a more accurate and articulate sound with better pinch harmonics. Great for all types of picking, from alternate to sweeping, the Edge is made for ultimate accuracy and sound. While it can be played on any guitar, the Edge is designed to bring out the most out of your electric guitar.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
88 keys
Legend '70s : ARTIST BASIC VERSION : ( SOUND MODULES: E.PIANO,SOUND COLLECTION )
The LEGEND '70s introduces the new concept of MODULAR STAGE PIANO that allows you to customize the instrument according to your needs. The superb sound quality, thanks to the unique VISCOUNT PM (Physical Modeling) technology and the accurate response of the keyboard, combined into a portable instrument of the highest quality.
CryBaby Wah 95Q
Justerbar booster (0-15db)
Variabel Q-kontrol ændrer lyden fra skarp / smal til fin / bred
Auto-off bypass-kredsløb
Farve: Sort
Støbt, meget stabilt hus
Made in USA
Contemporanea 50 x 60 cm Surdo, Aluminum Shell, Pro Line -Top Quality Instruments for Professionals, Plastic Head, Drum having a low pitch Sound wich may be compared to the Bass Drum or the Tom Tom of a Drum Kit wich is played with a Beater, included Tuning Key.
Den talentfulde italienske designer Pagelli har arbejdet tæt sammen med Burns® London for at skabe et unikt nyt design. Den nye Jet-Sonic® oser moderne retro chic med smukke kurver og en virkelig individuel stil. Alle komponenter og materialer, der er brugt, er af høj kvalitet. Burns® er kendt for, og vores musikere er kommet til at forvente. Lyden er virkelig ude af denne verden - vi tror, at Jet-Sonic ™ skal flyve
Compact speaker system for concerts and conferences
10" subwoofer with amplifiers and mixer
8 x 2" sound line with two spacers
Power: 1500 watts
Digital class-D amplifier
Maximum level: 123 dB
Beam angle: 170° x 30°
Frequency range: 37 - 20000 Hz (-10dB)
Integrated DSP
Built-in 5-channel digital mixer with 8-band EQ, AFS (advanced feedback suppression) and reverb for connecting multiple signals (microphones, instruments, CD or MP3 players)
Dbx gate and compressor per channel
Lexicon effects
3x XLR combo jacks (2x 48 V phantom power)
1x Hi-Z jack input
1x mini jack input
Bluetooth V5 audio streaming
App for iOS and Android
Controls channel 1-3: Gain, bass, mid, treble, reverb
Mic/line inputs channel 1-3: Combination jack 6.3 mm jack / XLR
Channel 4 controls: Gain, bass, mid, treble, reverb
Line input channel 4: 6.3 mm jack
Channel 5 control: Gain, bass, mid, treble, reverb
Aux-in input channel 5: 3.5 mm mini jack
See INFO
Peak sounds warm and rich with filthy, biting overdrive. It's an eight-voice desktop polyphonic synthesiser with three New Oxford Oscillators for each voice. The synth has a resonant multi-mode analogue filter for each voice, and three distortion points in an analogue signal chain.
1-EFFEKT PEDALER
