Another pick with the tri-tip design, the Axis is shaped with very rounded tips, making it a favorite for strumming styles and mandolin players. The wide body gives your fingers additional gripping surface, ensuring the pick stays in your hands even during aggressive play. Also, the identical tips frees you from worrying about the pick turning in your hands since there’s another tip waiting to take over right around the corner. These features makes the Axis a dependable pick for the soft strummer or "banger's" alike.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular
LEMON OIL CLEANER & CONDITIONER
D’Andrea USA’s Lemon Oil & Conditioner can be used on your entire instrument. This is the first step in restoring and maintaining the finish and playability of your instrument. Apply sparingly to remove layers of dirt, grease, and wax build-up all while conditioning the wood to resist dryness. Keep your instruments in tip-top shape with our professional line of Guitar Care Products. bottles. Proudly Made in USA!
Active speaker
Loudspeakers: 12"/1"
Digital power amplifier
Power: 1200 W peak, 600 W RMS
Peak SPL: 129 dB
Asymmetrical horn tweeter 100° x85°
XLR and 6.3 jack input
56-Bit DSP
8 Sound presets for the monitor and stand application
2 Separately adjustable inputs with mix output
Multifunctional housing incl. slanted monitor angle
3x M10 rigging points
Dimensions: 350 x 642 x 349 mm
Weight: 14.3 kg
B112 is a versatile, portable, powerful active speaker suitable for applications in medium venues. The bass-reflex cabinet is equipped with a 12 woofer and a 1.35 compression driver boosted by a 1200 W Class D amp module.
"Some guitarists think of the USA as the only source of quality electric guitars, and for the most part they are correct. However, there are many of us who remember the superb range of guitars designed and made by BURNS GUITARS, a British company.
Ser.No: 06
Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.
The series includes 119 additional sounds, ranging from acoustic and electric pianos to synths, strings, brass, and more. Players can utilize the Sound 1 and Sound 2 zones, along with the dedicated Pedal Section, to layer and split sounds across the keyboard for maximum creative expression. The Bass Section offers 22 bass sounds, including traditional tonewheel, pipe, and synth bass options, ensuring deep, resonant tones.
PX1
PX1 is a multifunctional foldable music stand. Thanks to its particular design, the product is stable in any position of its use. The board can be removed and folded. This part is made of shock-resistant but flexible ABS, so that to avoid damages due to accidental falls. PX1 Music Stand is equipped with a storage compartment and two retractable holders to hang headphone and violin, cello or double bass bow. Useful also for any other proper use. In case of large music sheets, board extensions named PX1A are available as separate and optional accessories. The extensions are to be connected on the board lateral rails.
Inc. Bag
The Razer boasts a longer, narrow taper when compared to the Classic. This subtle difference results in an articulate, precise, picking machine. If there is a fast alternate picking line that you have played a thousand times, then you must try it with a Razer. Arpeggios and chunky rhythms are great as well for the Razer. This is Rob Chapman's pick of choice.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular Pick.
Vis oversættelse
24-Channel mixing console with integrated stage box and DSP
Parallel multitrack recording to USB drive & DAW
20 Mic / Line inputs: 10x XLR, 10x 6.3 mm jack combo
2 RCA line inputs
2-Channel USB media player (MP3, WAV, AIFF playback)
22-Channel USB direct-to-memory recording
32-Channel recording interface (I/O via USB-B port)
Internal sample rate: 48 kHz
2 Additional USB ports for controllers & updates
2 XLR & jack main outputs
8 XLR AUX outputs
2 Headphone outputs
RJ45 Ethernet connector
HDMI port for mixer control via a monitor
Integrated dualband WLAN & Ethernet (2 antennas, 2.4 / 5 GHz)
Compatible with iOS, Android, Windows, Mac OS, Linux (via HTML5)
Accepts up to 10 devices simultaneously (tablet, smartphone, PC)
Signal processing from dbx, Lexicon, Digitech
20 High-quality Studer designed mic preamps
SEE INFO
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
Soprano Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
System Type 2-way bass reflex speaker
Max SPL (@1m) 125 dB
Frequency Response (-10 dB) 63 Hz - 20 kHz
HF 1.35" driver
LF 8” - 2” V.C
Dispersion (HxV) 90° x 70°
Crossover Frequency 1800 Hz
Peak Power 400 W
Cooling Fan
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 264 x 440 x 260 mm (10.4" x 17.3" x 10.3")
Weight 10.9 kg (24 lbs)
Excellent digital piano in a high-quality black and white polish cabinet, extensive features and great piano sounds. No matter you are a student, piano hobbyist or a professional piano player, Classico Grand is a recommendation for anyone who is looking for a nice and affordable digital piano. Thanks to its versatility, it is able to satisfy different needs such as piano study, music listening, MIDI song production and entertainment demands.
Legend Live orgel, der perfekt kan genskabe lyden af tonehjul orgler. Det tilbyder dig igen den "vintage følelse". Med fire sæt drawbars og dobbelt tastaturer, står dette orgel noget for sig selv i det avancerede teknologiske lyde og sansen af den gamle klang. Hvert aspekt af et tonehjul tastatur og lyd er så perfekt dupliceret, at spillere over hele verden siger: "Det er det bedste nogensinde”!
Tribute L-2000
Leos L serie basser, startede som en videreførelse af hans Music Man designs, og med to Humbucker pickups tilbød G&L noget på det tidspunkt, som ikke fandtes hos MM. L serien har siden starten fået sit eget liv, og både L-2000, og L-2500 (5 str) er blevet manges favorit bas, og i høj grad en bestseller i Tribute serien.
G&L er Leo Fenders sidste livsværk, skabt på erfaringerne fra Fender og Music Man, og designet i Leo’s workshop, på Fender Avenue 2548, i Fullerton, CA. Stedet hvor de første Music Mans blev bygget, og siden alle G&L USA modeller. Den lille fabrik kører stadig på højtryk, og Leo’s værksted står, som da han forlod det. Tradition og håndværk forenet. Tribute serien er fremstillet hos Cortek i Indonesien, og anvender G&L pickups og hardware!
GM9882H – Double headset UHF wireless microphone
Double headset UHF wireless microphone system with convenient ABS case for carriage. 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting. Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
Strings in black nylon tape wound on a stainless steel core: if used on a fretless electro-acoustic bass, make the instrument able to produce tones as a double bass. 5 strings
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
GM9882 – Double handheld UHF wireless microphone
Double handheld UHF wireless microphone system with convenient ABS case for carriage. 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting. Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
1-EFFEKT PEDALER
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