KALA FLATWOUND 4-STRING SET BY GALLISTRINGS
Chrome steel wrapped around a nylon core, the U•BASS® Flatwound 4-String Set by Gallistrings enables fast and stable intonation, bringing a warmth and consistency to your U•BASS® like never before.
These high-tension U•BASS® strings offer a timbre and maneuverability akin to the double bass. Smooth to the touch, the chrome flatwound tape allows your fingers to glide around the fretboard and helps protect the neck from wear and tear—perfect for any acoustic fretted or fretless U•BASS®. Scale length cm 52 - in. 20,5"
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
UXB911C G-1st Chrome Steel on Nylon core .060 1.52 - -
UXB912C D-2nd Chrome Steel on Nylon core .080 2.03 - -
UXB913C A-3rd Chrome Steel on Nylon core .100 2.54 - -
UXB914C E-4th Chrome Steel on Nylon core .130 3.30 - -
Extensible arm microphone stand. Adjustable elevation arm and professional knob for the height fastening equipped with fixed desktop stand. Suggested for radio installations and dubbing studios.
Maximum Height 100 cm.
Weight1,2 Kg.
Maximum Carriage Capacity1,8 Kg.
Total Volume 0,068 cbm.
Color Black
Material of Construction steel
GM9882H – Double headset UHF wireless microphone
Double headset UHF wireless microphone system with convenient ABS case for carriage. 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting. Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
A single module for two synths! The FM Module for Legend ’70s gives you two layers of authentic FM synthesis and a selection of sounds from music history.
You can import DX-TX sounds from the available libraries. You will also have an FM synthesis editor to experiment with!
FM SYNTH MODULE
2 Layers of Stereo FM Synthesis totally independent
6 Operators
LFO and Pitch Envelope exactly as in the historical formulation of FM synthesis
Iconic Sounds of the Decades
Compatibility with DX-TX sounds from the libraries available
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The Razer boasts a longer, narrow taper when compared to the Classic. This subtle difference results in an articulate, precise, picking machine. If there is a fast alternate picking line that you have played a thousand times, then you must try it with a Razer. Arpeggios and chunky rhythms are great as well for the Razer. This is Rob Chapman's pick of choice.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular Pick.
Mikrofon kabel 6,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
System Type Vented stereo sub
Max SPL (@1m) 131.5 dB
Frequency Response (-10 dB) 41 Hz - Cut freq
LF 18” - 4” V.C
Peak Power 1000 W
Cooling Passive radiator
DSP 28/56 bit
Connectors I/O CH1/CH2: Combo, LINE OUT: XRL-M (LINK+XOVER)
Controls LEVEL, XOVER selection, POLARITY selection
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 510 x 650 x 690 mm (20" x 25.6" x 27.2")
Weight 38 kg (83.8 lbs)
Double internal memory (2GB)
2 Completely redesigned acoustic piano sample sets
Updated all existing piano models
Expanded tonal possibilities with the dual DSP of the Legend ’70s MKII
Backward compatibility with MKI Legend ’70s
The new acoustic piano module is here. Completely updated with twice memory and processing power to maximize the realistic feel when you play.
Available for Legend ’70s MKII, but also backward compatible with MKI.
2 MUDHONEYS IN 1 - DUAL DISTORTION
If you still haven’t heard a T-Rex Mudhoney, do yourself a favour and plug one in next time you’re at the music store.
Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It’s one of first pedals we produced, and it set the standard for many T-Rex pedals to come.
Everything that is great about the original Mudhoney – and then doubles it! With two channels of vintage gain, you can easily switch between a clean sound from your amp, a nice edgy overdrive from the one Mudhoney channel and a thick warm distortion from the other channel – delivering deliciously dirty T-Rex tone all the way.
For stage applications
Linear frequency response
Excellent feedback resistance
Polar pattern: Cardioid
Frequency range: 20 - 20,000 Hz
Sensitivity: 5.6 mV/Pa
Peak SPL: 150 dB
Impedance: 200 Ohm
Current consumption: 4 mA
Requires 48 V phantom power
Black metal housingDouble bearing capsule suspension
Dimensions: 185 x 51 mm
Weight: 312 g
SA61 microphone holder and bag included
The Tripp is the most versatile pick that Gravity sells. Using the tri-tip model platform, we’ve put a different tip on each end from three of our popular picks. The Tripp has one tip that’s sharp like the Sunrise, giving you the ability to pick or shred, a second tip that’s rounded like the Axis, made for some smooth strumming, and a third tip that is semi-pointed/semi-rounded like the Striker, giving you the versatility to alternate from picking to strumming to any style you play. With this pick you have everything. Not only do you get the ability and option to play different styles, this pick gives you different tones and sounds — from bright, higher frequencies to mid-range tones. You can call it a bargain pick or a great practice tool, but one thing is for sure, the Tripp sounds as good as it looks.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
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Mikrofon kabel 9,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
SHAPE Super Folk
TOP Solid Spruce or Solid Cedar
BACK Amara/Spalt Mango
SIDES Amara
FINGERBOARD Techwood
BRIDGE Techwood
STRINGS Elixir Nanoweb 12-53
ELECTRONICS Fishman Presys
FINISH Natural Gloss
Full Specification TWJSFCE
Vis oversættelse
24-Channel mixing console with integrated stage box and DSP
Parallel multitrack recording to USB drive & DAW
20 Mic / Line inputs: 10x XLR, 10x 6.3 mm jack combo
2 RCA line inputs
2-Channel USB media player (MP3, WAV, AIFF playback)
22-Channel USB direct-to-memory recording
32-Channel recording interface (I/O via USB-B port)
Internal sample rate: 48 kHz
2 Additional USB ports for controllers & updates
2 XLR & jack main outputs
8 XLR AUX outputs
2 Headphone outputs
RJ45 Ethernet connector
HDMI port for mixer control via a monitor
Integrated dualband WLAN & Ethernet (2 antennas, 2.4 / 5 GHz)
Compatible with iOS, Android, Windows, Mac OS, Linux (via HTML5)
Accepts up to 10 devices simultaneously (tablet, smartphone, PC)
Signal processing from dbx, Lexicon, Digitech
20 High-quality Studer designed mic preamps
SEE INFO
A New Dimension of Sound and Space in a Majestic Console caracterized by unsurpassed elegance and refinement : this is the Ouverture 355.
Mastercrafted French Terraced Console,
AcuSphere dimensional reverb – recreates the acoustics of large cathedrals and concert halls with stunning realism,
Enhanced 10.2 Surround System – experience a fully immersive sound field through 14 speakers,
Comprehensive Internal Library Of Organ
Stops ,
DANTE Audio Over Ethernet (option).
The design of the Ouverture line was inspired by the beautiful terraced consoles built by Aristide Cavaille-Coll, the renowned French organ builder of the nineteenth century.
Enredo Comienzo serien fra Tanglewood, er fine klassiske guitarer i en yderst fornuftig prisklasse.
Grandæk, samt Ryg og Sider i Lindetræ i mat Satin finish.
Guitarerne har Techwood gribebræt, og gode mekanikker. Et virkeligt godt valg til skoler, begyndere, osv. som vil starte i en god kvalitet
Guitarerne findes i ¾ størrelse
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
Tribute L-2000
Leos L serie basser, startede som en videreførelse af hans Music Man designs, og med to Humbucker pickups tilbød G&L noget på det tidspunkt, som ikke fandtes hos MM. L serien har siden starten fået sit eget liv, og både L-2000, og L-2500 (5 str) er blevet manges favorit bas, og i høj grad en bestseller i Tribute serien.
G&L er Leo Fenders sidste livsværk, skabt på erfaringerne fra Fender og Music Man, og designet i Leo’s workshop, på Fender Avenue 2548, i Fullerton, CA. Stedet hvor de første Music Mans blev bygget, og siden alle G&L USA modeller. Den lille fabrik kører stadig på højtryk, og Leo’s værksted står, som da han forlod det. Tradition og håndværk forenet. Tribute serien er fremstillet hos Cortek i Indonesien, og anvender G&L pickups og hardware!
Transporttaske og vogn
Til Viscount Legend og Legend Soul 273 orgel
Med forstærkede kanter og indvendig polstring
Håndtag
To rummelige sidelommer
Indvendige mål (B x H x D): 117,5 x 59 x 20 cm
Udvendige mål (B x H x D): 130,5 x 65 x 26 cm
Vægt: 10,7 kg
Legend
Legend Live orgel, der perfekt kan genskabe lyden af tonehjul orgler. Det tilbyder dig igen den "vintage følelse". Med fire sæt drawbars og dobbelt tastaturer, står dette orgel noget for sig selv i det avancerede teknologiske lyde og sansen af den gamle klang. Hvert aspekt af et tonehjul tastatur og lyd er så perfekt dupliceret, at spillere over hele verden siger: "Det er det bedste nogensinde”!
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
Compact speaker system for concerts and conferences
10" subwoofer with amplifiers and mixer
8 x 2" sound line with two spacers
Power: 1500 watts
Digital class-D amplifier
Maximum level: 123 dB
Beam angle: 170° x 30°
Frequency range: 37 - 20000 Hz (-10dB)
Integrated DSP
Built-in 5-channel digital mixer with 8-band EQ, AFS (advanced feedback suppression) and reverb for connecting multiple signals (microphones, instruments, CD or MP3 players)
Dbx gate and compressor per channel
Lexicon effects
3x XLR combo jacks (2x 48 V phantom power)
1x Hi-Z jack input
1x mini jack input
Bluetooth V5 audio streaming
App for iOS and Android
Controls channel 1-3: Gain, bass, mid, treble, reverb
Mic/line inputs channel 1-3: Combination jack 6.3 mm jack / XLR
Channel 4 controls: Gain, bass, mid, treble, reverb
Line input channel 4: 6.3 mm jack
Channel 5 control: Gain, bass, mid, treble, reverb
Aux-in input channel 5: 3.5 mm mini jack
See INFO
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
Active speaker
Loudspeakers: 12"/1"
Digital power amplifier
Power: 1200 W peak, 600 W RMS
Peak SPL: 129 dB
Asymmetrical horn tweeter 100° x85°
XLR and 6.3 jack input
56-Bit DSP
8 Sound presets for the monitor and stand application
2 Separately adjustable inputs with mix output
Multifunctional housing incl. slanted monitor angle
3x M10 rigging points
Dimensions: 350 x 642 x 349 mm
Weight: 14.3 kg
1-EFFEKT PEDALER
