The Edge is made to take your playing to that next level. This pick features an extremely sharp point with rounded shoulders, but unlike the Classic shape, the Edge has an extra-wide body for a dependable grip during even the most aggressive playing. The Edge gives you a more accurate and articulate sound with better pinch harmonics. Great for all types of picking, from alternate to sweeping, the Edge is made for ultimate accuracy and sound. While it can be played on any guitar, the Edge is designed to bring out the most out of your electric guitar.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
For stage applications
Linear frequency response
Excellent feedback resistance
Polar pattern: Cardioid
Frequency range: 20 - 20,000 Hz
Sensitivity: 5.6 mV/Pa
Peak SPL: 150 dB
Impedance: 200 Ohm
Current consumption: 4 mA
Requires 48 V phantom power
Black metal housingDouble bearing capsule suspension
Dimensions: 185 x 51 mm
Weight: 312 g
SA61 microphone holder and bag included
Entertainer Keyboard
61 Semi-weighted, velocity-sensitive keys with aftertouch
464 Voices with 3 different sounds each
62 Drum kits and 580 live drums
Dual/Layer
Split
Over 400 styles
4 Nanks with unlimited registrations each
216-Voice polyphonic
7" Touch screen display
15 Sliders with LED indicator
8 Pots
Pitch bend and modulation wheel
Audio and MIDI recording
Audio player with 5+1 multitracks
2 Separate players
Effects: DSP (reverb, chorus, flanger, overdrive, distortion, tremolo, autopan, equaliser, etc.)
3-Voice vocalist for mic input 1
240 GB SSD (80 GB for system)
SD card slot (up to 512 GB)
1 GB user sample memory
Bluetooth audio input
WiFi network connection to Ketron app
Dimensions (W x D x H): 925 x 365 x 125 mm
SHAPE Super Folk
TOP Solid Spruce or Solid Cedar
BACK Amara/Spalt Mango
SIDES Amara
FINGERBOARD Techwood
BRIDGE Techwood
STRINGS Elixir Nanoweb 12-53
ELECTRONICS Fishman Presys
FINISH Natural Gloss
Full Specification TWJSFCE
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
Den talentfulde italienske designer Pagelli har arbejdet tæt sammen med Burns® London for at skabe et unikt nyt design. Den nye Jet-Sonic® oser moderne retro chic med smukke kurver og en virkelig individuel stil. Alle komponenter og materialer, der er brugt, er af høj kvalitet. Burns® er kendt for, og vores musikere er kommet til at forvente. Lyden er virkelig ude af denne verden - vi tror, at Jet-Sonic ™ skal flyve
Transporttaske og vogn
Til Viscount Legend Live og Legend Soul 261 orgel
Med forstærkede kanter og indvendig polstring
Håndtag
To rummelige sidelommer
Indvendige mål (B x H x D): 101 x 59 x 20 cm
Udvendige mål (B x H x D): 114 x 65 x 26 cm
Vægt: 10,3 kg
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
Vis oversættelse
24-Channel mixing console with integrated stage box and DSP
Parallel multitrack recording to USB drive & DAW
20 Mic / Line inputs: 10x XLR, 10x 6.3 mm jack combo
2 RCA line inputs
2-Channel USB media player (MP3, WAV, AIFF playback)
22-Channel USB direct-to-memory recording
32-Channel recording interface (I/O via USB-B port)
Internal sample rate: 48 kHz
2 Additional USB ports for controllers & updates
2 XLR & jack main outputs
8 XLR AUX outputs
2 Headphone outputs
RJ45 Ethernet connector
HDMI port for mixer control via a monitor
Integrated dualband WLAN & Ethernet (2 antennas, 2.4 / 5 GHz)
Compatible with iOS, Android, Windows, Mac OS, Linux (via HTML5)
Accepts up to 10 devices simultaneously (tablet, smartphone, PC)
Signal processing from dbx, Lexicon, Digitech
20 High-quality Studer designed mic preamps
SEE INFO
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance
, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings
. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
System Type 2-way bass reflex speaker
Max SPL (@1m) 132 dB
Frequency Response (-10 dB) 48 Hz - 20 kHz
HF 1.75" driver
LF 15” - 3” V.C
Dispersion (HxV) 90° x 40°
Crossover Frequency 1450 Hz
Peak Power 1200 W
Cooling Passive radiator
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 427 x 705 x 428 mm (16.8" x 27.8" x 16.9")
Weight 25.9 Kg (57 lbs)
System Type Vented stereo sub
Max SPL (@1m) 131.5 dB
Frequency Response (-10 dB) 41 Hz - Cut freq
LF 18” - 4” V.C
Peak Power 1000 W
Cooling Passive radiator
DSP 28/56 bit
Connectors I/O CH1/CH2: Combo, LINE OUT: XRL-M (LINK+XOVER)
Controls LEVEL, XOVER selection, POLARITY selection
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 510 x 650 x 690 mm (20" x 25.6" x 27.2")
Weight 38 kg (83.8 lbs)
Tribute L-2000
Leos L serie basser, startede som en videreførelse af hans Music Man designs, og med to Humbucker pickups tilbød G&L noget på det tidspunkt, som ikke fandtes hos MM. L serien har siden starten fået sit eget liv, og både L-2000, og L-2500 (5 str) er blevet manges favorit bas, og i høj grad en bestseller i Tribute serien.
G&L er Leo Fenders sidste livsværk, skabt på erfaringerne fra Fender og Music Man, og designet i Leo’s workshop, på Fender Avenue 2548, i Fullerton, CA. Stedet hvor de første Music Mans blev bygget, og siden alle G&L USA modeller. Den lille fabrik kører stadig på højtryk, og Leo’s værksted står, som da han forlod det. Tradition og håndværk forenet. Tribute serien er fremstillet hos Cortek i Indonesien, og anvender G&L pickups og hardware!
LEGEND SOUL ORGANS
Legend Soul line is born thanks to the Viscount centennial experience in projecting and making instruments. Our purpose was creating new digital tonewheels organs able to reproduce the original and iconic 9 contacts effect as much realistic as possible. After several studies, our engineers have managed to perfectly recreate all of them, using a unique technology patented by us. Thanks to that, when you play one of our Legend Soul, you will feel the iconic and realistic sounds of original tonewheels organ, but with all the advantages of the digital ones.
The M4000D Mini Mellotron was developed to meet the needs of keyboardists who want an even smaller and lighter Digital Mellotron. The Mini is also designed to fit perfectly on top of the regular M4000D to make a great looking dual manual Mellotron. Instead of the M4000D’s wooden keyboard, it includes a high-quality, semi-weighted Fatar piano-style keyboard with velocity sensitivity, and mono aftertouch.
Den nye Viscount Legend Live Orgel af KeyB, giver dig den nemmeste transportabel løsning.
To Waterfall Keyboards med high trigger points, for ultra hurtig respons. Legend Live anvender det nyeste modeleringteknologi i tonehjul.
Nem at afspille
Ny designet ”leslie” og forstærker simulator.
To fulde sæt af Drawbars pr. keyboard.
Forbedret Percussion og key click. (Soft/normal volume).
Effekter: Vibrato/Chorus og Reverb
Hurtig live justering, nemme at betjene.
Ekstern 11 pins Leslie® udgang.
FX send/return
Der er en USB udgang til nodelampe, iPad opladning m.m.
T-REX CREAMER REVERB
CREAMER - MAJOR REVERB
So, you finally got your rig dialed in and it sounds fantastic, but sometimes you feel like adding a bit of depth or airy-ness to it. You want to fill in the holes in your playing, add some ambience or you maybe just really like those dreamy, special sounds that seem to take on a life of their own.
HOWEVER, you don´t want to be lost in sub-menus or unfamiliar parameters, your pedal board is pretty much packed with all your precious goodies and you don´t want to ruin that tone you finally nailed.
We have designed the Creamer reverb to be dead simple to operate, but with just enough room for tweaking, so you don´t feel limited in your search for the sonic equivalent of Grand Canyon or that small room we frequently visit every day.
Transporttaske og vogn
Til Viscount Legend og Legend Soul 273 orgel
Med forstærkede kanter og indvendig polstring
Håndtag
To rummelige sidelommer
Indvendige mål (B x H x D): 117,5 x 59 x 20 cm
Udvendige mål (B x H x D): 130,5 x 65 x 26 cm
Vægt: 10,7 kg
System Type Vented stereo sub
Max SPL (@1m) 130 dB
Frequency Response (-10 dB) 45 Hz - Cut freq
LF 15” - 4” V.C
Peak Power 1000 W
Cooling Passive radiator
DSP 28/56 bit
Connectors I/O CH1/CH2: Combo, LINE OUT: XRL-M (LINK+XOVER)
Controls LEVEL, XOVER selection, POLARITY selection
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 430 x 580 x 590 mm (16.9" x 22.8" x 23.2")
Weight 31.9 kg (70.32 lbs)
B115 is a versatile, portable full range active speaker suitable for applications in medium to large venues. The bass-reflex cabinet is equipped with a 15 woofer and a 1.35 compression driver boosted by a 1200 W Class D amp module
Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.See more Info
STRING CLEANER
D’Andrea USA’s String Cleaner & Lubricant prolongs string life and renews string tone by removing the oxidation and natural build up from hours of playing. Simply apply to a polish cloth and gently rub the strings up and down to bring your strings back to life while lubricating them for playing ease. Do not apply to any other surfaces other than your strings. Keep your instruments in tip-top shape with our professional line of Guitar Care Products.. Proudly Made in USA!
Samme følelse af de originale tonehjul i orgelens pedal . Den er bare kortere og lettere. Der er kun 18 noter. Perfekt til giggins musikere. Volume pedal medfølger.
1 strømforsyning er inkluderet. Men hvis du spiller det med en Legend eller en Legend Live, behøver du ikke det, pedalboardet er drevet via midi-kabel.
Pedalboard 18 er en MIDI pedalboard, du kan bruge den med andre mærker, med MIDI instrumenter.
A little over 40 years ago, largely because we could not afford to buy a high quality electric guitar, and partly because we enjoyed a challenge, my Dad and I decided to make an electric guitar. I designed an instrument from scratch, with the intention that it would have a capability beyond anything that was out there, more tunable, with a greater range of pitches and sounds, with a better tremolo, and with a capability of feeding back through the air in a "good" way - i.e. in a self-sustaining mode.
Se info
This guitar are with Brian May`s signature (autograf )
1-EFFEKT PEDALER
