Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
Gold-plated 1" capsule stored in miniature lyre from Rycote
Black metal housing with scratch-resistant ceramic coating
Extremely low intrinsic noise (4.5 dBA)
Polar pattern: Cardioid
Frequency range: 20 - 20000 Hz
Output impedance: 100 ohms
Sensitivity: 35.0 mV / Pa
Equivalent noise level: 4.5 dBA (according to IEC651), Max
Output level: +8.0 dBu (1 kHz, 1% THD, 1 kOhm load)
Dynamic range: 128 dB
Max. sound pressure level: 132 dB
Signal-to-noise ratio: 90 dBA (according to IEC651)
Requires 24 V / 48 V phantom power
Connection: 3-pin XLR
Dimensions (diameter x length): 50 x 190 mm
Weight: 395 g
Includes deluxe shockmount SM6 with integrated pop protection, XLR microphone cable (6 m) and dust protection bag
Made in Australia
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
HYMMERSIVE organs introduce a new generation of instruments by optimally combining a beautiful, flexible and reliable organ console to the Hauptwerk Sampled Sound Software Platform.
The new Viscount HYMMERSIVE organ has been conceived to drastically improve all the mentioned drawbacks with a revolutionary new design, able to offer the organist and church a beautiful, flexible and reliable solution for their Hauptwerk Sampled Based Organ. The unique reconfigurable and customizable Stop-tab system with OLED displays, plus the appropriate powerful computer hardware, all designed, conceived, and built by Viscount, create an extraordinary organ package when considering a Hauptwerk Sampled Based Organ.
What's In The Box
1 x f5 Snare Microphone
3 x f2 Rack and Floor Tom Microphones
1 x f6 Kick Drum Microphone
2 x f9 Overheads Microphones
6 x DCLIP Microphone Clips
4 x DFLEX Microphone Clips
1 x MC1 Microphone Clip
Aluminum Road Case
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
Concerto Ukulele bag
15 mm padding
Made of rip-proof technical “gridding cloth” nylon with cloth outer border
Black color with orange finishings
Velcro reinforced easy-to-open handle
Adjustable double strap
Large frontal pocket
Strong zippers stitched with anti-rip nylon
Active Near Field Monitor
Equipment: 5" Woofer and 1" tweeter
2-Way class-D amplifier 82 watts - 41 watts woofer and 41 watts tweeter
Frequency response (+/- 3dB): 49 - 20,000 Hz
Maximum level: 108 dB
Input sensitivity adjustable +4 dBu / -10 dB
Boundary EQ
HF trim switch
Line input XLR and 6.3 mm jack balanced
15 mm MDF housing
Dimensions (HxWxD): 298 x 185 x 231 mm
Weight: 4.73 kg
Price per piece
More than just a PAR Wash, the PARWASH76-RING is an invitation to creativity. With just 21 cm diameter, 10 cm thickness and a tiny kilogram on the balance, the PARWASH 76 RING iS easy to install, even in small spaces, thanks to its silent passive cooling. Ideal for any private event or indoor performance, it features 7 X 6W RGBW LEDs offering nuanced, vibrant colors, combined with an RGB LED ring creating rotating animations or fixed colors to generate a halo around the main beam. Versatile, it features an automatic mode, a music detection mode and a DMX mode allowing control by DMX remote control, in addition to the infrared remote control supplied. The PARWASH 76 RING is easy to install, thanks to its dual bracket for easy floor installation, and its passive cooling, which generates neither unwanted noise nor excessive heat during indoor performances or events.
The V3.12A it’s the ideal solution for high quality installations in churches and auditoriums. Compact and lightweight, this new self-powered speaker features two Class D amplifiers and state-of-the art electroacoustic components able to deliver outstanding sound quality, great sound pressure and incredible linearity. Expressly developed for the use with Classical organs, the V3.12A offers an on-board professional equalizer, a remote power switch feature and an innovative power saving mode.
Power
280 Watt Continuous Power
Distortion (THD)
< 0,05% up to 75 Watt rms / 4 Ohms @ 6.67 KHz
Input Impedance
15 KOhm (balanced)
Input Sensitivity
0 dB (0,775 V)
Max SPL 118 dB (Free space)
Frequency response 38-18000 Hz (+/- 3 dB)
Crossover Frequency 800 Hz @ 24 dB / oct. active - 2800 Hz @ 18 dB / oct. passive
Speakers 1 Woofer (12”) - 1 Mid Range (8”) - 1 Tweeter
Revolutionary Sound Engine
At the core of the Legend One series is the Legend Soul Engine, powered by Viscount's proprietary TMT (Tonewheel Modeling Technology) and HDS (High-Definition Sampling). These technologies provide authentic organ tones, including detailed recreations of iconic models such as the B3 (1938), C3 (1955), A100 (1961), and more. The 91 tonewheels offer rich polyphony and realistic harmonic detail, capturing the essence of classic tonewheel organs.
The series includes 119 additional sounds, ranging from acoustic and electric pianos to synths, strings, brass, and more. Players can utilize the Sound 1 and Sound 2 zones, along with the dedicated Pedal Section, to layer and split sounds across the keyboard for maximum creative expression. The Bass Section offers 22 bass sounds, including traditional tonewheel, pipe, and synth bass options, ensuring deep, resonant tones.
System Type Vented stereo sub
Max SPL (@1m) 131.5 dB
Frequency Response (-10 dB) 41 Hz - Cut freq
LF 18” - 4” V.C
Peak Power 1000 W
Cooling Passive radiator
DSP 28/56 bit
Connectors I/O CH1/CH2: Combo, LINE OUT: XRL-M (LINK+XOVER)
Controls LEVEL, XOVER selection, POLARITY selection
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 510 x 650 x 690 mm (20" x 25.6" x 27.2")
Weight 38 kg (83.8 lbs)
T-REX CREAMER REVERB
CREAMER - MAJOR REVERB
So, you finally got your rig dialed in and it sounds fantastic, but sometimes you feel like adding a bit of depth or airy-ness to it. You want to fill in the holes in your playing, add some ambience or you maybe just really like those dreamy, special sounds that seem to take on a life of their own.
HOWEVER, you don´t want to be lost in sub-menus or unfamiliar parameters, your pedal board is pretty much packed with all your precious goodies and you don´t want to ruin that tone you finally nailed.
We have designed the Creamer reverb to be dead simple to operate, but with just enough room for tweaking, so you don´t feel limited in your search for the sonic equivalent of Grand Canyon or that small room we frequently visit every day.
SHAPE Super Folk
TOP Solid Cedar
BACK Solid Mahogany
SIDES Solid Mahogany
FINGERBOARD Rosewood
BRIDGE Rosewood
STRINGS Elixir Nanoweb 12-53
ELECTRONICS LR Baggs Stage Pro Element
FINISH Vintage Sunburst Gloss
Full Specification TW45RVSE
Active High-Performance Column PA System
6x 2.5" Midrange speakers
8" Subwoofer
Power: 300 watts RMS, 1200 watts peak
Class D power amplifier
Maximum level: 118 dB
Frequency response: 50 - 20,000 Hz
Horn pattern: 120° x 30°
2 Switchable mic/line inputs: XLR/jack combo
2 RCA inputs
1 XLR mix output
Bluetooth 5.0 for audio streaming
Bluetooth TWS Link
3-Channel mixer
2-Channel equaliser
2 Mic preamps
Undervoltage, thermal, overcurrent protection
Limiter
Dispersion angle (H x V): 120° x 45°
Plastic housing
Dimensions (W x H x D): 302 x 2029 x 390 mm
Weight subwoofer: 13 kg
Weight top: 3.2 kg
Weight spacer: 2.3 kg
Total weight: 18.5 kg
Colour: Black
GM9882H – Double headset UHF wireless microphone
Double headset UHF wireless microphone system with convenient ABS case for carriage. 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting. Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
This guitar has been the choice of pro musicians of all genres. The versatility of this guitar begins with its solid cedar top that can play sweet mellow passages or power chords with equal ability. The maple back and sides are a perfect reflector for the tone generated by the soundboard and the gloss black finish looks great under the stage lights. The mahogany neck is joined to the body with a traditional, ultra strong dovetail joint.
Includes Takamine’s CT4B II preamp system paired with the unique Palathetic™ under-saddle pickup for peerless amplified response. The highly acclaimed CT4B II preamp system with three-band EQ, volume control and built-in tuner.
Electric Bass
Body: Alder
Maple neck
Pau Ferro fretboard
Matte neck finish
20 Frets
Nut width: 41.3 mm
Scale: 864 mm
Pickups: New Player AlNiCo V Precision Split single coil
Volume knob and tone knob
Standard open gear machine heads
Ex-factory stringing: Fender 7250M .045 - .105
Colour: 3-Tone sunburst
Strings in black nylon tape wound on a stainless steel core: if used on a fretless electro-acoustic bass, make the instrument able to produce tones as a double bass.
VISCOUNT HURRICANE 210 STEREO POWERED LOUDSPEAKER BY KEYB, PROVIDES YOU THE PERFECT PORTABLE AMPLIFICATION SOLUTION FOR LEGEND ORGANS
EXPRESSLY DESIGNED IN COOPERATION WITH PROFESSIONAL PLAYERS
SELF-POWERED SPEAKER FEATURES WITH FOUR CLASS D AMPLIFIERS
THE SPECIAL SPEAKERS PLACEMENT ENHANCES THE ORGAN'S INTERNAL ROTARY EMULATION
OUTSTANDING SOUND QUALITY HIGH SOUND PRESSURE LEVEL AND LINEAR FREQUENCY RESPONSE
ON-BOARD USEFULL EQUALIZER
STATE-OF-THE ART ELECTROACOUSTIC COMPONENTS
COMPACT AND LIGHTWEIGHT DESIGN
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
GM9882HP – Double handheld + headset UHF wireless microphone
Double handheld + headset UHF wireless microphone system with convenient ABS case for carriage 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
Compact speaker system for concerts and conferences
10" subwoofer with amplifiers and mixer
8 x 2" sound line with two spacers
Power: 1500 watts
Digital class-D amplifier
Maximum level: 123 dB
Beam angle: 170° x 30°
Frequency range: 37 - 20000 Hz (-10dB)
Integrated DSP
Built-in 5-channel digital mixer with 8-band EQ, AFS (advanced feedback suppression) and reverb for connecting multiple signals (microphones, instruments, CD or MP3 players)
Dbx gate and compressor per channel
Lexicon effects
3x XLR combo jacks (2x 48 V phantom power)
1x Hi-Z jack input
1x mini jack input
Bluetooth V5 audio streaming
App for iOS and Android
Controls channel 1-3: Gain, bass, mid, treble, reverb
Mic/line inputs channel 1-3: Combination jack 6.3 mm jack / XLR
Channel 4 controls: Gain, bass, mid, treble, reverb
Line input channel 4: 6.3 mm jack
Channel 5 control: Gain, bass, mid, treble, reverb
Aux-in input channel 5: 3.5 mm mini jack
See INFO
The world first heard the instantly recognizable sounds of the Mellotron on hits from the Moody Blues (“Nights in White Satin”) and the Beatles (“Strawberry Fields Forever”) in the 1960s. In 2010, Mellotron reintroduced the iconic tape-based machine in a compact digital version, the Mellotron M4000D, that retains the authentic sound, look and feel of the original keyboard while adding some significant improvements.
The Tripp is the most versatile pick that Gravity sells. Using the tri-tip model platform, we’ve put a different tip on each end from three of our popular picks. The Tripp has one tip that’s sharp like the Sunrise, giving you the ability to pick or shred, a second tip that’s rounded like the Axis, made for some smooth strumming, and a third tip that is semi-pointed/semi-rounded like the Striker, giving you the versatility to alternate from picking to strumming to any style you play. With this pick you have everything. Not only do you get the ability and option to play different styles, this pick gives you different tones and sounds — from bright, higher frequencies to mid-range tones. You can call it a bargain pick or a great practice tool, but one thing is for sure, the Tripp sounds as good as it looks.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
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GUITAR POLISH
D’Andrea USA’s Guitar Polish works best after a deep clean with our Lemon Oil & Conditioner. Lightly spray an even coat of polish over your guitar body and gently polish with a polishing cloth until a deep gloss appears. Keep your instruments in tip-top shape with our professional line of Guitar Care Products. Proudly Made in USA!
System Type 2-way bass reflex speaker
Max SPL (@1m) 132 dB
Frequency Response (-10 dB) 48 Hz - 20 kHz
HF 1.75" driver
LF 15” - 3” V.C
Dispersion (HxV) 90° x 40°
Crossover Frequency 1450 Hz
Peak Power 1200 W
Cooling Passive radiator
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 427 x 705 x 428 mm (16.8" x 27.8" x 16.9")
Weight 25.9 Kg (57 lbs)
BAG0EG – Soft bag for electric guitar
Soft bag for electric guitar. Made of rip-proof “Oxford cloth 600D” with cloth outer border. Black color. Velcro reinforced easy-to-open handle. Adjustable double strap. Large frontal pocket. Strong zippers stitched with anti-rip nylon.
DUCKSM – Tripod desktop microphone stand
Tripod desktop microphone stand. Height adjustable and totally foldable. Microphone clip included.
DATA SHEET
Height
min 17 – max 23 cm (H)
Base
Ø 19 cm
Weight
0.32 Kg
1-EFFEKT PEDALER
