Made famous by the Gretch White Falcon, this stunning guitar with abalone inlay and gold effect hardware is second to none. Comes with dual filtertrons, licensed Bigsby and gold effect hardware! 648mm scaling. Maple neck and rosewood fingerboard and bridge finish the guitar of nicely.
GM9882H – Double headset UHF wireless microphone
Double headset UHF wireless microphone system with convenient ABS case for carriage. 200 channels available (100+100) and Auto Scan system of free available frequencies. Infrared rays transmission towards the transmitter for a quick setting. Frontal volume setting independent for each channel, two XLR outputs and one MIX Ø 6,3 mm jack output. Control LED for radio and audio frequency. External power supply included. Rack mount adapters included (1/2 rack).
Samme følelse af de originale tonehjul i orgelens pedal . Den er bare kortere og lettere. Der er kun 18 noter. Perfekt til giggins musikere. Volume pedal medfølger.
1 strømforsyning er inkluderet. Men hvis du spiller det med en Legend eller en Legend Live, behøver du ikke det, pedalboardet er drevet via midi-kabel.
Pedalboard 18 er en MIDI pedalboard, du kan bruge den med andre mærker, med MIDI instrumenter.
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
Another pick with the tri-tip design, the Axis is shaped with very rounded tips, making it a favorite for strumming styles and mandolin players. The wide body gives your fingers additional gripping surface, ensuring the pick stays in your hands even during aggressive play. Also, the identical tips frees you from worrying about the pick turning in your hands since there’s another tip waiting to take over right around the corner. These features makes the Axis a dependable pick for the soft strummer or "banger's" alike.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
Lasts Much Longer Than A Regular
Tanglewood TU3TLCESB Thinline Folk Hybird Cutaway, Spruce Top Mahogany Back and Sides with Tanglewood TEQ QX EQ System Vintage Sunburst Satin
TU3, er en Thinline akustisk/elektrisk guitar. Den føles som en elektrisk guitar, men lyder helt rigtig til dig, som gerne vil spille akustisk, uden feedbackproblemer. Udført i lækker Satin finish, med pickup system under sadlen, som kontrolleres via Belcat EQ systemet. Et helt simpelt Volume/Bass/Treble layout, hvor du kan ”gemme” kontrollerne, når du har indstillet din lyd. Gode krom mekanikker, m/matsorte knapper, samt selvfølgelig batterilåge på bagsiden. En smuk og kompakt guitar !
Finally, a professional string dampener / muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing. The adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!
SM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles
MD - Fits 5-string basses & 6-string classical guitars
LG - Fits 6-string basses & 7- to 8-string guitars
XL - Fits 8- to 12-string basses, Chapman Sticks, double basses & other extended range guitars
PX1
PX1 is a multifunctional foldable music stand. Thanks to its particular design, the product is stable in any position of its use. The board can be removed and folded. This part is made of shock-resistant but flexible ABS, so that to avoid damages due to accidental falls. PX1 Music Stand is equipped with a storage compartment and two retractable holders to hang headphone and violin, cello or double bass bow. Useful also for any other proper use. In case of large music sheets, board extensions named PX1A are available as separate and optional accessories. The extensions are to be connected on the board lateral rails.
Inc. Bag
B115 is a versatile, portable full range active speaker suitable for applications in medium to large venues. The bass-reflex cabinet is equipped with a 15 woofer and a 1.35 compression driver boosted by a 1200 W Class D amp module
LEGEND SOUL ORGANS
Legend Soul line is born thanks to the Viscount centennial experience in projecting and making instruments. Our purpose was creating new digital tonewheels organs able to reproduce the original and iconic 9 contacts effect as much realistic as possible. After several studies, our engineers have managed to perfectly recreate all of them, using a unique technology patented by us. Thanks to that, when you play one of our Legend Soul, you will feel the iconic and realistic sounds of original tonewheels organ, but with all the advantages of the digital ones.
IK Multimedia ARC ON•EAR
Neutral frekvensrespons: ARC ON· EAR bruger præcist målte kalibreringsprofiler til hundredvis af hovedtelefonmodeller. Du får en gennemsigtig lyd, der sikrer et mix, der er klart, afbalanceret og virkelighedstro.
Naturligt stereobillede: I modsætning til plug-ins er ARC ON· EAR avanceret fysisk modellering for at genskabe lyden og adfærden fra rigtige studiemonitorer i et akustisk perfekt kontrolrum. Du får en naturlig fornemmelse af dybde og bredde lige i dine hovedtelefoner!
Med 32-bit ESS SABRE-konvertering®, høj dæmpningsfaktor og ultralav forvrængning får du en lytteoplevelse på audiofil-niveau.
Multi effect pedal
32-bit AD / DA
32-bit floating-point processor and 96 kHz sampling rate
New BOSS DSP engine, specially developed for audio applications
AIRD (Augmented Impulse Response Dynamics) brings BOSS's Tube Logic concept to a digital guitar processor
Allows natural integration of external devices
Extremely dynamically playable amplifiers
Massive selection of effects including BOSS MDP effects such as DD-500, MD-500, RV-500
Amplifiers and effects can be interconnected serially and in parallel
Fast switching of patches with delay / reverb "carryover function"
Innovative stomp box features
Easy operation with a large display and 6 assignable switches
10 Footswitches, integrated freely assignable expression pedal and coloured LEDs
High-resolution tuner in 2 display modes ............
SEE INFO
Active speaker
Loudspeakers: 12"/1"
Digital power amplifier
Power: 1200 W peak, 600 W RMS
Peak SPL: 129 dB
Asymmetrical horn tweeter 100° x85°
XLR and 6.3 jack input
56-Bit DSP
8 Sound presets for the monitor and stand application
2 Separately adjustable inputs with mix output
Multifunctional housing incl. slanted monitor angle
3x M10 rigging points
Dimensions: 350 x 642 x 349 mm
Weight: 14.3 kg
Active high-performance column PA system
1" Compression driver with CD horn
6x 3" Centre speaker
10" Long excursion sub-woofer
Power: 2000 Watt
Class D power amplifier
Maximum level: 126 dB Peak
Frequency response +/- 10 dB: 38 - 20,000 Hz
Horn characteristic: 120° x 30°
24-Bit DSP with storable 5 User Presets: Mode, Master EQ,Delay, Display, Bluetooth
Modes: 3 Basic settings for Music, Voice and DJ
System delay adjustable
Illuminated LC display
4 Channel mixer
2 Switchable mic/line inputs: XLR/jack combo
1 HiZ instrument input
1 RCA stereo input
1 XLR mix output
Bluetooth 5.0 for audio streaming
Variable column construction with or without spacer element
Sub-woofer cabinet made of birch/multiplex wood
Bass dimensions (W x H x D): 36.6 x 62.5 x 54.1 cm
Bass weight: 21 kg
Dimensions of top/spacer (W x H x D): 10.8 x 82.5 x 9.8 cm
Weight of top: 3.9 kg
Weight of spacer: 2 kg
Total height: 2.13 m
Total weight 26.9 kg
Den ikoniske GCB-95 Cry Baby behøver næppe nogen særlig introduktion!
Det er nærmest så sikkert som ammen i kirken at du ikke kan finde en guitarist med respekt for sig selv der ikke ejer, eller har ejet mindst én Cry Baby. Listen af berømtheder der har anvendt Cry Baby er nærmest uendelig; Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan, Joe Bonamassa bare for at nævne nogle få.....
STRING CLEANER
D’Andrea USA’s String Cleaner & Lubricant prolongs string life and renews string tone by removing the oxidation and natural build up from hours of playing. Simply apply to a polish cloth and gently rub the strings up and down to bring your strings back to life while lubricating them for playing ease. Do not apply to any other surfaces other than your strings. Keep your instruments in tip-top shape with our professional line of Guitar Care Products.. Proudly Made in USA!
Med kompressor, EQ, delay, ekko, rumklang og mere
Signalprocessor til lo-fi, forvrængning, radio, ringmodulering og andre ekstraordinære effekter
Pitch korrektion
Vokalharmoni og stemmefordobler
Farve LCD og 3 knapper muliggør intuitiv betjening
Transporttaske og vogn
Til Viscount Legend Live og Legend Soul 261 orgel
Med forstærkede kanter og indvendig polstring
Håndtag
To rummelige sidelommer
Indvendige mål (B x H x D): 101 x 59 x 20 cm
Udvendige mål (B x H x D): 114 x 65 x 26 cm
Vægt: 10,3 kg
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier