A 61-key portable organ for classical music. Thanks to Split Point and Auto Bass functions it's possible to play on two virtual manuals and pedalboard for real pipe organ performances. Three organ styles in a really portable cabinet at a very attractive price! Thanks to the easy-to-use interface and the wide variety of sounds, including ancient stops, Cantorum V meets the needs of many organists, schools or places of worship. All samples are stereo: virtual pipes are positioned in the space in order to emulate a real windchest. Wherever a pipe organ is not available, organists will find Cantorum V an extremely useful and versatile instrument for great performances.
88 keys
Legend '70s : ARTIST W EX FULL VERSION : ( SOUND MODULES : E.PIANO, SOUND COLLECTION, A.PIANO, CLAVI, EXTERNAL- CONTROL FOR EXTERNAL DEVICES )
The LEGEND '70s introduces the new concept of MODULAR STAGE PIANO that allows you to customize the instrument according to your needs. The superb sound quality, thanks to the unique VISCOUNT PM (Physical Modeling) technology and the accurate response of the keyboard, combined into a portable instrument of the highest quality.
BUILT-IN DIGITAL MIXER
B.BEAT Includes a digital mixer to handle 6 separate outputs, two inputs, a Headphone output for Click, return from Mixer and Backing tracks; with 4 handy potentiometers the musician can balance in real time what he wants to hear in headphones during the performance.
With the 6 outputs the tracks that make up the Backing Tracks can be sent to the Stage Mixer.
From any source a Stereo or Mono audio signal can
come back to B.Beat through the two inputs, moreover B.Beat recognizes the Click track and can channel it to any of the 6 available outputs and simultaneously to the headphone output.
BLAXX Distortion pedal for electric guitar
HousingDie-cast metal
Foot switch True bypass
Controls Gain, level and tone
LED indicator On / off
Input and output 6.35 mm (1/4") jack
Power supply 9V external DC adapter (not included) or 9V battery with adapter (not included)
Dimensions 95 x 45 x 48 mm (3.7 x 1.8 x 1.9")
Weight 200 g (0.44 lb)
SPIN-TONE 700
The Spin-Tone amplifiers incorporate an hybrid system with a rotating horn in the upper part and powerful woofers in the lower; a unique Rotary speakers line dedicated to the organist’s needs!
Type 3 ways 3 amplifiers (2 speakers with woofer and tweeter for rotary effect or stationary + rotating driver)
Power (W) Lower 300W + 300W (L+R) - Upper 150W
Max SPL calculated (dB) 127
Crossover Frequency 1.2 Khz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Pedal input gain, Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Speakers 2x10" Woofer, PA Driver with rotating horn
Cabinet Plywood ...........m.m. Se Info
SHAPE Super Folk
TOP Solid Cedar
BACK Solid Mahogany
SIDES Solid Mahogany
FINGERBOARD Rosewood
BRIDGE Rosewood
STRINGS Elixir Nanoweb 12-53
ELECTRONICS LR Baggs Stage Pro Element
FINISH Vintage Sunburst Gloss
Full Specification TW45RVSE
Digital Mixing Console
32 XLR Inputs with Midas preamps
16 XLR outputs
25 Mix buses
8 DCA and 6 Mute groups
8 Stereo effects
40-Bit floating point DSP
25 x 100 mm Motor fader
7" Colour display
32x32 USB Audio Interface
DAW remote control
Wireless Remote Control via IOS App
Dimensions: 891 x 607 x 256 mm
eight: 24.5 kg
Includes DN32-Live Recording and Playback Card
Active Near Field Monitor
Equipment: 5" Woofer and 1" tweeter
2-Way class-D amplifier 82 watts - 41 watts woofer and 41 watts tweeter
Frequency response (+/- 3dB): 49 - 20,000 Hz
Maximum level: 108 dB
Input sensitivity adjustable +4 dBu / -10 dB
Boundary EQ
HF trim switch
Line input XLR and 6.3 mm jack balanced
15 mm MDF housing
Dimensions (HxWxD): 298 x 185 x 231 mm
Weight: 4.73 kg
Price per piece
The Edge is made to take your playing to that next level. This pick features an extremely sharp point with rounded shoulders, but unlike the Classic shape, the Edge has an extra-wide body for a dependable grip during even the most aggressive playing. The Edge gives you a more accurate and articulate sound with better pinch harmonics. Great for all types of picking, from alternate to sweeping, the Edge is made for ultimate accuracy and sound. While it can be played on any guitar, the Edge is designed to bring out the most out of your electric guitar.
Hand-Shaped And Polished By Professionals To Bring You A Quality Product That Cannot Be Matched At This Price Point.
Superior Grip From A High-Grade Transparent Thermoplastic (Polymethyl Methacrylate).
Instant Tone Improvement.
Play Faster And Louder With Our Unique Material And Bevel Design.
Proprietary Beveling System To Give The Most Consistent Bevels Possible.
System Type 2-way bass reflex speaker
Max SPL (@1m) 131 dB
Frequency Response (-10 dB) 51 Hz - 20 kHz
HF 1.75" driver
LF 12” - 3” V.C
Dispersion (HxV) 90° x 40°
Crossover Frequency 1500 Hz
Peak Power 1200 W
Cooling Passive radiator
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 359 x 610 x 350 mm (14.2" x 24" x 13.8")
Weight 21 Kg (46.3 lbs)
PLAYS BACKING TRACKS IN ANY FORMAT, INCLUDES BUILT-IN DIGITAL MIXER WITH EFFECTS AND HARMONIZER, FEATURES A DIGITAL RECORDER WITH SOUND CARD FOR PC/MAC AND MUCH MORE.
DIVO is a high-performance workstation dedicated to solo performers, or small bands.
It is a compact device that includes all the functions necessary for a live performance with the support of Backing Tracks, both Midi and Audio.
With DIVO you don’t need a mixer, you don’t need effects and most importantly you do not need a computer because it can play any backing track. It also has a powerful expander for playing with a master keyboard
Internal storage from 64 Gb to 512 Gb
Mikrofon kabel 9,0 meter XLR - XLR
99% pure Oxigen Free Copper (OFC), totally noiseless thanks to an internal semi-conductive PVC jacket
Audio signal cable with spiral > 94% coverage shield
Low capacitance: 85 pF/m It grants a clean and bright sound that is accurate to its source and high mechanical strenght while having a soft cable
Extremely sturdy: PVC and vulcanised silicone external coating for a maximum flexibility and a long durability
Resin injection to protect internal connections for an eternal duration
Vanguard catchy design
Hybrid connectors: mix between die-cast plastic body and chrome metal body for an exceptional robustness
88 keys
Legend '70s : ARTIST BASIC VERSION : ( SOUND MODULES: E.PIANO,SOUND COLLECTION )
The LEGEND '70s introduces the new concept of MODULAR STAGE PIANO that allows you to customize the instrument according to your needs. The superb sound quality, thanks to the unique VISCOUNT PM (Physical Modeling) technology and the accurate response of the keyboard, combined into a portable instrument of the highest quality.
LEMON OIL CLEANER & CONDITIONER
D’Andrea USA’s Lemon Oil & Conditioner can be used on your entire instrument. This is the first step in restoring and maintaining the finish and playability of your instrument. Apply sparingly to remove layers of dirt, grease, and wax build-up all while conditioning the wood to resist dryness. Keep your instruments in tip-top shape with our professional line of Guitar Care Products. bottles. Proudly Made in USA!
SHAPE Super Folk Cutaway
TOP Solid Mahogany
BACK Mahogany
SIDES Mahogany
FINGERBOARD Maple
BRIDGE Techwood
STRINGS Elixir Nanoweb 12-53
ELECTRONICS Tanglewood Premium Plus
FINISH Barossa Red Gloss
Full Specification TW4 BLW
Multi-Effects Processor for Electric Guitar
Integrated pedalboard with separate amplifier control panel, 5 foot switches and one expression/volume pedal
Coloured LCD touchscreen surface with drag-and-drop and swipe functionality for simple and quick operation
Effects chains with up to 9 effects plus amplifier emulation
Unique amp modelling combinations
Unique distortion and modulation effects
70 Integrated IR emulations and 130 free slots for user-defined IR data
2 Send/Return effect loops and MIDI in/out
Stereo looper with 5 minutes of recording time
68 Integrated rhythm patterns
USB audio interface for direct recording in any DAW
Wireless Bluetooth connection to iOS devices with Guitar Lab via Bluetooth adapter (BTA-1)
Compatible with Zoom Guitar Lab to download additional effects
Includes Zoom AD-19 power supply and quick start guide
Kompakt og lav profil
Bi-amp eller full range
Pole socket
Robust Duraflex kabinet
Specifikationer
Nominel impedanse 8 ohm
Følsomhed 95 dB 1W/1m
Dimensioner (HxBxD) 571 mm x 355 mm x 264 mm
Max Peak SPL 130 dB SPL Peak
Frekvensområde 50 Hz-20 kHz
Frequency Response 75 Hz-20 kHz
Spredning 70˚ × 70˚ nominal
Effekt 800 W / 1600 W / 3200 W (Continuous/Program/Peak)
Input Connectors Two NL4
Vægt 19 kg
MERISH 5:+ The live machine
One single machine to give all you need to play and sing at top level.
Merish5 is the evolution of earlier versions of Merish and it sets the benchmark among the stand alone devices designed for reading, archiving and playing of digital Backing Tracks. Merish5 includes all the best features of the former versions, but it’s been optimized and completely re-designed.
The Galli Musical Strings Company was established by Tommaso Galli in 1890. At that time musical strings were handcrafted using gut.
In 1950 Roberto Galli, Tommaso’s son, joined the firm. Roberto inherited the talent of his father and in time became like his father a great expert, a maestro, in the art of musical string making.
In the 1970s Galli Strings introduced new technologically advanced equipment into their production process. Roberto Galli’s son, Tommaso, joined the company in 1985. Building on his grandfather’s and father’s musical and technical achievements, Tommaso Galli has extended into the twenty-first century the Galli tradition of developing and manufacturing fine musical strings.
BRIDGE PINS – WHITE
D’Andrea USA’s Replacement Bridge Pin Sets are available in black or white and includes six bridge pins along with a matching end pin. Molded from high impact plastic, they fit most acoustic guitar bridges and are easy to install.
Den nye Viscount Legend Solo Orgel fra KeyB giver dig den nemmeste transportabel Orgel løsning.
Én Waterfall Keyboard med høj trigger points for ultra hurtig respons.
Legend Live anvender det nyeste modeleringteknologi i tonehjul.
Nem at afspille
Ny designet ”leslie” og forstærker simulator.
To fulde sæt af Drawbars pr. keyboard.
Forbedret Percussion og key click. (Soft/normal volume).
Effekter: Vibrato/Chorus og Reverb
Hurtig live justering, nemme at betjene.
Ekstern 11 pins Leslie® udgang.
FX send/return
Der er en USB udgang til nodelampe, iPad opladning m.m.
Minilogue. Lige fra introduktionen har den fundet en ærefuld plads blandt moderne analoge polysynths. Den er kompakt. Den er nem at gå til. Den er inspirerende. Men mest af alt - den lyder meget større end den ser ud. Der er med andre ord ikke meget mini over Minilogue. For at fejre succesen har KORG nu produceret en limited edition udgave i begrænset oplag under navnet Minilogue Bass. Samme lyd. Samme saft og kraft. Men ny forklædning og nye presets med særlig fokus på bas.
Analog synthesizer med 4 stemmer
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
1-EFFEKT PEDALER
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