USB Condenser Microphone
Studio quality for the desk
Integrated audio interface with 16 bit / 48 kHz
Class compliant for Mac and PC, no drivers required
IPad-compatible (requires optional Apple Camera Connection Kit, not included!)
Polar pattern: cardioid
Frequency range: 20 to 20'000 Hz
SPL: 110 dB SPL
Dynamic range: 96 dB
JFET impedance converter in SMD board
3.5mm stereo headphone jack with volume control
Balance control (direct sound microphone / playback from the computer)
USB powered .
Peak sounds warm and rich with filthy, biting overdrive. It's an eight-voice desktop polyphonic synthesiser with three New Oxford Oscillators for each voice. The synth has a resonant multi-mode analogue filter for each voice, and three distortion points in an analogue signal chain.
Made famous by the Gretch White Falcon, this stunning guitar with abalone inlay and gold effect hardware is second to none. Comes with dual filtertrons, licensed Bigsby and gold effect hardware! 648mm scaling. Maple neck and rosewood fingerboard and bridge finish the guitar of nicely.
BLAXX 3-mode Distortion pedal for electric guitar
Housing Die-cast metal
Foot switch True bypass
Controls Gain, level and tone
Mode switch Natural, tight or classic
LED indicator On / off
Input and output 6.35 mm (1/4") jack
Power supply 9V external DC adapter (not included) or 9V battery with adapter (not included)
Dimensions 95 x 45 x 48 mm (3.7 x 1.8 x 1.9")
Weight 205 g (0.45 lb)
XVIVE pedals are meticulously designed by our USA Team to bring guitar and bass players professional quality pedals with an original tone at a competitive price. The XVIVE range of pedals continues to grow as we endeavour to bring you more and more exciting yet practical products. We also make our own pedal boards, power supplies, cables and patch leads to cater for all your gigging requirements.
Discover the XVIVE difference!
The USA Design Team
The XVIVE Audio USA Design Team is made up of musicians and engineers who have decades of professional experience.
Howard Davis works as our Chief Designer. He is well known for his many pedal designs for Electro Harmonix (1976 to 1981) and later did design work for Pigtronix (including the Mother Ship analog guitar Synthesizer). He has done independent design work for several artists and we are very happy to have him aboard.
Darius Mostowfi has been a DSP and analog expert.......
keyboard, 61 touch sensitive keys, 2 x 15 watt, with XY-pad
This great new keyboard from Medeli shows that innovation and affordability can go hand in hand. The instrument distinguishes itself by the sampler, DJ styles and the XY pad. With the MK401 Medeli is trying to appeal to a younger group of musicians. Experimenting, creating and making music are the main focus of the MK401!
XY-pad
The XY-pad allows for a simple gesture of the finger to drastically alter the sound. This allows you to give your performance even more expression. There are several presets on board with which you can control different parameters. Below is an overview of the effects that can be controlled.
- LPF (Low Pass Filter)
- HPF (High pass filter)
- Resonance
- Reverb
- Delay
- Sidechain
No idea what is meant above? Don't panic! The MK401's user-friendly interface immediately challenges you to play with all its possibilities.
Synth-8 is a two-oscillators eight-voices synthesizer with a faithful reproduction of a classic american multimode analog filter with saturation, 12dB and 24dB rolloff and gritty resonance. The synth architecture is easy to understand and operate but has unique features: classical waveforms with waveshaping and detuned doubling of the oscillators with “Fat” modes, dedicated envelope for the noise, Ring Mod, Hard Sync for all oscillator modes, velocity controls for filters and envelopes.
Finally, the Unison modes allow stacking up to 8 voices: with “Fat” oscillators this makes a total of 32 detuned oscillators at once! ...... See INFO
Novation Bass Station II, analog Mono-Synthesizer, 25-Keys, Aftertouch can be assigned, two Analog-Filter (Acid and Classic), two Oscillators + additional Sub-Oscillator, flexible Modulation with 2 Envelopes and 2 LFOs, 64 Presets + 64 Slots for User-Patches, Patch-Dump Function, Pattern based Step Sequencer, Arpeggiator, Analog Effect-Section, 1/4" TR Line-Out Mono, 1/4" TR Line-In Mono, Stereo-Headphone Out 1/4" TRS, Sustain-Pedal Connection, MIDI I/O, USB-Connection, USB bus-powered or Power Supply useable. WxDxH: 45,5x27x8
System Type 2-way bass reflex speaker
Max SPL (@1m) 132 dB
Frequency Response (-10 dB) 48 Hz - 20 kHz
HF 1.75" driver
LF 15” - 3” V.C
Dispersion (HxV) 90° x 40°
Crossover Frequency 1450 Hz
Peak Power 1200 W
Cooling Passive radiator
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 427 x 705 x 428 mm (16.8" x 27.8" x 16.9")
Weight 25.9 Kg (57 lbs)
BLAXX Booster pedal for electric guitar
Housing Die-cast metal
Foot switch True bypass
Controls Gain, treble, bass and volume
LED indicator On / off
Input and output 6.35 mm (1/4") jack
Power supply 9V external DC adapter (not included) or 9V battery with adapter (not included)
Dimensions 95 x 45 x 48 mm (3.7 x 1.8 x 1.9")
Weight 205 g (0.45 lb)
Acoustic Piano Module
This Module can be installed on the Legend '70s stage piano.
Legend '70s
Technology
High Definition Sampling (HDS)
Polyphony 128
Sound List
8 Acoustic Pianos
Controls
On/Off, Volume, 8 Piano selector, Dynamic, Brilliance
Dimensions (WxHxD)
17 x 7,5 x 1,5 cm / 6,69' x 2.95' x 0.59'
Weight
0.25 Kg / 0,55 Lbs
Hiwatt is the classic British guitar amplifier that musicians have counted on, both in the studio and on the road, year after year. Built by hand in England, every amplifier is soak-tested before it leaves the factory to serve a new generation of musicians.
Kicking off in the late 1960s, under the guidance of Dave Reeves, Hiwatt gave Marshall a run for their money, contributing hugely to the sonic landscape that became know as ‘The British Sound’. With artists such as The Who and Pink Floyd, the brand was at the forefront of guitar amplification for the remainder of the 1960s and much of the 1970s. Reeves’ untimely death and severe licensing problems threw the trade mark into the doldrums for much of the next two decades.
Hiwatt’s second coming arrived once new trademark owners took control, pursuing an aggressive marketing policy during the present century. This has been proven, with artists such as U2, Oasis, Coldplay and The Black Keys
Legend Exp
If you want the fabulous Legend sound powered by the physical TMT modeling technology, Legend Exp module is the perfect solution for you.
The control panel offers a wide range of buttons and knobs including a series of drawbars that allow you to fully control in real time the extensive features offered by the instrument.
Wireless Type2.4GHz band is optimal for Microphone wireless, Approved for use in worldwide.
Other ApplicationsOnly Working With balance XLR condenser microphones
Audio Frequency Response20Hz – 20KHz(-3dB). Dependent on microphone type or Input signal.
Working Range90ft Actual range depends on RF signal absorption, reflection and interference.
Dynamic Range110dB
Battery LifeUp to 3 ~7 hours
Delay Time5ms Latency, Simultaneous broadcasts on 6 channels
Phantom Power12V Or 48V
This guitar has been the choice of pro musicians of all genres. The versatility of this guitar begins with its solid cedar top that can play sweet mellow passages or power chords with equal ability. The maple back and sides are a perfect reflector for the tone generated by the soundboard and the gloss black finish looks great under the stage lights. The mahogany neck is joined to the body with a traditional, ultra strong dovetail joint.
Includes Takamine’s CT4B II preamp system paired with the unique Palathetic™ under-saddle pickup for peerless amplified response. The highly acclaimed CT4B II preamp system with three-band EQ, volume control and built-in tuner.
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
The Galli Musical Strings Company was established by Tommaso Galli in 1890. At that time musical strings were handcrafted using gut.
In 1950 Roberto Galli, Tommaso’s son, joined the firm. Roberto inherited the talent of his father and in time became like his father a great expert, a maestro, in the art of musical string making.
In the 1970s Galli Strings introduced new technologically advanced equipment into their production process. Roberto Galli’s son, Tommaso, joined the company in 1985. Building on his grandfather’s and father’s musical and technical achievements, Tommaso Galli has extended into the twenty-first century the Galli tradition of developing and manufacturing fine musical strings.
MERISH 5: The live machine
One single machine to give all you need to play and sing at top level.
Merish5 is the evolution of earlier versions of Merish and it sets the benchmark among the stand alone devices designed for reading, archiving and playing of digital Backing Tracks. Merish5 includes all the best features of the former versions, but it’s been optimized and completely re-designed.
Compact speaker system for concerts and conferences
10" subwoofer with amplifiers and mixer
8 x 2" sound line with two spacers
Power: 1500 watts
Digital class-D amplifier
Maximum level: 123 dB
Beam angle: 170° x 30°
Frequency range: 37 - 20000 Hz (-10dB)
Integrated DSP
Built-in 5-channel digital mixer with 8-band EQ, AFS (advanced feedback suppression) and reverb for connecting multiple signals (microphones, instruments, CD or MP3 players)
Dbx gate and compressor per channel
Lexicon effects
3x XLR combo jacks (2x 48 V phantom power)
1x Hi-Z jack input
1x mini jack input
Bluetooth V5 audio streaming
App for iOS and Android
Controls channel 1-3: Gain, bass, mid, treble, reverb
Mic/line inputs channel 1-3: Combination jack 6.3 mm jack / XLR
Channel 4 controls: Gain, bass, mid, treble, reverb
Line input channel 4: 6.3 mm jack
Channel 5 control: Gain, bass, mid, treble, reverb
Aux-in input channel 5: 3.5 mm mini jack
See INFO
AQ1 series
Studio version
100% Birch wood shells
Chrome plated shell hardware
New SmartMount tom holder system for balanced, optimal sustain with smaller hardware footprint
Colour: Piano Black (PB)
Shell set consisting of: 20" x 16" bass drum (with bass drum rosette)
10" x 07" tom tom
12" x 08" tom tom
14" x 13" stand tom
14" x 06" snare drum
Includes double tom holder
Sonor HS2000 Hardware set consisting of:
HH 2000 hi-hat stand - SS 2000 snare drum stand - 2x MBS 2000 V2 mini boom stand -SP 2000 bass drum single pedal
Note: Cymbal and stool not included
System Type Vented stereo sub
Max SPL (@1m) 130 dB
Frequency Response (-10 dB) 45 Hz - Cut freq
LF 15” - 4” V.C
Peak Power 1000 W
Cooling Passive radiator
DSP 28/56 bit
Connectors I/O CH1/CH2: Combo, LINE OUT: XRL-M (LINK+XOVER)
Controls LEVEL, XOVER selection, POLARITY selection
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 430 x 580 x 590 mm (16.9" x 22.8" x 23.2")
Weight 31.9 kg (70.32 lbs)
Contemporanea 30 cm x 20 cm Caisse Malacacheta, Aluminum Shell, 6-tune Lugs, Pro Series -Top Instrument for professionell Players, identical to the Snare Drum of a Drum Kit it has a metal Snare fixed on the skin and makes a crackling Sound wich links the various Sound of the Band, included Tuning Key,