STRAP BUTTONS – CROME
Keep your strap anchored to your favorite electric or bass guitar with D’Andrea’s Strap Buttons! Each strap button comes as a set (2 units for instrument and strap) and attaches to instrument by replacing the existing strap pins/screws. Each set is precision-machined and is built with extra wide flange which provides an edge for ultimate durability. Available in three finishes: black, chrome and gold
DuoStrap Neo
Proven comfort. At a more comfortable price.
This is what you've been waiting for: The DuoStrap Neo is our answer to the search for the most comfortable, ergonomically-correct, AND affordable guitar and bass strap. Endorsed by professionals including Dr. Randall Kertz, renowned chiropractor and physician, the DuoStrap's patent-pending balanced weight distribution offers unmatched comfort like its Signature counterpart, thoughtfully constructed with synthetic materials! Significantly reduces shoulder pain and strain while keeping a natural and comfortable playing position.
The DuoStrap Neo comes in all-black 3.25" wide soft-rolled neoprene, with lengths adjustable from 33" to 44" and an extra-long option that brings the total usable length to 51".
Novation Bass Station II, analog Mono-Synthesizer, 25-Keys, Aftertouch can be assigned, two Analog-Filter (Acid and Classic), two Oscillators + additional Sub-Oscillator, flexible Modulation with 2 Envelopes and 2 LFOs, 64 Presets + 64 Slots for User-Patches, Patch-Dump Function, Pattern based Step Sequencer, Arpeggiator, Analog Effect-Section, 1/4" TR Line-Out Mono, 1/4" TR Line-In Mono, Stereo-Headphone Out 1/4" TRS, Sustain-Pedal Connection, MIDI I/O, USB-Connection, USB bus-powered or Power Supply useable. WxDxH: 45,5x27x8
PN PURE NICKEL ELECTRIC, " Warm and Vintage tone" ! Pure nickel is an alternative to the brighter tone of nickel-plated.
In 50` it was the primary strings alloy. These strings provide a warm and vintage sound perfect for traditional blues,classic rock,rockabilly and more.....
Entertainer Keyboard
61 Semi-weighted, velocity-sensitive keys with aftertouch
464 Voices with 3 different sounds each
62 Drum kits and 580 live drums
Dual/Layer
Split
Over 400 styles
4 Nanks with unlimited registrations each
216-Voice polyphonic
7" Touch screen display
15 Sliders with LED indicator
8 Pots
Pitch bend and modulation wheel
Audio and MIDI recording
Audio player with 5+1 multitracks
2 Separate players
Effects: DSP (reverb, chorus, flanger, overdrive, distortion, tremolo, autopan, equaliser, etc.)
3-Voice vocalist for mic input 1
240 GB SSD (80 GB for system)
SD card slot (up to 512 GB)
1 GB user sample memory
Bluetooth audio input
WiFi network connection to Ketron app
Dimensions (W x D x H): 925 x 365 x 125 mm
System Type 2-way bass reflex speaker
Max SPL (@1m) 125 dB
Frequency Response (-10 dB) 63 Hz - 20 kHz
HF 1.35" driver
LF 8” - 2” V.C
Dispersion (HxV) 90° x 70°
Crossover Frequency 1800 Hz
Peak Power 400 W
Cooling Fan
DSP 28/56 bit
Advanced Functions FIR Filters
Connectors I/O CH1: Combo, CH2: XLR-F + 6.35 mm jack (1/4”), LINE OUT: XLR-M
Controls Channel level, MAIN level, PRESET, Channel 1 sensitivity, LINK/MIX output
Cabinet Multilayer wood with polyurea finish
Dimensions (W x H x D) 264 x 440 x 260 mm (10.4" x 17.3" x 10.3")
Weight 10.9 kg (24 lbs)
B.BEAT
THE BEAT MASTER
B.Beat PRO16 is perfect for Live performances with Stereo Sequences or up to 24 Tracks, also with Video, Text and Images. B.Beat PRO16 includes 16 Out and 12 In with sound card for PC and MAC. It plays backing tracks, video and lyrics on 2 HDMI outputs, records up to 12 channels. With B.Beat PRO16 on stage you don’t need additional Computers, Tablets, Sound/Video Cards, Cables, Mixers: B.Beat PRO16 manages the Sequences and lets you enjoy the pleasure of playing, without worries.
Active Column PA System
2000 W Class D power amplifier
Max. SPL (sound pressure level): 127 dB
Frequency response: +/- 10 dB, 35 - 20,000 Hz
Horn characteristics: 120° x 30°
1" Compression driver with CD horn
6x 3" Midrange speakers
12" Bass speaker in the subwoofer
Various possibilities for setting up the column system by removing or implementing the spacer
4-Channel mixer
24-Bit DSP with 5 storable user presets (Mode, Master EQ, Delay, Display, Bluetooth)
3 Sound modes: Music, Voice, DJ
Adjustable system delay
Backlit LCD display
2 Switchable mic/line inputs: XLR/jack combo
1 Hi-Z Instrument input: Jack
1 Stereo input: RCA
1 Mix output: XLR
Bluetooth 5.0 for audio streaming
Subwoofer housing is made of birch/plywood
Bass dimensions (W x H x D): 36.6 x 67.5 x 54.1 cm
Bass weight: 22.1 kg
Top/Spacer dimensions (W x H x D): 10.8 x 82.5 x 9.8 cm
Weight of the top: 3.9 kg
Spacer weight : 2 kg
Total height: 2.18 m
Total weight: 28 kg
STRAP BUTTONS – GOLD
Keep your strap anchored to your favorite electric or bass guitar with D’Andrea’s Strap Buttons! Each strap button comes as a set (2 units for instrument and strap) and attaches to instrument by replacing the existing strap pins/screws. Each set is precision-machined and is built with extra wide flange which provides an edge for ultimate durability. Available in three finishes: black, chrome and gold
Carlsbro VIPER 60.
Bas Forstærker.
60 Watt Solid State Stabilitet.
1 X 12" Combo.
Fuld afrundet bastone med fuld EQ-sektion bas/mellem/diskant.
CD / MP3 indgang.
LEMON OIL CLEANER & CONDITIONER
D’Andrea USA’s Lemon Oil & Conditioner can be used on your entire instrument. This is the first step in restoring and maintaining the finish and playability of your instrument. Apply sparingly to remove layers of dirt, grease, and wax build-up all while conditioning the wood to resist dryness. Keep your instruments in tip-top shape with our professional line of Guitar Care Products. bottles. Proudly Made in USA!
BURNS SHADOWS BASS
Burns® London erhvervede den oprindelige Shadows bass i 2005, hvilket inspirerede os til at genudgivelse denne fantastisk bas guitar, men i en begrænset antal.
Ukulele Bass BLACK NYLON UXB810® strings are unique strings with a strong consistent sound. This synthetic core string wound with black nylon is a new revolutionary project never introduced before. It changes the way of playing the Ukulele bass, making its sound brighter and more powerful. A truly innovative string with sonority very similar to the timbre of the double bass
DIAMETER TENSION
CAT. N. NOTE DESCRIPTION INCH MM LBS KG
UXB811 G-1st Black Nylon wound on Synthetic core - - - -
UXB812 D-2nd Black Nylon wound on Synthetic core - - - -
UXB813 A-3rd Black Nylon wound on Synthetic core - - - -
UXB814 E-4th Black Nylon wound on Synthetic core - - - -
Analogue Bass Line Synthesiser
Fully analog signal path from VCO, VCF and VCA
VCO switchable between sawtooth and rectangular waveform
4-Pole low-pass filter with resonance
VCF envelope intensity and envelope decay adjustable
Adjustable accent
Integrated distortion with tone control
16-Step sequencer with 250 pattern memory locations
Poly-chaining of up to 16 devices possible
Audio input for sound processing of external sources: 3.5 mm Jack
Sync In & CV/gate outputs: 3.5 mm Jack
Stereo headphone output: 3.5 mm Jack
Line output: 6.3 mm Jack
USB-MIDI and MIDI In/Out
Colour: Silver
Includes power supply (9 V DC)
Dimensions (H x W x D): 56 x 305 x 165 mm
Weight: 0.8 kg
SPIN-TONE 700
The Spin-Tone amplifiers incorporate an hybrid system with a rotating horn in the upper part and powerful woofers in the lower; a unique Rotary speakers line dedicated to the organist’s needs!
Type 3 ways 3 amplifiers (2 speakers with woofer and tweeter for rotary effect or stationary + rotating driver)
Power (W) Lower 300W + 300W (L+R) - Upper 150W
Max SPL calculated (dB) 127
Crossover Frequency 1.2 Khz
Subsonic filter Yes
HF Protection compressor, short circuit, thermal
PC Control Yes
Connections 3 pins IEC 250 VAC, 2x balanced input jacks, jack pedal, USB B TYpe, MIDI IN, UNDECAL 11 pin connector
Controls Pedal input gain, Volume, Equalizer (bass - mid gain - mid frequency - treble), 11 pin input sensitivity, FACTORY RESET, rotative presets selector
Speakers 2x10" Woofer, PA Driver with rotating horn
Cabinet Plywood ...........m.m. Se Info
Stunning full hollowbody guitar with double cutaway, licensed Bigsby, 648mm scaling, rosewood fingerboard and bridge. Body is constructed from solid maple top (yes solid ) , and laminated back and sides! Finished in deep wine colouring with abalone inlay and gold effect hardware!
88 keys
Legend '70s : ARTIST W BASIC VERSION : ( SOUND MODULES: E.PIANO,SOUND COLLECTION )
The LEGEND '70s introduces the new concept of MODULAR STAGE PIANO that allows you to customize the instrument according to your needs. The superb sound quality, thanks to the unique VISCOUNT PM (Physical Modeling) technology and the accurate response of the keyboard, combined into a portable instrument of the highest quality.
‘The British Sound’
Formidable weaponry
It was the Who’s John Entwistle who first traded in his Marshall stacks in favour of Sound City at the beginning of 1967, and Pete Townshend followed later that year.
At this time, Dave Reeves was providing Sound City with the amplifiers, OEM. They were the first in a lineage of amplifiers that would quickly evolve into Hiwatt.
Also, around this time, Jimi Hendrix and his manager Chas Chandler approached Townshend, asking for his opinion on amplification. He told them that he had stopped using Marshall, as he thought Sound City were better. The Jimi Hendrix Experience subsequentlystarted using Sound City rigs, but set them up together with their Marshall stacks instead of replacing them.
In late 1968, The Who approached Dallas Arbiter, the makers of Sound City, asking if their equipment could be modified slightly. This request was denied, but independent amp designer and manufacturer Dave Reeves agreed, and created customised L100 amplifier
What's In The Box
1 x f5 Snare Microphone
3 x f2 Rack and Floor Tom Microphones
1 x f6 Kick Drum Microphone
2 x f9 Overheads Microphones
6 x DCLIP Microphone Clips
4 x DFLEX Microphone Clips
1 x MC1 Microphone Clip
Aluminum Road Case
STRING CLEANER
D’Andrea USA’s String Cleaner & Lubricant prolongs string life and renews string tone by removing the oxidation and natural build up from hours of playing. Simply apply to a polish cloth and gently rub the strings up and down to bring your strings back to life while lubricating them for playing ease. Do not apply to any other surfaces other than your strings. Keep your instruments in tip-top shape with our professional line of Guitar Care Products.. Proudly Made in USA!
Arranger Keyboard
61 Semi-weighted, velocity-sensitive keys with aftertouch
128 Voice polyphony
Sound engine: EDS-X (Enhanced Definition Synthesis - eXpanded)
Resonance-capable filters
3-Band EQ for every sound
Defined Nuance Control
Resonance-capable filter
More than 1750 factory sounds - including multilayer stereo piano with damper pedal and body resonances
GM/XG sound sets and 107 drum kits
More than 430 styles
Digital drawbar organ
Metronome
Transpose
Internal memory: 960 MB
PCM user memory: 300 MB compressed
148 Master effect types
MP3 and MP3+G capable
MP3 Player/Recorder
Pressure-sensitive 7" TFT TouchView colour display
16 Track backing sequencer
Lyric indicator on display
4 Definable pads
Micro SD card slot
Headphone connector
Video Out
1 RCA jack
MIDI In/Out
USB-Host (2.0)
USB-Device (2.0)
Damper pedal connection
Definable foot switch connection
Speakers: 2 x 33 Watt
Dimensions (W x D x H): 1,030 x 378.3 x 133 mm
Weight: 10.75 kg
Hiwatt is the classic British guitar amplifier that musicians have counted on, both in the studio and on the road, year after year. Built by hand in England, every amplifier is soak-tested before it leaves the factory to serve a new generation of musicians.
Kicking off in the late 1960s, under the guidance of Dave Reeves, Hiwatt gave Marshall a run for their money, contributing hugely to the sonic landscape that became know as ‘The British Sound’. With artists such as The Who and Pink Floyd, the brand was at the forefront of guitar amplification for the remainder of the 1960s and much of the 1970s. Reeves’ untimely death and severe licensing problems threw the trade mark into the doldrums for much of the next two decades.
Hiwatt’s second coming arrived once new trademark owners took control, pursuing an aggressive marketing policy during the present century. This has been proven, with artists such as U2, Oasis, Coldplay and The Black Keys